Nemzetk\u00f6zi konferencia<\/p>\r\n\r\n
2009. \u00e1prilis 16. cs\u00fct\u00f6rt\u00f6k, 10\u201318 \u00f3ra<\/strong> A M\u0171csarnok \u00e9s a Bienn\u00e1l\u00e9 Iroda szeretettel megh\u00edvja a velencei Magyar Pavilon centen\u00e1riuma alkalm\u00e1b\u00f3l szervezett nemzetk\u00f6zi konferenci\u00e1ra.<\/p>\r\n\r\n A konferencia d\u00e9lel\u0151tti szekci\u00f3j\u00e1nak magyar el\u0151ad\u00f3i a 100 \u00e9ves Magyar Pavilon \u00e9p\u00fclet\u00e9nek mai felhaszn\u00e1lhat\u00f3s\u00e1g\u00e1r\u00f3l (Szentp\u00e9teri M\u00e1rton), a magyar \u00e9p\u00edt\u00e9szeti (Z. Halm\u00e1gyi Judit) \u00e9s k\u00e9pz\u0151m\u0171v\u00e9szeti (P. Sz\u0171cs Julianna) szerepl\u00e9sekr\u0151l sz\u00f3l, majd a p\u00e1ly\u00e1zati rendszer tanuls\u00e1gaival foglalkozik (Boros G\u00e9za). A d\u00e9lel\u0151tt z\u00e1r\u00f3 blokkja a Velencei Bienn\u00e1le szerep\u00e9t vizsg\u00e1lja a glob\u00e1lis kreat\u00edv ipar \u00e1talakul\u00e1s\u00e1val \u00f6sszef\u00fcgg\u00e9sben (Nemes Attila), \u00e9s a nemzeti reprezent\u00e1ci\u00f3 problematik\u00e1j\u00e1t j\u00e1rja k\u00f6r\u00fcl (Hock Bea \u2212 Nagy Edina) a posztnemzet\u00e1llami \u00e1llapotban (Gy\u00f6rgy P\u00e9ter).<\/p>\r\n\r\n A d\u00e9lut\u00e1ni szekci\u00f3ra megh\u00edvott nemzetk\u00f6zi \u00e9s magyar (Jekatyerina Gyogoty moszkvai, Chus Mart\u00ednez barcelonai \u00e9s Tim\u00e1r Katalin budapesti) kur\u00e1torok angol nyelven prezent\u00e1lnak a bienn\u00e1l\u00e9, mint ki\u00e1ll\u00edt\u00e1si modell m\u0171k\u00f6d\u00e9s\u00e9r\u0151l. Ezt k\u00f6vet\u0151en Diana Baldon B\u00e9csben \u00e9l\u0151 olasz kur\u00e1tor moder\u00e1l\u00e1s\u00e1val besz\u00e9lgetnek a nemzetk\u00f6zi bienn\u00e1l\u00e9kr\u00f3l, a \u201ebiennaliz\u00e1ci\u00f3s\u201d folyamatok k\u00f6r\u00fcl kialakult kritikai n\u00e9zetekr\u0151l, illetve a bienn\u00e1l\u00e9 szerep\u00e9r\u0151l a ki\u00e1ll\u00edt\u00f3 int\u00e9zm\u00e9nyek \u00e9s a kur\u00e1tori gyakorlat mai viszonylat\u00e1ban.<\/p>\r\n\r\n Az eg\u00e9sz napos konferencia r\u00e9szletes programja:<\/p>\r\n\r\n D\u00e9lel\u0151tti szekci\u00f3<\/strong> \/ Morning Section<\/p>\r\n\r\n Megnyitja dr. <\/strong>Petr\u00e1nyi Zsolt, a Magyar Pavilon nemzeti biztosa<\/strong> 10:00 \u00ad\u00ad\u00ad- 10:30<\/p>\r\n\r\n Szentp\u00e9teri M\u00e1rton: T\u00f6rt\u00e9neti kontextus \u00e9s progresszi\u00f3 – Mar\u00f3ti G\u00e9za pavilonja tegnap \u00e9s ma<\/em><\/strong><\/p>\r\n\r\n M\u00e1rton Szentp\u00e9teri: Historical Context and Progression – G\u00e9za Mar\u00f3ti’s Pavilion Then and Now<\/em><\/p>\r\n\r\n 10:30 – 11:00<\/p>\r\n\r\n P.Sz\u0171cs Julianna: V\u00e1ltoz\u00f3 magyar k\u00e9p a v\u00e1ltoz\u00f3 bienn\u00e1l\u00e9n<\/em><\/strong><\/p>\r\n\r\n Julianna P. Sz\u0171cs: Altering Hungarian Image at the Altering Biennial<\/em><\/p>\r\n\r\n <\/strong><\/p>\r\n\r\n 11:00 – 11:30<\/p>\r\n\r\n Z. Halm\u00e1gyi Judit<\/strong><\/p>\r\n\r\n Judit Z. Halm\u00e1gyi<\/p>\r\n\r\n <\/strong><\/p>\r\n\r\n 11:30 – 12:00<\/p>\r\n\r\n Boros G\u00e9za: Vonz\u00e1sok \u00e9s v\u00e1laszt\u00e1sok <\/em><\/strong>–<\/em><\/strong> A p\u00e1ly\u00e1zati rendszer 8 \u00e9ve<\/em><\/strong><\/p>\r\n\r\n G\u00e9za Boros: Elective Affinities <\/em>–<\/em>The Application System’s 8 Years<\/em><\/p>\r\n\r\n 12:00 – 13:00 Eb\u00e9dsz\u00fcnet <\/strong>\/ Lunch break<\/p>\r\n\r\n 13:00 – 13:30<\/p>\r\n\r\n Nemes Attila<\/strong>: A Velencei Bienn\u00e1le \u00e9s a glob\u00e1lis kreat\u00edv ipar<\/em><\/strong><\/p>\r\n\r\n Attila Nemes: The Venice Biennale