{"id":821411,"date":"2011-06-15T13:02:12","date_gmt":"2011-06-15T12:02:12","guid":{"rendered":"https:\/\/exindex.hu\/?p=821411"},"modified":"2011-06-15T15:20:16","modified_gmt":"2011-06-15T14:20:16","slug":"a-kiallitas-mint-koprodukcioban-letrejovo-medium","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/a-kiallitas-mint-koprodukcioban-letrejovo-medium\/","title":{"rendered":"A ki\u00e1ll\u00edt\u00e1s, mint koprodukci\u00f3ban l\u00e9trej\u00f6v\u0151 m\u00e9dium"},"content":{"rendered":"<p><strong>\u00e9s a szervez\u00e9s h\u00e1rom alapvet\u0151 kateg\u00f3ri\u00e1ja: h\u00e1tt\u00e9r, k\u00f6z\u00e9p-t\u00e9r \u00e9s el\u0151t\u00e9r<\/strong><\/p>\r\n\r\n<p>Paul O\u2019Neill el\u0151ad\u00e1sa<br \/>\r\n LUMU k\u00f6nyvt\u00e1r (1095 Budapest, Komor Marcell u. 1., Ludwig M\u00fazeum, II. emelet)<br \/>\r\n <strong>2011. j\u00fanius 16., 18 \u00f3ra<\/strong><\/p>\r\n\r\n<p>Paul O\u2019Neill tevekenysege, mely egyar\u00e1nt mag\u00e1ba foglalja a kritikusi,  oktat\u00f3i, kur\u00e1tori es alkot\u00f3i szerepeket az \u00fan. \u201ekur\u00e1tori fordulat\u201c ut\u00e1ni  id\u0151szak jellegzetes fluid identit\u00e1s\u00e1t testes\u00edti meg. Ki\u00e1ll\u00edt\u00e1saiban \u00e9s  \u00edr\u00e1saiban a kur\u00e1tor munkak\u00f6re \u00f6n\u00e1ll\u00f3 \u00e9s saj\u00e1tos szerepk\u00e9nt jelenik meg,  mely lesz\u00e1mol a kur\u00e1tori hatalom misztifik\u00e1ci\u00f3j\u00e1nak valamennyi aspektus\u00e1val.<\/p>\r\n\r\n<p>A csoportos ki\u00e1ll\u00edt\u00e1s forma a kur\u00e1tori k\u00eds\u00e9rletez\u00e9s els\u0151dleges  fel\u00fclet\u00e9v\u00e9 v\u00e1lt, s mint ilyen egy viszonylagosan \u00faj diszkurz\u00edv teret  jelent a m\u0171v\u00e9szeti gyakorlat tekintet\u00e9ben. Paul O\u2019Neill el\u0151ad\u00e1s\u00e1ban azt  vizsg\u00e1lja, hogy egy halmoz\u00f3d\u00f3 \u00e9s terjeszked\u0151 ki\u00e1ll\u00edt\u00e1s forma mik\u00e9nt  v\u00e1lhat a kur\u00e1tori szerep megjelen\u00e9s\u00e9t vizsg\u00e1l\u00f3 bemutat\u00f3 tematik\u00e1j\u00e1v\u00e1. A  ki\u00e1ll\u00edt\u00e1s l\u00e9trehoz\u00e1s\u00e1nak \u00f6sszes st\u00e1dium\u00e1t az \u00f6sszetart\u00f3 \u00e9s egy\u00fcttm\u0171k\u00f6d\u0151  ki\u00e1ll\u00edt\u00e1si strukt\u00far\u00e1k, \u00e9s a m\u0171v\u00e9szek er\u0151teljes bevon\u00e1sa jellemzi.<\/p>\r\n\r\n<p>Az  el\u0151ad\u00e1s felv\u00e1zolja, hogy a ki\u00e1ll\u00edt\u00e1s mik\u00e9pp teremt a k\u00fcl\u00f6nf\u00e9le szintek  k\u00f6z\u00f6tt a n\u00e9z\u0151 interakci\u00f3ja sz\u00e1m\u00e1ra t\u00e9rbeli viszonyokat. Emellett arra is  r\u00e1vil\u00e1g\u00edt, hogy a rendez\u00e9s h\u00e1rom t\u00e9rbeli kateg\u00f3ri\u00e1ja a csoportos  ki\u00e1ll\u00edt\u00e1s eset\u00e9ben milyen m\u00f3don k\u00e9pes mindezt l\u00e1that\u00f3v\u00e1 tenni a  ki\u00e1ll\u00edt\u00e1s megval\u00f3sult vonatkoz\u00e1s\u00e1ban.