{"id":2029051,"date":"2023-06-19T12:53:06","date_gmt":"2023-06-19T11:53:06","guid":{"rendered":"https:\/\/exindex.hu\/?p=2029051"},"modified":"2023-07-21T19:46:14","modified_gmt":"2023-07-21T18:46:14","slug":"gayor-tibor","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/gayor-tibor\/","title":{"rendered":"\u2020 G\u00e1yor Tibor"},"content":{"rendered":"

\"\"<\/a><\/p>\r\n

\u00c9let\u00e9nek 95. \u00e9v\u00e9ben vas\u00e1rnap elhunyt G\u00e1yor Tibor \u00e9p\u00edt\u00e9sz, fest\u0151, grafikus, \u00e9rdemes m\u0171v\u00e9sz, a Sz\u00e9chenyi Irodalmi \u00e9s M\u0171v\u00e9szeti Akad\u00e9mia tagja \u2013 adta h\u00edr\u00fcl a test\u00fclet.<\/p>\r\n

G\u00e1yor Tibor<\/a> 1929. \u00e1prilis 14-\u00e9n sz\u00fcletett R\u00e1kospalot\u00e1n. 1951-ben a m\u0171egyetem \u00e9p\u00edt\u00e9szm\u00e9rn\u00f6ki kar\u00e1n, majd 1958-ban a B\u00e9csi M\u0171szaki Egyetem \u00e9p\u00edt\u00e9szet szak\u00e1n szerzett diplom\u00e1t. 1956-t\u00f3l a B\u00e9csi M\u0171szaki Egyetem \u00c9p\u00edt\u00e9szett\u00f6rt\u00e9neti Int\u00e9zet\u00e9nek tan\u00e1rseg\u00e9dje volt.<\/p>\r\n

1963-t\u00f3l szabadfoglalkoz\u00e1s\u00fa k\u00e9pz\u0151m\u0171v\u00e9szk\u00e9nt grafik\u00e1val, fest\u00e9szettel, fot\u00f3val, 1969 \u00f3ta konceptm\u0171v\u00e9szettel foglalkozott, 1972-t\u0151l 1986-ig hajtogatott tektonikai sorozatot k\u00e9sz\u00edtett, amelyben amphigramm\u00e1kkal foglalkozott, \u00e9s a s\u00edk \u00e9s a t\u00e9r \u00f6sszef\u00fcgg\u00e9seit kutatva, a k\u00e9p fel\u00fclet\u00e9nek legteljesebb kihaszn\u00e1l\u00e1sa \u00e9rdek\u00e9ben k\u00e9toldalas, kihajtott s\u00edk- \u00e9s t\u00e9rbeli grafikai \u00e9s v\u00e1szon-objekteket hozott l\u00e9tre.<\/p>\r\n

2009-ben \u00e9rdemes m\u0171v\u00e9sz c\u00edmet kapott m\u0171v\u00e9szi \u00e9let\u00fatja elismer\u00e9sek\u00e9nt. A Sz\u00e9chenyi Irodalmi \u00e9s M\u0171v\u00e9szeti Akad\u00e9mia K\u00e9pz\u0151- \u00e9s Iparm\u0171v\u00e9szeti Oszt\u00e1ly\u00e1nak rendes tagja volt.\u00a0\u00d6zvegye Maurer D\u00f3ra Kossuth-d\u00edjas grafikus, fest\u0151, a nemzet m\u0171v\u00e9sze, a Sz\u00e9chenyi Irodalmi \u00e9s M\u0171v\u00e9szeti Akad\u00e9mia eln\u00f6ke.<\/p>\r\n

Egy\u00e9ni ki\u00e1ll\u00edt\u00e1sok (v\u00e1logat\u00e1s):<\/div>\r\n
\u00a0<\/div>\r\n
\u00a0 \u00a0 1964 \u2022 Nansenhaus, B\u00e9cs<\/div>\r\n
\u00a0 \u00a0 1975 \u2022 Faltcollagen, Faltobjekte, Neue Galerie am Landesmuseum Joanneum, Graz<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Folkwang Museum, Essen<\/div>\r\n
\u00a0 \u00a0 1976 \u2022 Szent Istv\u00e1n Kir\u00e1ly M\u00fazeum, Sz\u00e9kesfeh\u00e9rv\u00e1r<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Bercs\u00e9nyi Klub, Budapest<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 G. Sztuka Najnowszej, Wroc\u0142aw<\/div>\r\n
\u00a0 \u00a0 1977 \u2022 Galerie Gamma, Utrecht<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Sohle I., Bergkamen<\/div>\r\n
