A ki\u00e1ll\u00edt\u00e1sok l\u00e1thatatlan t\u00f6rt\u00e9nete<\/em> c\u00edm\u0171 projekt a ki\u00e1ll\u00edt\u00e1s, mint domin\u00e1ns kort\u00e1rs m\u0171v\u00e9szeti produkci\u00f3s \u00e9s bemutat\u00e1si forma t\u00f6rt\u00e9net\u00e9t \u00e9s mai \u00e9rtelmez\u00e9sei lehet\u0151s\u00e9geit vizsg\u00e1lja. A \u201et\u00f6rt\u00e9netet” ebben a kontextusban a m\u0171v\u00e9szetben (m\u0171v\u00e9szett\u00f6rt\u00e9net) \u00e9s annak bemutat\u00e1s-m\u00f3dj\u00e1ban (ki\u00e1ll\u00edt\u00e1st\u00f6rt\u00e9net) fordul\u00f3pontot jelent\u0151 esem\u00e9nyekre \u00e9p\u00fcl\u0151 konstru\u00e1lt narrat\u00edvak\u00e9nt \u00e9rtelmezz\u00fck. A nyugati demokratikus orsz\u00e1gok\u00a0 a nagy m\u0171v\u00e9szeti int\u00e9zm\u00e9nyei ebben az id\u0151szakban t\u00f6bb olyan kur\u00e1tori koncepci\u00f3 szerint rendezett csoportos ki\u00e1ll\u00edt\u00e1st mutattak be, amelyek meghat\u00e1roz\u00f3 elemei a ki\u00e1ll\u00edt\u00e1sok t\u00f6rt\u00e9net\u00e9nek. Kelet-Eur\u00f3p\u00e1ban ugyanakkor az 1950-es \u00e9s 1980-as \u00e9vek k\u00f6z\u00f6tt a progressz\u00edv m\u0171v\u00e9szeti esem\u00e9nyek gyakran a \u201em\u00e1sodik nyilv\u00e1noss\u00e1gban”, mag\u00e1nlak\u00e1sokban, a hivatalos m\u0171v\u00e9szeti int\u00e9zm\u00e9nyeken k\u00edv\u00fcl t\u00f6rt\u00e9ntek; teh\u00e1t a t\u00e1rsadalmi nyilv\u00e1noss\u00e1g t\u00f6rt\u00e9neti k\u00f6r\u00fclm\u00e9nyei nagym\u00e9rt\u00e9kben meghat\u00e1rozt\u00e1k \u0151ket. A szimp\u00f3zium c\u00e9lja, hogy olyan m\u00f3dszereket tal\u00e1ljon \u00e9s mutasson be, amelyek seg\u00edts\u00e9g\u00e9vel a kelet-eur\u00f3pai esem\u00e9nyek bekapcsolhat\u00f3ak a nemzetk\u00f6zi ki\u00e1ll\u00edt\u00e1s-elm\u00e9leti diskurzusba.<\/p>\r\n\r\nA ki\u00e1ll\u00edt\u00e1ssal p\u00e1rhuzamosan rendezett szimp\u00f3zium a saj\u00e1tt\u00f6rt\u00e9net-\u00edr\u00e1ssal, a kelet-eur\u00f3pai underground m\u0171v\u00e9szettel, a nemzetk\u00f6zi ki\u00e1ll\u00edt\u00e1sokon kereszt\u00fcl t\u00f6rt\u00e9n\u0151 \u00f6n-poz\u00edcion\u00e1l\u00e1ssal \u00e9s a m\u0171v\u00e9szet t\u00f6rt\u00e9net\u00e9nek \u00fajra\u00e9rtelmez\u00e9s\u00e9vel kapcsolatos alapvet\u0151 k\u00e9rd\u00e9sekkel foglalkozik.<\/p>\r\n\r\n
Hogyan id\u00e9zhetj\u00fck fel, rekonstru\u00e1lhatjuk \u00e9s dolgozhatjuk fel \u00fajra a ki\u00e1ll\u00edt\u00e1sokat, hogy k\u00f6z\u00f6s t\u00f6rt\u00e9neti tud\u00e1sunk r\u00e9sz\u00e9v\u00e9 v\u00e1ljanak? Hogyan v\u00e1ltoztathatja meg a nemzetk\u00f6zi kur\u00e1tori diskurzusokkal szinkron t\u00f6rt\u00e9neti kutat\u00e1s a geo-politikailag margin\u00e1lis m\u0171v\u00e9szeti sz\u00ednterek \u00e1ltal\u00e1nos mell\u0151z\u00f6tts\u00e9g- \u00e9s megk\u00e9setts\u00e9g-\u00e9rz\u00e9s\u00e9t? A kelet-eur\u00f3pai m\u0171v\u00e9szek \u00e9s szakemberek hogyan haszn\u00e1lhatn\u00e1k ki helyzeti adotts\u00e1gukat, \u00e9s egyben hogyan fogalmazhatnak meg kritik\u00e1t a poszt-kolonializmus \u00e9s a globalizmus t\u00e1pl\u00e1lta \u00e9rdekl\u0151d\u00e9ssel szemben, amivel a nyugati piac a kommunista m\u00falt fel\u00e9 fordul? Hogyan \u00e9rthetj\u00fck meg az ifj\u00fas\u00e1gi mozgalmakkal, a szub-, p\u00e1rhuzamos- \u00e9s ellenkult\u00far\u00e1kkal, a politikai aktivizmussal kapcsolatos k\u00f6z\u00f6s tapasztalatainkat, \u00e9s a neoavantg\u00e1rd hagyom\u00e1nyok alapvet\u0151 elt\u00e9r\u00e9seit?<\/p>\r\n\r\n
T\u00e9m\u00e1k \u00e9s szekci\u00f3k:
\r\n – ki\u00e1ll\u00edt\u00e1sok \u00fajraelemz\u00e9se: rekonstrukci\u00f3 \u00e9s rekontextualiz\u00e1ci\u00f3
\r\n – arch\u00edvumok – az arch\u00edvum \u00e9s dokumentum mint ki\u00e1ll\u00edt\u00e1si forma \u00e9s a ki\u00e1ll\u00edt\u00e1s-arch\u00edvumok
\r\n – kelet-eur\u00f3pai ki\u00e1ll\u00edt\u00e1sok mint az identit\u00e1s-politika eszk\u00f6zei
\r\n – a ki\u00e1ll\u00edt\u00e1s-szervez\u00e9s mint emancip\u00e1ci\u00f3s gyakorlat<\/p>\r\n\r\n
R\u00e9szletes program (a szimpozium nyelve angol):
\r\n
\r\n Invisible History of Exhibitions
\r\n International symposium
\r\n
\r\n Kretakor Bazis
\r\n (IX. Budapest, Gonczy Pal u. 2.)
\r\n
\r\n 21 May 2009, Thursday
\r\n
\r\n 10:00 -10:30
\r\n Welcome and introduction \u00a0\u00a0\u00a0\u00a0
\r\n Dora Hegyi and Zsuzsa Laszla curators, Budapest (HU)
\r\n
\r\n Revisiting exhibitions: reconstruction and re-contextualization
\r\n
\r\n 10:30-11:10
\r\n Reesa Greenberg, independent scholar, cultural historian, adjunct
\r\n Professor of Art History at Carleton University, Ottawa and York
\r\n University, Toronto (CA)
\r\n
\r\n Exhibition histories: monographic, multimodal and meta-reconstructions
\r\n
\r\n 11:10-11:50
\r\n Vit Havranek, curator, project leader of tranzit.cz, Prague (CZ)
\r\n
\r\n „Schizophrenic Love” – Emotional relations to the public exhibition space
\r\n
\r\n 11:50-12:00
\r\n coffee-break
\r\n
\r\n 12:00-12:30
\r\n Jelena Vesic, art historian, curator – Du\u0161an Grlja, political theorist
\r\n prelom kolektiv, Belgrade (SRB)
\r\n
\r\n The Case of Students’ Cultural Centre, Belgrade in the 1970s
\r\n
\r\n 12:30-13:00
\r\n Branka Curcic, artist and researcher – Zoran Pantelic, artist,
\r\n producer, educator, kuda.org, Novi Sad (SRB)
\r\n
\r\n The Novi Sad Neo Avant-garde of the 1960’s and 1970’s. Mapping of
\r\n Social and Art History in Novi Sad – Methodology of an Exhibition
\r\n
\r\n 13:00-14:00
\r\n lunch break
\r\n
\r\n Archives – the archive as exhibition format and exhibition archives
\r\n
\r\n 14:00-14:40
\r\n Natasa Petresin-Bachelez, independent curator and writer, PhD
\r\n candidate at EHESS, Paris (SLO\/FR)
\r\n
\r\n Innovative forms of archive – exhibitions, events, books and museums
\r\n
\r\n 14:40-15:10
\r\n Andrea Tarczali, PhD candidate at ELTE University Budapest, art
\r\n historian, aesthetician (HU)
\r\n
\r\n Intelligence Increase = Intelligence Enhancement
\r\n
\r\n 15:10-15:50
\r\n Isabelle Schwarz, art historian and curator, Sprengel Museum, Hannover (DE)
\r\n
\r\n Independent Art Spaces in Hungary and Poland: Artpool Archive, the
\r\n Exchange Gallery and the Accumulatory Gallery
\r\n
\r\n 15:50-16:00
\r\n coffee-break
\r\n
\r\n 16:00-16:40
\r\n Yelena Kalinsky, art historian and curator, PhD candidate in the
\r\n Department of Art History at Rutgers University (RU)
\r\n
\r\n Exhibiting Discourse: Performance and the Archive in Moscow Conceptualism
\r\n
\r\n 16:40-17:10
\r\n Magdalena Ziolkowska, art historian and curator, Muzeum Sztuki, \u0141odz (PL)
\r\n Idea Art
\r\n
\r\n 17:10-17:40
\r\n Keiko Sei, writer, curator, media-researcher (JPN\/THA)
\r\n Exhibition in Video Cassette
\r\n
\r\n 17:40-18:00
\r\n discussion
\r\n
\r\n 19:30
\r\n Lecture by Tamas St.Auby, artist (HU)
\r\n
\r\n 22 May 2009, Friday
\r\n
\r\n East European Exhibitions as tools of identity-politics
\r\n
\r\n 10:00-10:45
\r\n Georg Sch\u00f6llhammer, writer and curator, chief editor of Springerin (AT)
\r\n
\r\n Work with the Drawers, Slide Trays, Files and Boxes!
