{"id":400392,"date":"2007-11-14T23:00:00","date_gmt":"2007-11-14T23:00:00","guid":{"rendered":"https:\/\/exindex.hu\/?p=400392"},"modified":"2022-04-16T14:34:47","modified_gmt":"2022-04-16T13:34:47","slug":"documenta12-folyoirat-projekt","status":"publish","type":"post","link":"https:\/\/exindex.hu\/en\/tema\/documenta12-folyoirat-projekt\/","title":{"rendered":"documenta12 magazines"},"content":{"rendered":"
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documenta12<\/i> magazines<\/a><\/div>\r\n
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documenta<\/i> magazines<\/b><\/a><\/p>\r\n

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Introduction<\/b><\/a><\/p>\r\n

Is modernity our Antiquity?<\/i><\/p>\r\n

Edit Andras:
\r\nModernity is our antiquity, or is it?<\/b><\/a><\/p>\r\n

Gabor Andrasi:
\r\nDeep Sea Fish<\/b><\/a>
\r\nModernity as antiquity in contemporary Hungarian art<\/p>\r\n

Gabor Bora:
\r\nPostscript to a Future<\/b><\/a><\/p>\r\n

Maja and Reuben Fowkes:
\r\nSensuous Resistance<\/b><\/a>
\r\nThe legacy of modernism for sustainable art<\/p>\r\n

Csaba Nemes:
\r\nABC-CBA<\/b><\/a><\/p>\r\n

Levente Polyak:
\r\nUrban Spaces of Periphery, or the rediscovery of the Ledges of Budapest<\/b><\/a><\/p>\r\n

Societe Realiste:
\r\nVersade<\/b><\/a><\/p>\r\n

Erzsebet Tatai:
\r\nThe Trials of the Modernist Work of Art and the Artist Myth<\/b><\/a><\/p>\r\n

What is bare life?<\/i><\/p>\r\n

Juszuf Istvan Antal:
\r\nTo Live a Life<\/b><\/a><\/p>\r\n

Andr\u00e1s M\u00fcllner:
\r\nThe Fiction of \u2018Bare Life\u2018<\/b><\/a>
\r\nHow performatives function in neo-avantgarde works of art<\/p>\r\n

M\u00e1ri\u00f3 Nemes Z.:
\r\nTibor Hajas and the Sacred Body<\/b><\/a>
\r\nDestructive body-art and the homo sacer<\/p>\r\n

What is to be done?<\/i><\/p>\r\n

\u00c1d\u00e1m T\u00e1bor:
\r\nConcourse at the centre<\/b><\/a><\/p>\r\n

S\u00e1ndor Hornyik:
\r\nA ‘post-neo-avant-garde’ utopia realized<\/b><\/a>
\r\nOn Mikl\u00f3s Erd\u00e9ly\u2019s art pedagogy<\/p>","protected":false},"excerpt":{"rendered":"

\u00a0 documenta12 magazines \u00a0   documenta magazines   Introduction Is modernity our Antiquity? Edit Andras: Modernity is our antiquity, or is it? Gabor Andrasi: Deep Sea Fish Modernity as antiquity in contemporary Hungarian art Gabor Bora: Postscript to a Future Maja and Reuben Fowkes: Sensuous Resistance The legacy of modernism for sustainable art Csaba Nemes: […]<\/p>\n","protected":false},"author":1,"featured_media":630386,"parent":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-400392","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tema"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts\/400392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/comments?post=400392"}],"version-history":[{"count":13,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts\/400392\/revisions"}],"predecessor-version":[{"id":2022295,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/posts\/400392\/revisions\/2022295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/media\/630386"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/media?parent=400392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/categories?post=400392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/en\/wp-json\/wp\/v2\/tags?post=400392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}