\u00a0 \u00a0 1978 \u2022 Atelier Schweinebraden, Berlin<\/div>\r\n
\u00a0 \u00a0 1980 \u2022 P\u00e9csi Gal\u00e9ria, P\u00e9cs<\/div>\r\n
\u00a0 \u00a0 1983 \u2022 M. Hedendaagse Kunst, Utrecht<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Galerie Circulus, Bonn<\/div>\r\n
\u00a0 \u00a0 1986 \u2022 Hajtogatott koll\u00e1zsok 1972-1986, Ernst M\u00fazeum, Budapest (kat.)<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Faltcollagen 1972-1986, Museum Moderner Kunst, B\u00e9cs<\/div>\r\n
\u00a0 \u00a0 1993 \u2022 Szombathelyi K\u00e9pt\u00e1r (Maurer D\u00f3r\u00e1val) Szombathely<\/div>\r\n
\u00a0 \u00a0 1999 \u2022 \u00d6sszehasonl\u00edt\u00f3 ki\u00e1ll\u00edt\u00e1s, \u00c9ri Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 2001 \u2022 P\u00e1rhuzamos \u00e9letrajzok (Mauer D\u00f3r\u00e1val), V\u00e1rosi M\u0171v\u00e9szeti M\u00fazeum, Gy\u0151r<\/div>\r\n
\u00a0 \u00a0 2003 \u2022 LARES ET PENATES SATURNALIAM CELEBRANTES, F\u00e9szek Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 2005 \u2022 (De)Constructiones, K.A.S. Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 2006 \u2022 (De)construction 4, Budapest Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 2009 \u2022 \u00daj hajt\u00e1sok, K.A.S. Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 L’arte d’invenzione (akad\u00e9miai sz\u00e9kfoglal\u00f3 ki\u00e1ll\u00edt\u00e1s), Paksi K\u00e9pt\u00e1r, Paks<\/div>\r\n
\u00a0 \u00a0 2010 \u2022 Staccato, BTM Budapest Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 2011 \u2022 Maurer D\u00f3ra \u00e9s G\u00e1yor Tibor ki\u00e1ll\u00edt\u00e1sa, A22 Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0<\/div>\r\n
Csoportos ki\u00e1ll\u00edt\u00e1sok (v\u00e1logat\u00e1s):<\/div>\r\n
\u00a0<\/div>\r\n
\u00a0 \u00a0 1964 \u2022 Europaische Gegenwartskunst, Europahaus, B\u00e9cs<\/div>\r\n
\u00a0 \u00a0 1971 \u2022 Kunstzone, M\u00fcnchen<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Trigon, Graz<\/div>\r\n
\u00a0 \u00a0 1972 \u2022 Aktuelle Kunst in Osteuropa, Studio Du Mont, K\u00f6ln<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Krauthammer, Z\u00fcrich<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Modern grafika ’72, P\u00e9cs<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Ungarische Avantgarde, Kunstverein, Vechta (N\u00e9metorsz\u00e1g)<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Fluxshoe, Museum of Modern Art, Oxford<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Museum Bradford<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Exe Gallery, Exeter (Egyes\u00fclt Kir\u00e1lys\u00e1g)<\/div>\r\n
