{"id":820410,"date":"2009-02-06T23:35:24","date_gmt":"2009-02-06T22:35:24","guid":{"rendered":"https:\/\/exindex.hu\/?p=820410"},"modified":"2009-02-06T23:40:20","modified_gmt":"2009-02-06T22:40:20","slug":"milyen-csodalatos-a-vilag","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/milyen-csodalatos-a-vilag\/","title":{"rendered":"Milyen csod\u00e1latos a vil\u00e1g"},"content":{"rendered":"<p>Johan Pousette el\u0151ad\u00e1sa<\/p>\r\n\r\n<p>Id\u00f5pont: <strong>2009. febru\u00e1r 9. (h\u00e9tf\u0151) 18.00<\/strong><br \/>\r\n Helysz\u00edn: <strong>Labor<\/strong> (1053 Budapest, K\u00e9p\u00edr\u00f3 u. 5.)<\/p>\r\n\r\n<p>Johan Pousette, a 2009-es G\u00f6teborg Bienn\u00e1le kur\u00e1tora az ACAX | Nemzetk\u00f6zi Kort\u00e1rs K\u00e9pz\u0151m\u0171v\u00e9szeti Iroda <em>Check in Budapest<\/em> programj\u00e1nak keret\u00e9ben 2009. febru\u00e1r 6-10-ig Budapestre l\u00e1togat.<\/p>\r\n\r\n<p>Pousette 2009. febru\u00e1r 9-\u00e9n 18 \u00f3r\u00e1t\u00f3l nyilv\u00e1nos prezent\u00e1ci\u00f3t tart a Laborban a kort\u00e1rs sv\u00e9d k\u00e9pz\u0151m\u0171v\u00e9szeti szc\u00e9n\u00e1r\u00f3l, a Baltic Art Centerr\u00f5l, a skandin\u00e1v orsz\u00e1gok m\u0171teremprogramjair\u00f3l, valamint az \u00e1ltala kur\u00e1lt 2009-es G\u00f6teborg Bienn\u00e1l\u00e9r\u00f3l.<\/p>\r\n\r\n<p>Az el\u0151ad\u00e1s nyelve angol.<\/p>\r\n\r\n<p>Johan Pousette (kur\u00e1tor \u00e9s k\u00e9pz\u0151m\u0171v\u00e9sz) 1962-ben sz\u00fcletett. 1997-2000-ig a Gotland County Goverment projekt menedzsere, a Baltic Art Center alap\u00edt\u00f3ja, 2000-2007-ig a Baltic Art Center igazgat\u00f3ja. Jelenleg a Riksutstallningar vend\u00e9gkur\u00e1tora \u00e9s a 2009-es G\u00f6teborg Bienn\u00e1le kur\u00e1tora.<\/p>\r\n\r\n<p>B\u00f5vebben: <a href=\"http:\/\/www.acax.hu\/index.php?pageid=158&amp;language=hu\" target=\"_blank\">http:\/\/www.acax.hu\/index.php?pageid=158&amp;language=hu<\/a><\/p>\r\n\r\n<p>G\u00f6teborg Bienn\u00e1le (2009): <a href=\"http:\/\/www.biennal.goteborg.se\/\" target=\"_blank\">www.biennal.goteborg.se<\/a><br \/>\r\n Riksutstallningar: <a href=\"http:\/\/www.riksutstallningar.se\/\" target=\"_blank\">www.riksutstallningar.se<\/a><br \/>\r\n Baltic Art Center: <a href=\"http:\/\/www.balticartcenter.com\/\">www.balticartcenter.com<\/a><\/p>\r\n\r\n<p>A 2009-es G\u00f6teborg Bienn\u00e1le koncepci\u00f3ja:<\/p>\r\n\r\n<p><em>What a Wonderful World<\/em><\/p>\r\n\r\n<p>The 2009 G\u00f6teborg International Biennial for Contemporary Art aims to present a generous, poetic and sensual portrayal of human diversity and the human capacity for wonders as well as failures through the gaze and works of contemporary artists.<\/p>\r\n\r\n<p>We recognise <em>What a Wonderful World<\/em> as the title of a song written by Bob Thiele and George David Weiss in 1967 specifically for Louis Armstrong. Intended as an antidote for the increasingly politically and racially charged climate of the 1960s, What a Wonderful World conveyed an optimistic tone with regard to the future, in line with the aspirations of the young generation for a fairer society and a better world. In addition, the title referred to Louis Armstrong&#8217;s belief in the human capacity of acting for the common good. However, wonderful may also be read as wonder-ful, that is, full of wonder as in awe-inspiring, astounding or perhaps even frightening.<\/p>\r\n\r\n<p>Someone has poignantly claimed that, &#8222;Our past is tragic, our present is catastrophic, but fortunately we have no future,&#8221; meaning that the future is our hope precisely because we do not have it, we do not possess it. We have to create it, intentionally or unintentionally, inevitably guided by utopian or dystopian visions. The fact that we do not possess the future opens for the possibility to make the world anew. So &#8211; Quo vadis? Where are you going? What world and what future will we create?<\/p>\r\n\r\n<p>Action and interpretation are intimately interconnected and interwoven in ethical deliberations as well as political deeds. In our complex age where there is little faith in absolute truths, cultural and moral legitimacy play a crucial role. Understanding does not always refer to firmly established affiliations or communities, but, in an ever-increasing degree, to fluid, nomadic and temporary identifications without fixed roots, grounded in mycelium-like networks. In such a reality, artistic depictions and approaches become important contemporary references and pointers to the future.<\/p>\r\n\r\n<p>As a continuation of the previous biennial&#8217;s discussion on the condition of the political, this biennial presents reflections on the conception of the political by elucidating various aspects of individual versus collective choices, democratic participation, and the power of art to depict, interpret and convey observations and movements in society.<\/p>\r\n\r\n<p>With <em>What a Wonderful World<\/em> we hope to present an exhibition for contemplation and discussion that reflects its time by illuminating utopias and dystopias as well as history in an ethical and political perspective.<\/p>","protected":false},"excerpt":{"rendered":"<p>Johan Pousette el\u0151ad\u00e1sa Id\u00f5pont: 2009. febru\u00e1r 9. (h\u00e9tf\u0151) 18.00 Helysz\u00edn: Labor (1053 Budapest, K\u00e9p\u00edr\u00f3 u. 5.) Johan Pousette, a 2009-es G\u00f6teborg Bienn\u00e1le kur\u00e1tora az ACAX | Nemzetk\u00f6zi Kort\u00e1rs K\u00e9pz\u0151m\u0171v\u00e9szeti Iroda Check in Budapest programj\u00e1nak keret\u00e9ben 2009. febru\u00e1r 6-10-ig Budapestre l\u00e1togat. Pousette 2009. febru\u00e1r 9-\u00e9n 18 \u00f3r\u00e1t\u00f3l nyilv\u00e1nos prezent\u00e1ci\u00f3t tart a Laborban a kort\u00e1rs sv\u00e9d k\u00e9pz\u0151m\u0171v\u00e9szeti [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-820410","post","type-post","status-publish","format-standard","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/820410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=820410"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/820410\/revisions"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=820410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=820410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=820410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}