{"id":820160,"date":"2008-10-05T14:59:29","date_gmt":"2008-10-05T12:59:29","guid":{"rendered":"https:\/\/exindex.hu\/?p=820160"},"modified":"2008-10-05T23:56:16","modified_gmt":"2008-10-05T21:56:16","slug":"munkakori-leiras-muveszek-a-munka-megvaltozott-vilagaban","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/munkakori-leiras-muveszek-a-munka-megvaltozott-vilagaban\/","title":{"rendered":"Munkak\u00f6ri le\u00edr\u00e1s."},"content":{"rendered":"<p>A 21. sz\u00e1zad elej\u00e9re a m\u0171v\u00e9sz szerepe alapvet\u0151en \u00e1talakult. Margin\u00e1lis figur\u00e1ja egyszercsak a figyelem k\u00f6zpontj\u00e1ba ker\u00fclt.<\/p>\r\n\r\n<p>Ez nemcsak a term\u00e9kek helyett folyamatokra ir\u00e1nyul\u00f3 m\u0171v\u00e9szetfelfog\u00e1s hatvanas \u00e9vekben kialakult gyakorlat\u00e1val f\u00fcgg \u00f6ssze, amely kiterjesztett eszt\u00e9tikai, szoci\u00e1lis \u00e9s gazdas\u00e1gi ter\u00fcleteken pozicion\u00e1lta a m\u0171v\u00e9szt, hanem azzal a t\u00e9nnyel is kapcsolatos, hogy az egykoron a k\u00f6z\u00e9poszt\u00e1lybeli normalit\u00e1ssal szemben\u00e1ll\u00f3nak tekintett &#8222;m\u0171v\u00e9sz\u00e9let&#8221; m\u00e1ra a rugalmas munka- \u00e9s \u00e9letk\u00f6r\u00fclm\u00e9nyek modellj\u00e9v\u00e9 v\u00e1lt.<\/p>\r\n\r\n<p>K\u00e9ts\u00e9gtelen\u00fcl egyre t\u00f6bb m\u0171v\u00e9sz dolgozik a m\u0171v\u00e9szethez k\u00f6zelebb vagy t\u00e1volabb es\u0151 ter\u00fcleteken. A m\u0171v\u00e9szi gondolkod\u00e1s \u00e9s cselekv\u00e9s form\u00e1inak felad\u00e1sa n\u00e9lk\u00fcl, a gal\u00e9ri\u00e1kban \u00e9s m\u00fazeumokban val\u00f3 ki\u00e1ll\u00edt\u00e1s m\u00e1ra m\u00e1r csak az egyik lehets\u00e9ges terepp\u00e9 v\u00e1ltozott a rendelkez\u00e9sre \u00e1ll\u00f3 sz\u00e1mos cselekv\u00e9si mez\u0151 k\u00f6z\u00fcl. Ez (tal\u00e1n) seg\u00edt meg\u00e9rteni a m\u0171v\u00e9szi kompetencia sokf\u00e9le m\u00f3don tetten\u00e9rhet\u0151 megnyilv\u00e1nul\u00e1sait.<\/p>\r\n\r\n<p>A szimp\u00f3zium a megv\u00e1ltozott helyzethez kapcsol\u00f3d\u00f3 al\u00e1bbi k\u00e9rd\u00e9seket j\u00e1rja k\u00f6r\u00fcl:<\/p>\r\n\r\n<p>&#8211; Hol \u00e9rezhet\u0151 a m\u0171v\u00e9szet hat\u00e1sa a poszt-fordista t\u00e1rsadalomban?<br \/>\r\n &#8211; Mely szakm\u00e1kban van sz\u00fcks\u00e9g m\u0171v\u00e9szi kompetenci\u00e1ra?<br \/>\r\n &#8211; A m\u0171v\u00e9szi kompetencia ide\u00e1ja hogyan befoly\u00e1solja a m\u0171v\u00e9szet auton\u00f3mi\u00e1j\u00e1nak k\u00e9rd\u00e9s\u00e9t \u00e9s a bel\u0151le levezetett elm\u00e9leteket?<br \/>\r\n &#8211; Hogyan viszonyul mindehhez a m\u0171v\u00e9szeti egyetemek oktat\u00e1si feladatk\u00f6re?<br \/>\r\n &#8211; Milyen kutat\u00e1sokra f\u00f3kusz\u00e1ljon egy m\u0171v\u00e9szeti egyetem?<br \/>\r\n &#8211; Hogyan mutassa be mag\u00e1t egy ilyen int\u00e9zm\u00e9ny a nyilv\u00e1noss\u00e1gnak?<\/p>\r\n\r\n<p>Stephan Schmidt-Wulffen<\/p>\r\n\r\n<p><br class=\"spacer_\" \/><\/p>\r\n\r\n<p><strong>Id\u0151pont<\/strong>: 2008. 10. 17. &#8211; 2008. 10. 18.