\u00a0 \u00a0 1973 \u2022 In memoriam Kopernikusz, Budapesti M\u0171szaki Egyetem, Budapest<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Reale und irreale Raume, Galerie Falazik, Neuenkirchen (Ausztria)<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 CAYAC, Buenos Aires<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Sz\u00f6vegek\/ Texts, K\u00e1polnat\u00e1rlat, Balatonbogl\u00e1r<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 6 ungarische Konstruktivisten, Forum Kunst, Rottweil (N\u00e9metorsz\u00e1g)<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Aspekten van hedendaagse hongaarse kunst, Utrecht<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 8 ungarische K\u00fcnstler, Kunstverein, Frechen (N\u00e9metorsz\u00e1g)<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Ost-West. Internationale Graphik, Kleine Graphik Galerie, Br\u00e9ma<\/div>\r\n
\u00a0 \u00a0 1974 \u2022 K\u00e9p\/vers, Fiatal M\u0171v\u00e9szek Klubja, Budapest<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Signale und Embleme, Galerie Falazik, Neuenkirchen<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Ungarische Kunst ’74, Kunstverein, Kleines Augusteum, Oldenburg (N\u00e9metorsz\u00e1g)<\/div>\r\n
\u00a0 \u00a0 1975 \u2022 Neue ungarische Konstruktivisten, Stadtisches Museum, Bonn<\/div>\r\n
\u00a0 \u00a0 1976 \u2022 Sorozatm\u0171vek. Kort\u00e1rs m\u0171v\u00e9szet mag\u00e1ngy\u0171jtem\u00e9nyekben 2., Cs\u00f3k K\u00e9pt\u00e1r, Sz\u00e9kesfeh\u00e9rv\u00e1r<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 M\u00f3ra Ferenc M\u00fazeum, Szeged<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Expoz\u00edci\u00f3. Fot\u00f3\/m\u0171v\u00e9szet, Hatvany Lajos M\u00fazeum, Hatvan<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Modern grafika, Janus Pannonius M\u00fazeum, P\u00e9cs<\/div>\r\n
\u00a0 \u00a0 1977 \u2022 Geometrica, Tulln (Ausztria)<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Neue Kunst aus Ungarn, Galerie Lometsch, Kassel<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Sul cocetto di serie, M. Civico, Varese (OL)<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Osteuropese Conceptuele Fotografie, TH, Eindhoven (Hollandia)<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Hongaarse konstruktivistische kunst 1920-1977, Hedendaagse Kunst, Utrecht<\/div>\r\n
\u00a0 \u00a0 1978 \u2022 K 45. Exakte Tendenzen, K\u00fcnstlerhaus, B\u00e9cs<\/div>\r\n
\u00a0 \u00a0 1979 \u2022 Photography as Art, Art as Photography, ICA, London<\/div>\r\n
\u00a0 \u00a0 1980 \u2022 K\u00fcnstler aus Ungarn, Kunsthalle \u2022 Wilhelmshaven (D)<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Ein K\u00fcnstler \u2013 ein Prinzip, Museum Moderner Kunst, B\u00e9cs<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Cercle, carr\u00e9, triangle, L’H\u00f4tel d’Escoville, Caen (FR)<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Tendenci\u00e1k 1970-1980 – Geometrikus \u00e9s struktur\u00e1lis t\u00f6rekv\u00e9sek a hetvenes \u00e9vek m\u0171v\u00e9szet\u00e9ben, \u00d3buda Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 1980\u00a0 \u2022 Rajz\/Drawing, P\u00e9csi Gal\u00e9ria, P\u00e9cs<\/div>\r\n