\r\n
\r\n 10:45-11:25
\r\n Izabel Galliera, phD student, History of Art and Architecture,
\r\n University of Pittsburgh (US)
\r\n
\r\n Interrogating Curatorial Frameworks: Exhibitions of Art from Post-1989
\r\n Eastern Europe
\r\n
\r\n 11:25-11:40
\r\n coffee break
\r\n
\r\n 11:40-12:20
\r\n Maja and Reuben Fowkes, art historians and curators, translocal.org (GB,HR)
\r\n
\r\n Partisan Exhibitions at the Zero Hour of Curatorial History
\r\n
\r\n 12:30- 14:00
\r\n lunch break
\r\n
\r\n Exhibition making as an emancipatory practice
\r\n
\r\n 14:00-14:30
\r\n Judit Angel, art historian, curator, Kunsthalle Budapest (HU)
\r\n
\r\n Complexul muzeal and related issues
\r\n
\r\n 14:30-15:00
\r\n Cristian Nae, art theoretician, assistant professor at G. Enescu Art
\r\n University, Iasi (RO)
\r\n
\r\n >From Events to Processes. Rethinking Public Sphere in the History of
\r\n Periferic biennial.
\r\n
\r\n 15:00-15:40
\r\n Emese Suvecz, art critic, participant in the critical studies program
\r\n at Malmo Art Academy(HU)
\r\n
\r\n Smuggling ideologies? – feminism in the Cold-War Hungary
\r\n
\r\n Orshi Drozdik, visual artist based in Budapest and New York (HU\/US)
\r\n
\r\n The Female Nude Model. Life drawing and art practice in the
\r\n patriarchal art history and in the state-party’s art politics
\r\n
\r\n 15:40-16:20
\r\n Ana Devic, art historian, curator, What, How and for Whom? (HR)
\r\n
\r\n Revisiting the past, parallel researches
\r\n
\r\n 16:20-16:35
\r\n coffee break
\r\n
\r\n 16:35-17:15
\r\n Viktor Misiano, art critic and curator (RU)
\r\n
\r\n Hamburg project versus Kliazma project. On Artistic Dialogue in a Time
\r\n of Transition
\r\n
\r\n 17:15-18:00
\r\n Round Table and closing discussion
\r\n
\r\n How to make exhibitions about exhibitions? Between academic and
\r\n curatorial research
\r\n
\r\n Moderator: Georg Schollhammer (AT)
\r\n Participants: Reesa Greenberg (CAN), Julia Klaniczay co-founder and
\r\n director of Artpool Art Research Center (HU), Livia Paldi chief
\r\n curator, Kunsthalle Budapest (HU), Katalin Tim\u00e1r curator and theorist
\r\n (HU), Ivet Curlin, art historian, curator – WHW (HR)
\r\n
\r\n The panel aims to discuss different approaches dealing with historical
\r\n events and archives. Are academic scholars more precise in collecting
\r\n data and interpreting them „objectively”, while does curatorial
\r\n research really aim to create inspirational collages out of facts?<\/p>","protected":false},"excerpt":{"rendered":"
nemzetk\u00f6zi szimp\u00f3zium helysz\u00edn: Kr\u00e9tak\u00f6r B\u00e1zis (IX. Budapest, G\u00f6nczy P\u00e1l u. 2.) id\u0151pont: 2009. m\u00e1jus 21-22., 10-18 \u00f3r\u00e1ig A tranzit. hu A ki\u00e1ll\u00edt\u00e1sok l\u00e1thatatlan t\u00f6rt\u00e9nete c\u00edmmel ki\u00e1ll\u00edt\u00e1st \u00e9s nemzetk\u00f6zi szimp\u00f3ziumot rendez azzal a c\u00e9llal, hogy hozz\u00e1j\u00e1ruljon az 1960-as \u00e9vekt\u0151l napjainkig tart\u00f3 id\u0151szak kelet-eur\u00f3pai m\u0171v\u00e9szeti esem\u00e9nyeire vonatkoz\u00f3 k\u00f6z\u00f6s tud\u00e1salap \u00e9s diskurzus megteremt\u00e9s\u00e9hez. A budapesti rendezv\u00e9nyek a z\u00e1gr\u00e1bi […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-820586","post","type-post","status-publish","format-standard","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/820586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=820586"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/820586\/revisions"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=820586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=820586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=820586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}