and the Global Creative Industries<\/em><\/p>\r\n\r\n 13:30 – 14:00<\/p>\r\n\r\n Hock Bea – Nagy Edina: <\/strong>Orsz\u00e1gok \u00e9s hat\u00e1raik a Velencei Bienn\u00e1l\u00e9 t\u00e9rk\u00e9p\u00e9n: \u00d6n itt \u00e1ll<\/em><\/strong><\/p>\r\n\r\n Bea Hock – Edina Nagy: Countries and their Boundaries on the Map of the Venice Biennale: You are Here <\/em><\/p>\r\n\r\n <\/strong><\/p>\r\n\r\n 14:00 – 14:30<\/p>\r\n\r\n Gy\u00f6rgy P\u00e9ter: <\/strong>A bienn\u00e1l\u00e9 \u00e9s a nemzeti m\u0171v\u00e9szet\u00a0 – a posztnemzet\u00e1llami kult\u00fara szeml\u00e9lete<\/em><\/strong><\/p>\r\n\r\n P\u00e9ter Gy\u00f6rgy: The Biennial and National Art – The Position of a Post-Nation-State’s Culture <\/strong><\/p>\r\n\r\n <\/strong><\/p>\r\n\r\n 14:30 – 15:00 <\/strong>K\u00e1v\u00e9sz\u00fcnet<\/strong> \/ Coffee break<\/p>\r\n\r\n Afternoon Section<\/strong> \/ D\u00e9lut\u00e1ni szekci\u00f3<\/p>\r\n\r\n 3 p.m. – 6 p.m.<\/strong><\/p>\r\n\r\n 20-min-long presentations and panel discussion \/ <\/strong>20 perces el\u0151ad\u00e1sok \u00e9s moder\u00e1lt besz\u00e9lget\u00e9s<\/p>\r\n\r\n <\/strong><\/p>\r\n\r\n Eszter Szak\u00e1cs welcomes the participants \/ Szak\u00e1cs Eszter \u00fcdv\u00f6zli a r\u00e9sztvev\u0151ket<\/p>\r\n\r\n The panel moderated and introduced by<\/strong> \/ moder\u00e1l \u00e9s bevezet\u0151t tart: Diana Baldon<\/strong><\/p>\r\n\r\n <\/strong><\/p>\r\n\r\n Chus Mart\u00ednez: <\/strong>The Celestial Plot – Biennials, proposals, research <\/em><\/strong><\/p>\r\n\r\n Chus Mart\u00ednez: Az \u00e9gi terv – Bienn\u00e1l\u00e9k, javaslatok, kutat\u00e1s <\/em><\/p>\r\n\r\n <\/em><\/p>\r\n\r\n Ekaterina Degot <\/strong><\/p>\r\n\r\n Jekatyerina Gyogoty<\/p>\r\n\r\n Katalin Tim\u00e1r<\/strong>: The Semiotic Solidarity of the Interpretive Community <\/em><\/strong><\/p>\r\n\r\n Tim\u00e1r Katalin: Az \u00e9rtelmez\u0151 k\u00f6z\u00f6ss\u00e9g szemiotikai szolidarit\u00e1sa<\/em><\/p>\r\n\r\n Panel discussion<\/strong> \/ Panel besz\u00e9lget\u00e9s<\/p>","protected":false},"excerpt":{"rendered":" Nemzetk\u00f6zi konferencia 2009. \u00e1prilis 16. cs\u00fct\u00f6rt\u00f6k, 10\u201318 \u00f3ra M\u0171csarnok El\u0151ad\u00f3terem A M\u0171csarnok \u00e9s a Bienn\u00e1l\u00e9 Iroda szeretettel megh\u00edvja a velencei Magyar Pavilon centen\u00e1riuma alkalm\u00e1b\u00f3l szervezett nemzetk\u00f6zi konferenci\u00e1ra. A konferencia d\u00e9lel\u0151tti szekci\u00f3j\u00e1nak magyar el\u0151ad\u00f3i a 100 \u00e9ves Magyar Pavilon \u00e9p\u00fclet\u00e9nek mai felhaszn\u00e1lhat\u00f3s\u00e1g\u00e1r\u00f3l (Szentp\u00e9teri M\u00e1rton), a magyar \u00e9p\u00edt\u00e9szeti (Z. Halm\u00e1gyi Judit) \u00e9s k\u00e9pz\u0151m\u0171v\u00e9szeti (P. Sz\u0171cs Julianna) szerepl\u00e9sekr\u0151l […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-820524","post","type-post","status-publish","format-standard","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/820524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=820524"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/820524\/revisions"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=820524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=820524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=820524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\r\n M\u0171csarnok El\u0151ad\u00f3terem<\/p>\r\n\r\n
\r\n Opened by dr. Zsolt Petr\u00e1nyi, National Commissioner of the Hungarian Pavilion<\/p>\r\n\r\n
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