\u00a0 \u00a0 1981 \u2022 Erweiterte Fotografie, Sezession, B\u00e9cs<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Construction in Process, Fabrik, \u0141\u00f3d\u017a<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Vonal\/Line, P\u00e9csi Gal\u00e9ria, P\u00e9cs<\/div>\r\n
\u00a0 \u00a0 1982 \u2022 Exakte Tendenzen, Galerie Modern Art, B\u00e9cs<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Ein K\u00fcnstler \u2013 ein Prinzip, Institut f\u00fcr Kunstgesichte der Universit\u00e4t, Wien<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Tisztelet a sz\u00fcl\u0151f\u00f6ldnek. K\u00fclf\u00f6ld\u00f6n \u00e9l\u0151 magyar sz\u00e1rmaz\u00e1s\u00fa m\u0171v\u00e9szek II. ki\u00e1ll\u00edt\u00e1sa, M\u0171csarnok, Budapest<\/div>\r\n
\u00a0 \u00a0 1983 \u2022 „Helyzet.” A 70-es \u00e9vek m\u0171v\u00e9szete a S\u00e1rospataki K\u00e9pt\u00e1rban, Budapest Gal\u00e9ria Lajos u., Budapest<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Film\/ m\u0171v\u00e9szet, Budapest Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Raumprojekte. Exakte Tendenzen, Schloss, Buchberg (Ausztria)<\/div>\r\n
\u00a0 \u00a0 1984 \u2022 Orwell \u00e9s a jelenkor, XX. sz.-i M\u00fazeum, B\u00e9cs<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Sz\u00f6vegek, Belv\u00e1rosi Ifj\u00fas\u00e1gi H\u00e1z, Budapest<\/div>\r\n
\u00a0 \u00a0 1985 \u2022 T\u00e9rtervek\/Raumprojekte, F\u00e9szek Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 101 t\u00e1rgy. Objektm\u0171v\u00e9szet Magyarorsz\u00e1gon 1955-1985, \u00d3buda Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 1987 \u2022 Sz\u00f6vegek. K\u00e9p-vers\/Vers-k\u00e9p, Fiatal M\u0171v\u00e9szek Klubja, Budapest<\/div>\r\n
\u00a0 \u00a0 1988 \u2022 SUMUS II., IV., F\u00e9szek Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 A sarok, Galerie Hoffmann, Friedberg Kantonales M., Sion (Sv\u00e1jc)<\/div>\r\n
\u00a0 \u00a0 1989 \u2022 Az avantg\u00e1rd v\u00e9ge 1975-1980. A huszadik sz\u00e1zad magyar m\u0171v\u00e9szete, Cs\u00f3k K\u00e9pt\u00e1r, Sz\u00e9kesfeh\u00e9rv\u00e1r<\/div>\r\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2022 Szimmetria \u00e9s aszimmetria, Magyar Nemzeti Gal\u00e9ria, Budapest<\/div>\r\n
\u00a0 \u00a0 1993 \u2022 Lev\u00e9l a vakokr\u00f3l, P\u00e9csi Gal\u00e9ria, P\u00e9cs<\/div>\r\n
\u00a0 \u00a0 1994 \u2022 1980-as \u00e9vek \u2013 K\u00e9pz\u0151m\u0171v\u00e9szet, Ernst M\u00fazeum, Budapest<\/div>\r\n
\u00a0 \u00a0 1997 \u2022 Olaj\/V\u00e1szon, M\u0171csarnok, Budapest.<\/div>\r\n
\u00a0 \u00a0 2004 \u2022 K\u00e9pz\u0151m\u0171v\u00e9szeti ki\u00e1ll\u00edt\u00e1s, Budapesti M\u0171szaki \u00e9s Gazdas\u00e1gtudom\u00e1nyi Egyetem Aul\u00e1ja, Budapest<\/div>\r\n
\u00a0 \u00a0 2006 \u2022 A Ny\u00edlt Strukt\u00far\u00e1k M\u0171v\u00e9szeti Egyes\u00fclet ki\u00e1ll\u00edt\u00e1sa, Vasarely M\u00fazeum \u2013 Budapest, Budapest<\/div>\r\n
