![\"\"](\"https:\/\/exindex.hu\/wp-content\/uploads\/praznik.jpg\")
<\/p>\r\n<\/p>\r\n
2022. j\u00fanius 14. (kedd) 18.00
\r\nKEMKKI (Budapest XIII. Szabolcs utca 33-35), OMRRK kampusz C-\u00e9p\u00fclet<\/p>\r\n
Katja Praznik szlov\u00e9n kult\u00farakutat\u00f3, a University at Buffalo Arts Management Program munkat\u00e1rs\u00e1nak frissen megjelent Art Work: Invisible Labour and the Legacy of Yugoslav Socialism<\/i> (Toronto: University of Toronto Press, 2021) k\u00f6tete \u00faj perspekt\u00edv\u00e1t nyit az 1980-as \u00e9vek kelet-eur\u00f3pai m\u0171v\u00e9szet\u00e9nek kutat\u00e1s\u00e1hoz.<\/p>\r\n
Praznik amellett \u00e9rvel, hogy a m\u0171v\u00e9szeti alkot\u00e1s munkak\u00e9nt val\u00f3 \u00e9rtelmez\u00e9s\u00e9n kereszt\u00fcl \u00e9rthetj\u00fck meg, hogy az 1980-as \u00e9vek alternat\u00edv m\u0171v\u00e9szet\u00e9nek egyes alkot\u00f3it hogyan nyomta el, m\u00e1sokat pedig hogyan olvasztotta mag\u00e1ba a k\u00e9s\u0151szocialista jugoszl\u00e1v rezsim.
\r\n
\r\nKatja Praznik el\u0151ad\u00e1sa a KEMKI Kutat\u00e1si Oszt\u00e1ly\u00e1nak az 1980-as \u00e9vek m\u0171v\u00e9szet\u00e9re f\u00f3kusz\u00e1l\u00f3 kutat\u00e1s\u00e1hoz kapcsol\u00f3dik, rem\u00e9nyeink szerint hozz\u00e1j\u00e1rul a kutat\u00e1s m\u00f3dszertani alapjainak lerak\u00e1s\u00e1hoz \u00e9s nemzetk\u00f6zi kontextusba helyez\u00e9s\u00e9hez.
\r\n
\r\nAz angol nyelv\u0171 el\u0151ad\u00e1s absztraktja:
\r\n
\r\nThis lecture focuses on two different approaches to the alternative production model; the first rejected the socialist institutional model of art and aimed to exist in a parallel universe as it were, and the other wanted to reform it. They both failed to unveil the process through which the artist as worker was transformed into a socialist entrepreneur in a way that contributed to their own undoing and the end of labour rights. The 1980s alternative art scene in advocating for new production models of culture did not consider, for instance, the class stratification and the legislative transformation of the working relations of freelance art workers. While these movements aimed to redefine Yugoslav socialism and its system of cultural production by criticizing socialist ideology, they failed to address the deteriorating working conditions of art workers and to critique the Western notion of art\u2019s autonomy, which affects the invisibility of artistic labour. The process which, during the 1990s, resulted in a transformation of the protagonists of the alternative art scene into members of the post-socialist precariat of self-employed cultural entrepreneurs paradoxically took place through the obscuring of art as labour on the account of artistic autonomy.
\r\n
\r\nHozz\u00e1sz\u00f3l\u00f3k \/ Discussants:
\r\n
\r\n> NAGY Krist\u00f3f (m\u0171v\u00e9szett\u00f6rt\u00e9sz\u00e9n\u00e9sz-szociol\u00f3gus \u2013 KEMKI Kutat\u00e1si Oszt\u00e1ly; Central European University)
\r\n> \u0150ZE Eszter (m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz \u2013 KEMKI Kutat\u00e1si Oszt\u00e1ly; Hungarian University of Fine Arts)
\r\n> T\u00d6R\u00d6K Kriszti\u00e1n (kur\u00e1tor \u2013 Modem, Debrecen; CuratorLab, Konstfack University of Arts)<\/p>","protected":false},"excerpt":{"rendered":"
2022. j\u00fanius 14. (kedd) 18.00 KEMKKI (Budapest XIII. Szabolcs utca 33-35), OMRRK kampusz C-\u00e9p\u00fclet Katja Praznik szlov\u00e9n kult\u00farakutat\u00f3, a University at Buffalo Arts Management Program munkat\u00e1rs\u00e1nak frissen megjelent Art Work: Invisible Labour and the Legacy of Yugoslav Socialism (Toronto: University of Toronto Press, 2021) k\u00f6tete \u00faj perspekt\u00edv\u00e1t nyit az 1980-as \u00e9vek kelet-eur\u00f3pai m\u0171v\u00e9szet\u00e9nek kutat\u00e1s\u00e1hoz. Praznik […]<\/p>\n","protected":false},"author":2,"featured_media":2023857,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2023855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/2023855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=2023855"}],"version-history":[{"count":4,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/2023855\/revisions"}],"predecessor-version":[{"id":2023929,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/2023855\/revisions\/2023929"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media\/2023857"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=2023855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=2023855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=2023855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}