<br \/>\r\n <strong>Helysz\u00edn<\/strong>:                     Academy of Fine Arts Vienna, Schillerplatz 3, 1010 Vienna, room M13<\/p>\r\n\r\n<p><strong>R\u00e9sztvev\u0151k<\/strong>: Fahim Amir, Martin Beck, Sabeth Buchmann, Gunter Damisch, Katrina Daschner, Anthony Davies, David Komary, Isabell Lorey, Angela McRobbie, Karin Mairitsch, Dorit Margreiter, Gregor Neuerer, Ingrid Rascke-Stuwe, Stephan Schmidt-Wulffen, Wally Salner &amp; Johannes Schweiger, Andreas Spiegl, Marion von Osten, Heimo Zobernig<\/p>\r\n\r\n<p><span style=\"text-decoration: underline;\">A szimp\u00f3zium programja:<\/span><\/p>\r\n\r\n<p><strong>Friday, 17 October 2008<\/strong><\/p>\r\n\r\n<p>3:00 &#8211; 4:00 p.m.<br \/>\r\n <strong>Welcome<\/strong> by Carl Richard Montag, Montag Stiftung Bildende Kunst, Bonn and Stephan Schmidt-Wulffen, rector of the Academy of Fine Arts Vienna<\/p>\r\n\r\n<p><strong>Introduction<\/strong>:<br \/>\r\n Ingrid Raschke-Stuwe, executive board of Montag Stiftung Bildende Kunst, Bonn &#8222;Leaving the Ivory Tower&#8221;<\/p>\r\n\r\n<p>Stephan Schmidt-Wulffen: opening statement, presentation of the symposium&#8217;s issues in dialogue with Andreas Spiegl, vice-rector for teaching and research<\/p>\r\n\r\n<p>4:00 &#8211; 5:30 p.m.<br \/>\r\n <strong>Round table: Aspects of Practice<\/strong><br \/>\r\n Which influence has the educational schedule had on artists&#8217; current activities, and what about an image of the artist that is up-to-date?<\/p>\r\n\r\n<p>Graduates from other professional fields describe their current activities:<\/p>\r\n\r\n\r\n<ul>\r\n\t\t<li>FABRICS INTERSEASON \/ Wally Salner &amp; Johannes Schweiger, <\/li>\r\n\t\t<li>artists and designers, Vienna<\/li>\r\n\t\t<li>Karin Mairitsch, vicerector of Salzburg University of Applied Sciences<\/li>\r\n\t\t<li>David Komary, curator and head of Galerie Stadtpark, Krems<\/li>\r\n<\/ul>\r\n\r\n\r\n<p>Chaired by Fahim Amir, philosopher, cultural producer and adjunct faculty of the Institute for Education in the Arts at the Academy of Fine Arts Vienna<\/p>\r\n\r\n<p>6:00 &#8211; 7:00 p.m.<br \/>\r\n &#8222;In Search of a Concept for New Culture Industry: From Cultural Production to Immaterial Labour&#8221;<br \/>\r\n Angela McRobbie, professor of communications, Goldsmiths College, London<\/p>\r\n\r\n<p><strong>Saturday, 18 October 2008<\/strong><\/p>\r\n\r\n<p><strong>Lectures<\/strong><\/p>\r\n\r\n<p>11:00 a.m. &#8211; 12:00 noon<br \/>\r\n &#8222;Blueprint, Role Model, Political Subject.<br \/>\r\n The artistic subject between neoliberal invocation and exodus&#8221; <br \/>\r\n Marion von Osten, artist, author and head of the department for Art Education at the Academy of Fine Arts Vienna<\/p>\r\n\r\n<p>12:00 noon &#8211; 1:00 p.m. <br \/>\r\n &#8222;Culture &amp; Finance: From Knowledge Economy to Information Wars&#8221;<br \/>\r\n Anthony Davies, art theorist and art critique, London<\/p>\r\n\r\n<p>1:00 &#8211; 2:00 p.m.\u00a0 <br \/>\r\n &#8222;Self-Precarization and Refusal within the Exodus&#8221; <br \/>\r\n Isabell Lorey, political scientist, Berlin<\/p>\r\n\r\n<p>2:00 &#8211; 3:00 p.m. lunch break<\/p>\r\n\r\n<p>3:00 &#8211; 4:30 p.m.