{"id":820377,"date":"2008-12-24T13:54:36","date_gmt":"2008-12-24T11:54:36","guid":{"rendered":"https:\/\/exindex.hu\/?p=820377"},"modified":"2008-12-24T13:56:55","modified_gmt":"2008-12-24T11:56:55","slug":"a-diskurzus-architekturai","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/a-diskurzus-architekturai\/","title":{"rendered":"A diskurzus architekt\u00far\u00e1i"},"content":{"rendered":"

A tranzit. hu altal kezdemenyezett M\u0171v\u00e9szetelm\u00e9leti \u00e9s gyakorlati szabadiskola<\/em> janu\u00e1ri szemin\u00e1rium\u00e1t Ute Meta Bauer, kur\u00e1tor, a Massachussetts Institute for Technology (Cambridge, USA) Visual Arts Program igazgat\u00f3ja tartja<\/p>\r\n\r\n

A diskurzus architekt\u00far\u00e1i – a ki\u00e1ll\u00edt\u00e1s, mint kommunikat\u00edv t\u00e9r<\/strong><\/p>\r\n\r\n

A szemin\u00e1rium a kommunikat\u00edv terek l\u00e9trehoz\u00e1s\u00e1ra f\u00f3kusz\u00e1l, emellett sz\u00f3 lesz az elm\u00e9letbe \u00e9s gyakorlatba \u00e1gyazott kur\u00e1tori megk\u00f6zel\u00edt\u00e9sr\u0151l is. Azt fogjuk vizsg\u00e1lni, hogyan halmoz\u00f3dik fel hatalom \u00e9s tekint\u00e9ly, szimbolikus \u00e9s val\u00f3di t\u0151ke a kult\u00fara ter\u00fclet\u00e9n, \u00e9s ez hogyan viszonyul az etnikai, gender \u00e9s oszt\u00e1ly-hovatartoz\u00e1shoz.<\/p>\r\n\r\n

Kiindul\u00f3pontul Ute Meta Bauer kiall\u00edt\u00e1sai szolg\u00e1lnak: Section”?”\/NowHere, Louisiana Museum of Modern Art, Humblaek (1996) \u00e9s az Architectures of Discourse, Fundacio Antoni Tapies, Barcelona (2001) (melyeket Fareed Armaly-val k\u00f6z\u00f6sen rendezett); First Story – Women Building\/New Narratives for the 21st Century, Porto 2001 – Cultural Capital of Europe (2001); 3. Berlin Biennale, KW Institute for Contemporary Art, Martin-Gropius-Bau, Kino Arsenal, Berlin (2004); \u00e9s a Mobile_Transborder Archive, esem\u00e9ny-sorozat, amely az inSite 2005 San Diego – Tijuana (2005) megb\u00edz\u00e1s\u00e1b\u00f3l j\u00f6tt l\u00e9tre.<\/p>\r\n\r\n

Ezek a ki\u00e1ll\u00edt\u00e1sok a r\u00e9sztvev\u0151kkel szoros egy\u00fcttm\u0171k\u00f6d\u00e9sben alakultak ki, a projekt korai koncepci\u00f3j\u00e1t\u00f3l a t\u00e9rbeli megval\u00f3sul\u00e1sig. Emellett megvizsg\u00e1ljuk, hogyan m\u0171k\u00f6dik a kiadv\u00e1ny, mint a ki\u00e1ll\u00edt\u00e1sok r\u00e9sze, \u00e9s v\u00e9g\u00fcl, de nem utols\u00f3 sorban megvitatunk n\u00e9h\u00e1ny az emlitett projektekre vonatkoz\u00f3, a m\u00e9di\u00e1ban megjelent reakci\u00f3t.<\/p>\r\n\r\n

A szemin\u00e1rium id\u0151pontja: 2009. janu\u00e1r 9-11.<\/em>
\r\n Helysz\u00edne: Labor (V., Budapest, K\u00e9p\u00edr\u00f3 u. 6.)<\/p>\r\n\r\n

A szemin\u00e1riumon a r\u00e9szv\u00e9tel ingyenes, jelentkez\u00e9si hat\u00e1rid\u0151 angol nyelv\u0171 motiv\u00e1ci\u00f3s lev\u00e9llel az office@tranzitinfo.hu c\u00edmen janu\u00e1r 5<\/strong>.<\/p>\r\n\r\n