\u00a0 \u00a0 2006 \u2022 1956 \u2013 M\u0171v\u00e9szet emigr\u00e1ci\u00f3ban, Szentendrei K\u00e9pt\u00e1r \u00e9s Kamaraterem (Ferenczy M\u00fazeum), Szentendre<\/div>\r\n
\u00a0 \u00a0 2007 \u2022 Artinact \u2013 V\u00e1logat\u00e1s a Paksi K\u00e9pt\u00e1r gy\u0171jtem\u00e9ny\u00e9b\u0151l, Paksi K\u00e9pt\u00e1r, Paks<\/div>\r\n
\u00a0 \u00a0 2009 \u2022 Hommage Bauhaus 90<\/div>\r\n
\u00a0 \u00a0 2014 \u2022 Papier\/Paper IV \u2013 Collagen Kunstgalerie Bonn<\/div>\r\n
\u00a0<\/div>\r\n
M\u0171vei k\u00f6zgy\u0171jtem\u00e9nyekben<\/div>\r\n
\u00a0<\/div>\r\n
\u00a0 \u00a0 Folkwang Museum, Essen<\/div>\r\n
\u00a0 \u00a0 Hedendaagse Kunst, Utrecht<\/div>\r\n
\u00a0 \u00a0 Szent Istv\u00e1n Kir\u00e1ly M\u00fazeum, Sz\u00e9kesfeh\u00e9rv\u00e1r<\/div>\r\n
\u00a0 \u00a0 Kunstmuseum, Bochum<\/div>\r\n
\u00a0 \u00a0 Landesmuseum Joanneum, Graz<\/div>\r\n
\u00a0 \u00a0 Museum Moderner Kunst, B\u00e9cs<\/div>\r\n
\u00a0 \u00a0 Muzeum Sztuki, \u0141\u00f3d\u017a<\/div>\r\n
\u00a0 \u00a0 Nationalgalerie, Oslo<\/div>\r\n
\u00a0 \u00a0 Neue Nationalgalerie, Berlin<\/div>\r\n
\u00a0 \u00a0 Paksi K\u00e9pt\u00e1r, Paks<\/div>\r\n
\u00a0 \u00a0 S\u00e1rospataki K\u00e9pt\u00e1r, S\u00e1rospatak<\/div>\r\n
\u00a0 \u00a0 Szombathelyi K\u00e9pt\u00e1r, Szombathely<\/div>\r\n
\u00a0<\/div>\r\n
\"\"<\/a><\/div>","protected":false},"excerpt":{"rendered":"

\u00c9let\u00e9nek 95. \u00e9v\u00e9ben vas\u00e1rnap elhunyt G\u00e1yor Tibor \u00e9p\u00edt\u00e9sz, fest\u0151, grafikus, \u00e9rdemes m\u0171v\u00e9sz, a Sz\u00e9chenyi Irodalmi \u00e9s M\u0171v\u00e9szeti Akad\u00e9mia tagja \u2013 adta h\u00edr\u00fcl a test\u00fclet. G\u00e1yor Tibor 1929. \u00e1prilis 14-\u00e9n sz\u00fcletett R\u00e1kospalot\u00e1n. 1951-ben a m\u0171egyetem \u00e9p\u00edt\u00e9szm\u00e9rn\u00f6ki kar\u00e1n, majd 1958-ban a B\u00e9csi M\u0171szaki Egyetem \u00e9p\u00edt\u00e9szet szak\u00e1n szerzett diplom\u00e1t. 1956-t\u00f3l a B\u00e9csi M\u0171szaki Egyetem \u00c9p\u00edt\u00e9szett\u00f6rt\u00e9neti Int\u00e9zet\u00e9nek tan\u00e1rseg\u00e9dje volt. […]<\/p>\n","protected":false},"author":2,"featured_media":2029055,"parent":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2029051","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/2029051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=2029051"}],"version-history":[{"count":5,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/2029051\/revisions"}],"predecessor-version":[{"id":2029295,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/2029051\/revisions\/2029295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media\/2029055"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=2029051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=2029051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=2029051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}