<\/p>\r\n\r\n<p>*<\/p>\r\n\r\n<p><span class=\"text_exposed_show\">Dr. Paul O\u2019Neill Bristolban \u00e9l\u0151  f\u00fcggetlen kur\u00e1tor \u00e9s \u00edr\u00f3. Jelenleg a Great Western Research Alliance  (GWR) Commissioning Contemporary Art with Situations University of the  West of England, Bristol kutat\u00f3i \u00f6szt\u00f6nd\u00edjasa. Paul t\u00f6bb mint \u00f6tven  ki\u00e1ll\u00edt\u00e1si projektet k\u00far\u00e1lt \u00e9s ko-k\u00far\u00e1lt, t\u00f6bbek k\u00f6z\u00f6tt: <em>We are Grammar<\/em>,  Pratt Manhattan Gallery, New York (2011); <em>Coalesce: happenstance<\/em>,  SMART, Amsterdam (2009); <em>D.B<\/em>, Four Gallery, Dublin (2008); <em>Tape Runs  Out<\/em>, Text and Work Gallery, Bournemouth (2007); <em>Intermittent<\/em>, Gallery  for One, Dublin (2007); <em>Making Do<\/em>, The Lab, Dublin (2007); <em>Our Day Will  Come<\/em>, Zoo Art Fair, London (2006); <em>General Idea: Selected Retrospective<\/em>,  Project, Dublin (2006); <em>Mingle-Mangled<\/em>, Cork Caucus r\u00e9szek\u00e9nt, Cork  (2005); <em>La La Land<\/em>, Project, Dublin (2005); <em>Coalesce: The Remix<\/em>, Redux,  London (2005); <em>Tonight<\/em>, Studio Voltaire, London, (2004); <em>Coalesce: With  All Due Intent<\/em> at Model and Niland Art Gallery, Sligo (2004); <em>Are We  There Yet?<\/em> Glass box, Paris (2000) \u00e9s <em>Pass ports<\/em>, Zaheta Gallery of  Contemporary Art, Warsaw (1998). A de Appel \u00e9s a Goldsmiths kur\u00e1tori  programok \u00f3raad\u00f3 munkat\u00e1rsa. \u00cdr\u00e1sai sz\u00e1mos k\u00f6nyvben, katal\u00f3gusban,  foly\u00f3iratban \u00e9s magazinban jelentek meg, az Art Monthly rendszeres  szerz\u0151je. Az Art and the Public Sphere Journal kritika rovat\u00e1nak  szerkeszt\u0151je, a The Exhibitionist \u00e9s a The Journal of Curatorial Studies  szerkeszt\u0151bizotts\u00e1g\u00e1nak a tagja. A <em>Curating Subjects<\/em> (2007) antol\u00f3gia  szerkeszt\u0151je, \u00e9s Mick Wilson mellett a <em>Curating and the Educational Turn<\/em> (2010) t\u00e1rsszerkeszt\u0151je, mindk\u00e9t k\u00f6tetet a de Appel and Open Editions  (Amsterdam\/London) adta ki. Jelenleg Claire Doherty-vel a <em>Locating the  Producers: Durational Approaches to Public Art<\/em> (Amsterdam, Vaiz, 2011)  c\u00edm\u0171 k\u00f6nyv\u00f6n dolgozik.<\/span><\/p>\r\n\r\n<p>*<\/p>\r\n\r\n<p>Az el\u0151ad\u00e1s a\u00a0 <a href=\"http:\/\/hu.tranzit.org\/\" target=\"_blank\">tranzit.hu<\/a> M\u0171v\u00e9szetelm\u00e9leti \u00e9s -gyakorlati <a href=\"http:\/\/hu.tranzit.org\/hu\/szabadiskola\/\" target=\"_blank\">szabadiskol\u00e1ja<\/a> keret\u00e9ben val\u00f3sul meg.<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00e9s a szervez\u00e9s h\u00e1rom alapvet\u0151 kateg\u00f3ri\u00e1ja: h\u00e1tt\u00e9r, k\u00f6z\u00e9p-t\u00e9r \u00e9s el\u0151t\u00e9r Paul O\u2019Neill el\u0151ad\u00e1sa LUMU k\u00f6nyvt\u00e1r (1095 Budapest, Komor Marcell u. 1., Ludwig M\u00fazeum, II. emelet) 2011. j\u00fanius 16., 18 \u00f3ra Paul O\u2019Neill tevekenysege, mely egyar\u00e1nt mag\u00e1ba foglalja a kritikusi, oktat\u00f3i, kur\u00e1tori es alkot\u00f3i szerepeket az \u00fan. \u201ekur\u00e1tori fordulat\u201c ut\u00e1ni id\u0151szak jellegzetes fluid identit\u00e1s\u00e1t testes\u00edti meg. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-821411","post","type-post","status-publish","format-standard","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/821411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=821411"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/821411\/revisions"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=821411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=821411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=821411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}