{"id":2025657,"date":"2022-11-01T18:26:48","date_gmt":"2022-11-01T17:26:48","guid":{"rendered":"https:\/\/exindex.hu\/?p=2025657"},"modified":"2022-11-03T09:27:47","modified_gmt":"2022-11-03T08:27:47","slug":"hogyan-terjedt-el-a-kortars-muveszet-kelet-europaban","status":"publish","type":"post","link":"https:\/\/exindex.hu\/en\/hirek\/hogyan-terjedt-el-a-kortars-muveszet-kelet-europaban\/","title":{"rendered":"How Eastern Europe got the Idea of Contemporary Art?"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2025659 size-full\" src=\"https:\/\/exindex.hu\/wp-content\/uploads\/webinar.jpg\" alt=\"\" width=\"960\" height=\"503\" srcset=\"https:\/\/exindex.hu\/wp-content\/uploads\/webinar.jpg 960w, https:\/\/exindex.hu\/wp-content\/uploads\/webinar-360x189.jpg 360w, https:\/\/exindex.hu\/wp-content\/uploads\/webinar-768x402.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/p>\r\n<p><a href=\"https:\/\/www.facebook.com\/events\/503247894670755\" target=\"_blank\" rel=\"noopener\">https:\/\/www.facebook.com\/events\/503247894670755<\/a><\/p>\r\n<p><strong>2022. november 2. 17:00<\/strong><\/p>\r\n<p>How did contemporary art and the post-socialist transition come together? How did artistic trends relate to the political-economic transformations in the Eastern Bloc? This webinar aims to answer these questions by placing Octavian Esanu\u2019s new volume, The postsocialist contemporary, into the focus. By discussing Esanu\u2019s account of the role of the Soros Centers for Contemporary Art, which mushroomed in the ex-socialist countries throughout the 1990s, the webinar offers not only a historical but also a critical angle to the ideological, economic, and artist transfigurations of postsocialism. The conversation around the SCCA network, or Sorosart, also leads to questions regarding the impact of the post-socialist contemporary on global art, and\/or the broader institutionalization of art in the aftermath of 1989.<\/p>\r\n<p>This event \u2013 organized by the Central European Research Institute for Art History (KEMKI) of the Museum of Fine Arts Budapest \u2013 is part of these institutions\u2019 ongoing research into the art of the 1980s. The first Soros Art Center in the region was established in Budapest in the mid-1980s, which makes Hungary a great place to begin unraveling the local, regional and global implications of the artistic and ideological transformations in the last decades of the 20th century.<\/p>\r\n<p>Participants:<br \/>\r\nOctavian Esanu (American University of Beirut, ARTMargins)<br \/>\r\nAngela Harutyunyan (American University of Beirut, ARTMargins)<br \/>\r\nSven Spieker (UC Santa Barbara, ARTMargins)<br \/>\r\nKarolina \u0141abowicz-Dymanus (Polish Academy of Sciences, The Institute of Art)<br \/>\r\nKrist\u00f3f Nagy (KEMKI)<\/p>\r\n<p>Octaviann Esanu\u2019s book <i>The postsocialist contemporary: The institutionalization of artistic practice in Eastern Europe after 1989<\/i> <a href=\"https:\/\/academic.oup.com\/manchester-scholarship-online\/book\/42421\" target=\"_blank\" rel=\"noopener\">came out<\/a> with Manchester University Press in November 2021.<\/p>\r\n<p>The event will be live-streamed on the KEMKI&#8217;s Facebook page.<\/p>","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.facebook.com\/events\/503247894670755 2022. november 2. 17:00 How did contemporary art and the post-socialist transition come together? How did artistic trends relate to the political-economic transformations in the Eastern Bloc? This webinar aims to answer these questions by placing Octavian Esanu\u2019s new volume, The postsocialist contemporary, into the focus. By discussing Esanu\u2019s account of the role of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2025659,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2025657","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts\/2025657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/comments?post=2025657"}],"version-history":[{"count":2,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts\/2025657\/revisions"}],"predecessor-version":[{"id":2025701,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts\/2025657\/revisions\/2025701"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/media\/2025659"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/media?parent=2025657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/categories?post=2025657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/tags?post=2025657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}