{"id":2026771,"date":"2023-01-07T01:54:23","date_gmt":"2023-01-07T00:54:23","guid":{"rendered":"https:\/\/exindex.hu\/?p=2026771"},"modified":"2023-10-17T23:00:39","modified_gmt":"2023-10-17T22:00:39","slug":"%e2%80%a0-michael-snow","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/%e2%80%a0-michael-snow\/","title":{"rendered":"\u2020 Michael Snow"},"content":{"rendered":"

\"\"<\/a><\/p>\r\n

94 \u00e9ves kor\u00e1ban elhunyt Michael Snow kanadai k\u00e9pz\u0151m\u0171v\u00e9sz, aki sz\u00e1mos m\u00e9diumban dolgozott, t\u00f6bbek k\u00f6z\u00f6tt a film, a fet\u00e9szet, a szobr\u00e1szat, a fotogr\u00e1fia \u00e9s a zene ter\u00fclet\u00e9n.
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\r\nToront\u00f3ban sz\u00fcletett, az Ontario College of Art-ban tanult. Els\u0151 \u00f6n\u00e1ll\u00f3 ki\u00e1ll\u00edt\u00e1sa 1957-ben volt. A hatvanas \u00e9vek elej\u00e9n New Yorkba k\u00f6lt\u00f6z\u00f6tt feles\u00e9g\u00e9vel, Joyce Wieland k\u00e9pz\u0151m\u0171v\u00e9sszel. Az 1970-es \u00e9vek elej\u00e9n t\u00e9rt vissza Kanad\u00e1ba, m\u00e1r nemzetk\u00f6zi h\u00edr\u0171 m\u0171v\u00e9szk\u00e9nt.<\/p>\r\n

Snow-t minden id\u0151k egyik legnagyobb hat\u00e1s\u00fa k\u00eds\u00e9rleti filmes\u00e9nek tartj\u00e1k. Legismertebb munk\u00e1ja a Wavelength<\/em><\/a>, melyet az Audio-Visual Preservation Trust of Canada mesterm\u0171nek nyilv\u00e1n\u00edtott \u00e9s konzerv\u00e1lt. A Village Voice kritikusai 2001-ben a 85. helyre emelt\u00e9k a 20. sz\u00e1zad 100 legjobb filmj\u00e9t tartalmaz\u00f3 list\u00e1n.<\/p>\r\n

Az eredetileg hivat\u00e1sos jazz-zen\u00e9sz Snow zongoristak\u00e9nt l\u00e9pett fel \u00c9szak-Amerik\u00e1ban, Eur\u00f3p\u00e1ban \u00e9s Jap\u00e1nban. Az 1970-es \u00e9vek k\u00f6zepe \u00f3ta t\u00f6bb albumot is megjelentetett. 1987-ben kiadta a The Last LP<\/a>-t, amely a vil\u00e1g minden t\u00e1j\u00e1r\u00f3l – t\u00f6bbek k\u00f6z\u00f6tt Tibetb\u0151l, Sz\u00edri\u00e1b\u00f3l, Indi\u00e1b\u00f3l, K\u00edn\u00e1b\u00f3l, Braz\u00edli\u00e1b\u00f3l, Finnorsz\u00e1gb\u00f3l \u00e9s m\u00e1shonnan – sz\u00e1rmaz\u00f3, kihal\u00f3f\u00e9lben l\u00e9v\u0151 etnikai zenei kult\u00far\u00e1kat bemutat\u00f3 dokumentarista felv\u00e9telk\u00e9nt jelent meg, t\u00f6bb ezer szavas, tudom\u00e1nyos hangv\u00e9telben meg\u00edrt kieg\u00e9sz\u00edt\u0151 jegyzetekkel, de a lemez val\u00f3j\u00e1ban Snow saj\u00e1t t\u00f6bbs\u00e1vos felv\u00e9teleinek sorozata volt, aki ezt csak a lemez kihajthat\u00f3 bor\u00edt\u00f3j\u00e1nak egyetlen, visszafel\u00e9 nyomtatott \u00e9s t\u00fck\u00f6rben olvashat\u00f3 sz\u00f6vegoszlop\u00e1ban \u00e1rulta el. Az egyik sz\u00e1m, amely \u00e1ll\u00edt\u00f3lag egy nig\u00e9riai feln\u0151tt\u00e9 v\u00e1l\u00e1si ritu\u00e1l\u00e9 dokumentuma, Whitney Houston „How Will I Know” c\u00edm\u0171 dal\u00e1nak pastiche-szer\u0171 feldolgoz\u00e1sa.<\/p>\r\n

Az anyagok \u00e9s m\u00f3dszerek kombin\u00e1l\u00e1s\u00e1val Snow olyan hibrid t\u00e1rgyakat hozott l\u00e9tre, amelyek gyakran ellenszeg\u00fclnek az oszt\u00e1lyoz\u00e1snak. St\u00edlushat\u00e1rokat feszeget\u0151 munkam\u00f3dszer\u00e9t j\u00f3l p\u00e9ld\u00e1zza 1979-es Flight Stop<\/em> c\u00edm\u0171 install\u00e1ci\u00f3ja<\/a>, a toront\u00f3i Eaton Centre bev\u00e1s\u00e1rl\u00f3k\u00f6zpontban tal\u00e1lhat\u00f3 helyspecifikus m\u0171, amely hatvan liba szoborszer\u0171 \u00e1br\u00e1zol\u00e1s\u00e1nak t\u0171nik, de val\u00f3j\u00e1ban \u00fcvegsz\u00e1las form\u00e1k \u00e9s egyetlen liba f\u00e9nyk\u00e9p\u00e9nek bonyolult kombin\u00e1ci\u00f3ja.<\/p>\r\n

