{"id":2023565,"date":"2022-06-07T13:55:05","date_gmt":"2022-06-07T12:55:05","guid":{"rendered":"https:\/\/exindex.hu\/?p=2023565"},"modified":"2022-07-06T14:11:06","modified_gmt":"2022-07-06T13:11:06","slug":"english-art-of-the-holocaust-until-1989-beyond-an-east-west-divide","status":"publish","type":"post","link":"https:\/\/exindex.hu\/en\/hirek\/english-art-of-the-holocaust-until-1989-beyond-an-east-west-divide\/","title":{"rendered":"Art of the Holocaust until 1989: Beyond an East\/West Divide"},"content":{"rendered":"

\"\"<\/a><\/p>\r\n

Budapest & online, 8\u201310 June, 2022<\/p>\r\n

Organized by: Central European University (CEU) Jewish Studies Program, in cooperation with the Museum of Fine Arts \u2013 Central European Research Institute for Art History (KEMKI)
\r\nDownloadable programme and conference booklet:
\r\nhttps:\/\/jewishstudies.ceu.edu\/artoftheholocaust<\/a>
\r\nRegistration for the online streaming (required):
\r\nhttps:\/\/ceu-edu.zoom.us\/meeting\/register\/tJMpf-2hrj4iG9ArioykMj1DAdAuq0AZB5K-<\/a>
\r\nRegistration for attending in person (required):
\r\nhttps:\/\/forms.gle\/8q9QZLZV1YZo1Ckc9<\/a><\/p>\r\n