<br \/>\r\n The Limits of Autonomy \/ On the Role of the Artist<br \/>\r\n Statements by two professors of the academic staff<\/p>\r\n\r\n\r\n<ul>\r\n\t\t<li>Dorit Margreiter, artist and head of the department for Video and Videoinstallation at the Academy of Fine Arts Vienna<\/li>\r\n\t\t<li>Heimo Zobernig, artist and head of the department for Textual Sculpture at the Academy of Fine Arts Vienna<\/li>\r\n<\/ul>\r\n\r\n\r\n<p>4:30 &#8211; 6:00 p.m.<br \/>\r\n Can the Old Traditional Educational Structures be Maintained When the Position of Artistic Practice in Society Has Changed?<\/p>\r\n\r\n<p><strong>Panel on the educational program for artists with teachers from the academic staff:<\/strong><\/p>\r\n\r\n\r\n<ul>\r\n\t\t<li>Martin Beck, artist and chair of the Institute for Education in the Arts<\/li>\r\n\t\t<li>Sabeth Buchmann, art historian and chair of the Institute for Art Theory and Cultural Studies<\/li>\r\n\t\t<li>Gunter Damisch, artist and head of the department for Graphic Arts and Printmaking Techniques<\/li>\r\n\t\t<li>Katrina Daschner, artist and academic staff of the department for Contextual Painting<\/li>\r\n\t\t<li>Gregor Neuerer, artist and academic staff of the department for Art and Photography<\/li>\r\n<\/ul>\r\n\r\n\r\n<p>Chaired by Stephan Schmidt-Wulffen<\/p>\r\n\r\n<p>Symposium organized in cooperation with the Montag Stiftung as part of the series \u201eHeraus aus dem Elfenbeinturm&#8221; (Leaving the Ivory Tower).<\/p>\r\n\r\n<p>&#8222;Heraus aus dem Elfenbeinturm&#8221; (Leaving the Ivory Tower) is a symposium series of Montag Stiftung Bildende Kunst, Bonn realized in cooperation with various art academies and aimed at countering the discrepancy between academic education and subsequent forms of professional practice.<\/p>\r\n\r\n<p>The Montag Stiftung will also issue a documentation of the Vienna symposium. Published by Verlag f\u00fcr moderne Kunst, N\u00fcrnberg, the publication will be one volume in a series presenting gathered material on current issues of art education.<\/p>","protected":false},"excerpt":{"rendered":"<p>A 21. sz\u00e1zad elej\u00e9re a m\u0171v\u00e9sz szerepe alapvet\u0151en \u00e1talakult. Margin\u00e1lis figur\u00e1ja egyszercsak a figyelem k\u00f6zpontj\u00e1ba ker\u00fclt. Ez nemcsak a term\u00e9kek helyett folyamatokra ir\u00e1nyul\u00f3 m\u0171v\u00e9szetfelfog\u00e1s hatvanas \u00e9vekben kialakult gyakorlat\u00e1val f\u00fcgg \u00f6ssze, amely kiterjesztett eszt\u00e9tikai, szoci\u00e1lis \u00e9s gazdas\u00e1gi ter\u00fcleteken pozicion\u00e1lta a m\u0171v\u00e9szt, hanem azzal a t\u00e9nnyel is kapcsolatos, hogy az egykoron a k\u00f6z\u00e9poszt\u00e1lybeli normalit\u00e1ssal szemben\u00e1ll\u00f3nak tekintett &#8222;m\u0171v\u00e9sz\u00e9let&#8221; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-820160","post","type-post","status-publish","format-standard","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/820160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=820160"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/820160\/revisions"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=820160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=820160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=820160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}