1981-ben a Kanadai Rend tisztj\u00e9v\u00e9 avatt\u00e1k, 2007-ben pedig Companionn\u00e1 l\u00e9ptett\u00e9k el\u0151 „Kanada egyik legnagyobb multidiszciplin\u00e1ris kort\u00e1rs m\u0171v\u00e9szek\u00e9nt a nemzetk\u00f6zi vizu\u00e1lis m\u0171v\u00e9szetekhez val\u00f3 hozz\u00e1j\u00e1rul\u00e1s\u00e1\u00e9rt.”<\/p>\r\n

2004-ben az Universit\u00e9 de Paris I, Panth\u00e9on-Sorbonne tiszteletbeli doktori c\u00edmet adom\u00e1nyozott neki. Az utols\u00f3 m\u0171v\u00e9sz, akit \u00edgy t\u00fcntettek ki, Pablo Picasso volt. A Royal Canadian Academy of Arts tagjai k\u00f6z\u00e9 v\u00e1lasztotta.<\/p>\r\n

Egy\u00e9b kit\u00fcntet\u00e9sei:
\r\nGrand Pix of the Knokke Experimental Film Festival, 1967
\r\nGuggenheim Fellowship, 1972
\r\nLos Angeles Film Critics Association Award for Independent\/Experimental Film and Video, 1983
\r\nChevalier de l’ordre des arts et des lettres, France, 1995
\r\nGovernor General\u2019s Award in Visual and Media Arts, 2000
\r\nLos Angeles Film Critics Association Award for Independent\/Experimental Film and Video, 2002
\r\nQueen\u2019s Golden Jubilee Medal, 2002
\r\nGershon Iskowitz Prize, 2011<\/p>\r\n

Filmogr\u00e1fia:
\r\nA to Z<\/em> (1956)
\r\nNew York Eye and Ear Control<\/em> (1964)
\r\nShort Shave<\/em> (1965)
\r\nWavelength<\/em> (1967)
\r\nStandard Time<\/em> (1967)
\r\nOne Second in Montreal<\/em> (1969)
\r\nDripping Water<\/em> (with Joyce Wieland), 1969)
\r\n<—-> or Back and Forth<\/em> (1969)
\r\nSide Seat Paintings Slides Sound Film<\/em> (1970)
\r\nLa R\u00e9gion Centrale<\/em> (1971)
\r\nTwo Sides to Every Story<\/em> (double 16mm installation, 1974)
\r\n„Rameau’s Nephew” by Diderot (Thanx to Dennis Young) by Wilma Schoen<\/em> (1974)
\r\nBreakfast (Table Top Dolly)<\/em> (1976)
\r\nPresents<\/em> (1981)
\r\nSo Is This<\/em> (1982)
\r\nSeated Figures<\/em> (1988)
\r\nSee You Later<\/em> (1990)
\r\nTo Lavoisier, Who Died in the Reign of Terror<\/em> (1991)
\r\nPrelude<\/em> (2000)
\r\nThe Living Room<\/em> (2000)
\r\nCorpus Callosum<\/em> (2002)
\r\nWVLNT („Wavelength For Those Who Don’t Have the Time”)<\/em><\/a> (2003)
\r\nTriage<\/em> (2004), with Carl Brown
\r\nSSHTOORRTY<\/em> (2005)
\r\nReverberlin<\/em> (2006)
\r\nPuccini Conservato<\/em> (2008)
\r\nCityscape<\/em> (2019)<\/p>\r\n

\"\"<\/a><\/p>","protected":false},"excerpt":{"rendered":"

94 \u00e9ves kor\u00e1ban elhunyt Michael Snow kanadai k\u00e9pz\u0151m\u0171v\u00e9sz, aki sz\u00e1mos m\u00e9diumban dolgozott, t\u00f6bbek k\u00f6z\u00f6tt a film, a fet\u00e9szet, a szobr\u00e1szat, a fotogr\u00e1fia \u00e9s a zene ter\u00fclet\u00e9n. Toront\u00f3ban sz\u00fcletett, az Ontario College of Art-ban tanult. Els\u0151 \u00f6n\u00e1ll\u00f3 ki\u00e1ll\u00edt\u00e1sa 1957-ben volt. A hatvanas \u00e9vek elej\u00e9n New Yorkba k\u00f6lt\u00f6z\u00f6tt feles\u00e9g\u00e9vel, Joyce Wieland k\u00e9pz\u0151m\u0171v\u00e9sszel. Az 1970-es \u00e9vek elej\u00e9n t\u00e9rt […]<\/p>\n","protected":false},"author":2,"featured_media":2026775,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2026771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/2026771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=2026771"}],"version-history":[{"count":5,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/2026771\/revisions"}],"predecessor-version":[{"id":2030300,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/2026771\/revisions\/2030300"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media\/2026775"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=2026771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=2026771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=2026771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}