PROGRAMME<\/p>\r\n

DAY 1
\r\nWednesday, June 8, 2022<\/strong>
\r\nlocation: CEU (Budapest V. N\u00e1dor u. 15.<\/a> \/ N15, room 101)
\r\n
\r\n9.00\u20139.30
\r\nRegistration
\r\n9.30\u201310.00
\r\nWelcoming remarks
\r\nAndr\u00e1s Kov\u00e1cs, Michael L. Miller (CEU)
\r\nIntroduction
\r\nAgata Pietrasik (Freie Universit\u00e4t, Berlin), Daniel V\u00e9ri (CEU\/KEMKI)
\r\n10.00\u201311.00
\r\nKeynote lecture
\r\nRachel Perry (University of Haifa)
\r\nGraphic Witnessing \u201cAfter Auschwitz\u201d: The Album as Medium<\/em>
\r\n11.00\u201311.30
\r\nCoffee break
\r\n11.30\u201313.00
\r\nPANEL I: WARTIME AND EARLY POSTWAR ARTISTIC PRACTICES
\r\nchair: Agata Pietrasik (Freie Universit\u00e4t, Berlin)
\r\nPawe\u0142 Michna (Jagiellonian University, Krak\u00f3w)
\r\n“Excellent tables and photomontages clearly illustrate all aspects of ghetto life.” Visual Communication Strategies of the \u0141\u00f3d\u017a Ghetto<\/em>
\r\nKatharina Langolf (University of Potsdam)
\r\nMark Zhitnitski in the Gulag: Drawing the Shoah in \u201ca Remote Corner of the Country\u201d<\/em>
\r\nElla Falldorf (Friedrich Schiller University, Jena)
\r\nMore than Symbols of Resistance? Images of Solidarity in Concentration Camps and their Transformation in the Aftermath of the Holocaust<\/em>
\r\n13.00\u201314.15
\r\nLunch break
\r\n14.15\u201315.45
\r\nPANEL II: WARTIME AND EARLY POSTWAR ARTISTIC PRACTICES AND EXHIBITIONS
\r\nchair: L\u00f3r\u00e1nt B\u00f3di (HAS, RCH Institute of History, Budapest)
\r\nAnastasia Simferovska (Northwestern University, Chicago)
\r\n\u201cI Inscribe Myself into the Book\u201d: Visitors Respond to Poland\u2019s First Holocaust Art Shows<\/em>
\r\nOlga Stefan (University Alexandru Ioan Cuza, Ia\u0219i)
\r\nArt of the Holocaust in Romania: Vapniarka as a Case Study<\/em>
\r\nYelena Lembersky (The Uniterra Foundation, Arlington)
\r\nFelix Lembersky’s Babyn Yars. The Paintings and How Soviets Suppressed the Art of the Holocaust<\/em>
\r\n15.45\u201316.15
\r\nCoffee break
\r\n16.15\u201317.45
\r\nPANEL III: REPRESENTING THE HOLOCAUST IN FOLK AND VERNACULAR ART
\r\nchair: Krist\u00f3f Nagy (CEU\/KEMKI)
\r\nRoma Sendyka (Jagiellonian University, Krak\u00f3w)
\r\nErica Lehrer (Concordia University, Montreal)
\r\nHolocaust-Themed Folk (Na\u00efve) Art in Poland (1945\u20131989)<\/em>
\r\nMagdalena Walig\u00f3rska (Humboldt University, Berlin)
\r\nTransactions over Polish Holocaust-Themed Folk Art in West and East Germany as a Mode of Polish\u2013German Reconciliation<\/em>
\r\nMagdalena Zych (Krak\u00f3w Ethnographic Museum)
\r\nVernacular Memory of the Holocaust. The Art of W\u0142odzimierz Chajec (1904\u20131985) and J\u00f3zef Pi\u0142at (1900\u20131971)<\/em>
\r\n19.00
\r\nDinner for the participants
\r\n***
\r\nDAY 2
\r\nThursday, June 9, 2022
\r\nlocation: KEMKI (Budapest XIII. Szabolcs u. 33-35.<\/a> OMRRK campus, building C)
\r\n
\r\n10.00\u201310.15
\r\nWelcoming remarks
\r\nD\u00e1vid Feh\u00e9r, Emese K\u00fcrti (KEMKI)
\r\n10.15\u201311.45
\r\nPANEL IV: HOLOCAUST REPRESENTATIONS DURING THE COLD WAR
\r\nchair: D\u00e1vid Feh\u00e9r (KEMKI)
\r\nMariann Farkas (Bar-Ilan University, Ramat Gan)
\r\nRepresentation of the Holocaust by Hungarian Israeli Artists before 1989: Comparative Case Study of H\u00e9di Tarj\u00e1n\u2019s Works<\/em>
\r\nPiotr S\u0142odkowski (Academy of Fine Arts, Warsaw)
\r\nInformel and the Fight for the Memory of the Holocaust. Figures by Marek Oberl\u00e4nder as Totems<\/em>
\r\nEckhart J. Gillen (Filmuniversit\u00e4t Potsdam-Babelsberg)
\r\nBoris Lurie: Searching for Truth in Images on the German Genocide of European Jews<\/em>
\r\n11.45\u201312.00
\r\nCoffee break
\r\n12.00\u201313.30
\r\nPANEL V: HOLOCAUST REPRESENTATIONS DURING THE COLD WAR
\r\nchair: Agata Pietrasik (Freie Universit\u00e4t, Berlin)
\r\nMirjam Rajner (Bar-Ilan University, Ramat Gan)
\r\nAdolf Weiller\u2019s \u201cMartyrdom Cycle\u201d: Official and Unofficial Holocaust Art in Socialist Yugoslavia<\/em>
\r\nAsta Vre\u010dko (University of Ljubljana)
\r\nDepicting Suffering in Concentration Camps: Slovenian Artists Based in Socialist Yugoslavia and in the West<\/em>