Ute Meta Bauer egyetemi docens, a Massachusetts Institute of Technology (Cambridge, Massachusetts) Visual Arts programjanak igazgatoja. 1996 \u00e9s 2008 k\u00f6z\u00f6tt a b\u00e9csi m\u0171v\u00e9szeti akad\u00e9mia Theory, Practice and Transfer of Contemporary Art programj\u00e1nak tan\u00e1ra volt. T\u00f6bb mint k\u00e9t \u00e9vtizede rendez kortars m\u0171v\u00e9szeti ki\u00e1ll\u00edt\u00e1sokat, film-, video- \u00e9s audio-bemutat\u00f3kat a feminizmushoz \u00e9s a t\u00e1rsadalompolitikai kontextushoz kapcsol\u00f3d\u00f3 transzdiszciplin\u00e1ris form\u00e1kra f\u00f3kusz\u00e1lva. Bauer t\u00f6bb int\u00e9zm\u00e9nyt vezetett, \u00fagy mint a stuttgarti K\u00fcnstlerhaust, a norv\u00e9g Office for Contemporary Art-ot. Jelenleg tagja az n.b.k. Berlin igazgat\u00f3tan\u00e1cs\u00e1nak; a International Bauhaus Foundation Dessau tudom\u00e1nyos tan\u00e1csad\u00f3 test\u00fclet\u00e9nek; valamint a LABoral Center for the Arts and Industrial Creation-nek (Gijon, Spanyolorszag). Bauer volt a 3. Berlin Biennale m\u0171v\u00e9szeti igazgat\u00f3ja, valamint a documenta11<\/em> t\u00e1rskur\u00e1tora, Okwui Enwezor m\u0171v\u00e9szeti igazgat\u00f3 mellett. Bauer t\u00f6bb kort\u00e1rs m\u0171v\u00e9szeti foly\u00f3irat alap\u00edt\u00f3 szerkeszt\u0151je \u00e9s kiad\u00f3ja is volt: META 1 – 4 (Stuttgart 1992-94), case (Barcelona 2001, Porto 2002) \u00e9s a Verksted # 1- 6 (Oslo 2003-2006). \u0150 szerkesztette a regina magazin k\u00e9t sz\u00e1m\u00e1t (Stuttgart 1994, Oslo 2005), amelyet Regina Moller m\u0171v\u00e9sz alapitott. Bauer vizu\u00e1lis kommunik\u00e1ci\u00f3t \u00e9s sz\u00ednpadi tervez\u00e9st tanult a hamburgi kepz\u0151m\u0171v\u00e9szeti akad\u00e9mi\u00e1n, ahol k\u00e9s\u0151bb posztgradu\u00e1lis m\u0171v\u00e9szetelm\u00e9leti tanulm\u00e1nyokat folytatott.<\/p>\r\n\r\n

http:\/\/www.insite05.org<\/a>
\r\n http:\/\/www.berlinbiennale.de<\/a>
\r\n http:\/\/www.documenta.de<\/a>
\r\n http:\/\/www.firststory.net\/<\/a><\/p>\r\n\r\n

blogok:
\r\n http:\/\/urbanutopias.mit.edu\/<\/a>
\r\n http:\/\/www.zonesofemergency.net\/<\/a><\/p>","protected":false},"excerpt":{"rendered":"

A tranzit. hu altal kezdemenyezett M\u0171v\u00e9szetelm\u00e9leti \u00e9s gyakorlati szabadiskola janu\u00e1ri szemin\u00e1rium\u00e1t Ute Meta Bauer, kur\u00e1tor, a Massachussetts Institute for Technology (Cambridge, USA) Visual Arts Program igazgat\u00f3ja tartja A diskurzus architekt\u00far\u00e1i – a ki\u00e1ll\u00edt\u00e1s, mint kommunikat\u00edv t\u00e9r A szemin\u00e1rium a kommunikat\u00edv terek l\u00e9trehoz\u00e1s\u00e1ra f\u00f3kusz\u00e1l, emellett sz\u00f3 lesz az elm\u00e9letbe \u00e9s gyakorlatba \u00e1gyazott kur\u00e1tori megk\u00f6zel\u00edt\u00e9sr\u0151l is. Azt […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-820377","post","type-post","status-publish","format-standard","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/820377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=820377"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/820377\/revisions"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=820377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=820377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=820377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}