\r\nNata\u0161a Ivanovi\u0107 (Lah Contemporary Research Centre, Ljubljana\/Bled)
\r\nTomorrow May Be Too Late: Landscape of Holocaust in Zoran Mu\u0161i\u010d\u2019s Oeuvre<\/em>
\r\n13.30\u201314.30
\r\nLunch break
\r\n14.30\u201316.30
\r\nPANEL VI: THE ICONOGRAPHY OF THE HOLOCAUST IN EASTERN EUROPE AND BEYOND
\r\nchair: Daniel V\u00e9ri (CEU\/KEMKI)
\r\nTamara Kohn (Seminario Rabinico Latinoamericano, Buenos Aires)
\r\nArt and the Holocaust in Argentina before the Institutionalization of Memory<\/em>
\r\nAmelia Miholca (Arizona State University, Phoenix)
\r\nRomanian Holocaust Art<\/em>
\r\nEva Jan\u00e1\u010dov\u00e1 (Academy of Sciences of the Czech Republic, Prague)
\r\nArt of the Holocaust in Czechoslovakia: Fritz Lederer and Leo Haas<\/em>
\r\nJ\u00fcrgen Joseph Kaumk\u00f6tter (Center for Persecuted Arts, Solingen)
\r\nPlaces and Meanings. The Iconography of Holocaust Art in East and West Europe<\/em>
\r\n16.30\u201317.00
\r\nCoffee break
\r\n17.00\u201317.15
\r\nDaniel V\u00e9ri (CEU\/KEMKI)
\r\nRecycled Memory: Hungarian Exhibitions in Auschwitz<\/em> (on-site visit at KEMKI)
\r\n***
\r\nDAY 3
\r\nFriday, June 10, 2022
\r\nlocation: CEU (Budapest V. N\u00e1dor u. 15.<\/a> \/ N15, room 101)
\r\n
\r\n10.00\u201311.30
\r\nPANEL VII: WARTIME AND EARLY POSTWAR ARTISTIC PRACTICES AND EXHIBITIONS
\r\nchair: Rachel Perry (University of Haifa)
\r\nGalina Lochekhina (University of Haifa)
\r\nRepresentation of Sexualized Violence in Women\u2019s Graphic Novels: Naomi Judkowski and Eufrosinia Kersnovskaya<\/em>
\r\nKlara Jackl (University of Haifa)
\r\nThe Pictorial Diary of Dr. Henryk Beck<\/em>
\r\nPaul Bernard-Nouraud (Paris 1 Panth\u00e9on-Sorbonne University)
\r\nPost-Holocaust Art and Post-Memory Art: a Reevaluation<\/em>
\r\n11.30\u201312.00
\r\nCoffee break
\r\n12.00\u201313.30
\r\nPANEL VIII: OFFICIAL COMMEMORATIONS OF THE HOLOCAUST
\r\nchair: Zolt\u00e1n K\u00e9kesi (Center for Research on Antisemitism, Berlin)
\r\nSamuel D. Gruber (Syracuse University \/ International Survey of Jewish Monuments, Syracuse)
\r\nHumanizing the Holocaust: The Search for a Figurative Memorial Language<\/em>
\r\nEirene Campagna (IULM University, Milan)
\r\nThe Representation of the Shoah before 1989: the Case of the Museum Monument to the Deportee (Carpi) and the Memorial to the Italians in Auschwitz (Block 21)<\/em>
\r\nOlga Ungar (independent researcher, Givatayim)
\r\nThe Remembrance Triangle: The Case Study of Holocaust Memorials in Novi Sad, Serbia<\/em>
\r\n13.30
\r\nLunch
\r\n*
\r\norganized by: Agata Pietrasik, Daniel V\u00e9ri<\/p>","protected":false},"excerpt":{"rendered":"

Budapest & online, 8\u201310 June, 2022 Organized by: Central European University (CEU) Jewish Studies Program, in cooperation with the Museum of Fine Arts \u2013 Central European Research Institute for Art History (KEMKI) Downloadable programme and conference booklet: https:\/\/jewishstudies.ceu.edu\/artoftheholocaust Registration for the online streaming (required): https:\/\/ceu-edu.zoom.us\/meeting\/register\/tJMpf-2hrj4iG9ArioykMj1DAdAuq0AZB5K- Registration for attending in person (required): https:\/\/forms.gle\/8q9QZLZV1YZo1Ckc9 PROGRAMME DAY 1 […]<\/p>\n","protected":false},"author":2,"featured_media":2023567,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2023565","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts\/2023565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/comments?post=2023565"}],"version-history":[{"count":2,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts\/2023565\/revisions"}],"predecessor-version":[{"id":2024277,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts\/2023565\/revisions\/2024277"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/media\/2023567"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/media?parent=2023565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/categories?post=2023565"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/tags?post=2023565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}