{"id":821564,"date":"2011-10-26T09:29:34","date_gmt":"2011-10-26T08:29:34","guid":{"rendered":"https:\/\/exindex.hu\/?p=821564"},"modified":"2011-10-27T18:42:57","modified_gmt":"2011-10-27T17:42:57","slug":"a-kepek-allasa-a-mediamuveszet-uttoroi","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/a-kepek-allasa-a-mediamuveszet-uttoroi\/","title":{"rendered":"A k\u00e9pek \u00e1ll\u00e1sa. A m\u00e9diam\u0171v\u00e9szet \u00fatt\u00f6r\u0151i"},"content":{"rendered":"

Zbigniew Rybczy\u0144ski \u00e9s B\u00f3dy G\u00e1bor<\/em><\/strong><\/p>\r\n\r\n

Akademie der K\u00fcnste, Berlin, Hanseatenweg, Halle 2
\r\n 2011. 10. 28 – 2012. 1.1.<\/p>\r\n\r\n

\"\"<\/p>\r\n\r\n

Kur\u00e1torok: Piotr Krajewski (WRO, Wroc\u0142aw) \u00e9s Petern\u00e1k Mikl\u00f3s (C\u00b3, Budapest)
\r\n Koncepci\u00f3: Siegfried Zielinski (Universit\u00e4t der K\u00fcnste Berlin), egy\u00fcttm\u0171k\u00f6d\u00e9sben a WRO-val \u00e9s a C\u00b3-mal<\/p>\r\n\r\n

\"\"<\/p>\r\n\r\n

B\u00f3dy G\u00e1bor (1946-1985) \u00e9s Zbigniew Rybczy\u0144ski (*1949, Wroclaw) soha nem tal\u00e1lkoztak egym\u00e1ssal. A berlini Akademie der K\u00fcnste okt\u00f3ber v\u00e9g\u00e9n a n\u00e9met f\u0151v\u00e1rosban ny\u00edl\u00f3, a k\u00e9t m\u0171v\u00e9sz \u00e9letm\u0171v\u00e9t k\u00f6z\u00f6sen bemutat\u00f3 nagyszab\u00e1s\u00fa ki\u00e1ll\u00edt\u00e1sa most m\u00e9gis m\u00f3dot ad erre.<\/p>\r\n\r\n

\"\"<\/p>\r\n\r\n

VET\u00cdT\u00c9SEK, EL\u0150AD\u00c1SOK<\/p>\r\n\r\n

Okt\u00f3ber 29.<\/strong> Hanseatenweg, Studio: Filmprogramm Zbigniew Rybczy\u0144ski
\r\n 14.00<\/strong> Plamuz<\/em>, 35mm, Polen 1973, 9:38
\r\n The Orchestra<\/em>, HDTV, 1990, 57:11
\r\n Tango<\/em>, 35mm, Polen 1980, 8:14<\/p>\r\n\r\n

17.00<\/strong> Take Five<\/em>, 35mm, PWSFTviT \u0141\u00f3d\u017a, Poland, 1972, 3:36
\r\n Diana D by Chuck Mangione<\/em>, music video for CBS Records, 1984, 4:00
\r\n Imagine<\/em>, HDTV, music by John Lennon, 1987, 4:30
\r\n Kafka<\/em>, HDTV, Telemax\/Les Editions Audiovisuelles, 1992,\u00a0 52:16
\r\n Zupa<\/em>, 35mm, Se-Ma-For, Poland, 1974, 8:22<\/p>\r\n\r\n

19.00 <\/strong> The Fourth Dimension<\/em> excerpt, 35mm\/video,1988, 4:00
\r\n Oj! Nie mog\u0119 si\u0119 zatrzyma\u0107!<\/em> [Oh! I Can’t Stop!<\/em>], Se-Ma-For, Poland, 1975, 9:56
\r\n Weg zum Nachbarn<\/em> (f\u00fcr Kurzfilmtage Oberhausen), Se-Ma-For, Poland ,1976, 2:30
\r\n My Window<\/em>, 35mm, Signal Film, Vienna, Austria, 1979, 2:26
\r\n Discret Charm of Diplomacy<\/em>, video, The NEW SHOW NBC TV, 1984, 2:56
\r\n Swi\u0119to<\/em> (Holiday<\/em>), 35mm, Se-Ma-For, Poland, 1976, 9:38
\r\n Kwadrat<\/em>, 35mm, PWSFTviT \u0141\u00f3d\u017a, Poland, 1972, 4:44
\r\n Media<\/em>,\u00a0 35mm, Se-Ma-For, Poland, 1980, 1:36
\r\n Nowa Ksi\u0105\u017cka<\/em> (New Book<\/em>), 35mm short, Se-Ma-For, Poland, 1975, 10:26
\r\n Steps<\/em>, video\/35mm, Zbig Vision, KCTA-TV(PBS), Channel Four, 1987, deutsch untertitelt, 26:00<\/p>\r\n\r\n

20.30<\/strong> Zbigniew Rybczy\u0144ski el\u0151ad\u00e1sa (angol nyelven). Besz\u00e9lget\u0151 partnerek: Siegfried Zielinski \u00e9s Piotr Krajewski<\/p>\r\n\r\n

Okt\u00f3ber 30.<\/strong> Hanseatenweg, Studio: Filmprogramm G\u00e1bor B\u00f3dy (I)
\r\n Bevezeti: Dr. Beke L\u00e1szl\u00f3
\r\n 15.00<\/strong> N\u00e9gy bagatell<\/em> (Four Bagatelles<\/em>), s\/w, 35mm, Bal\u00e1zs B\u00e9la St\u00fadi\u00f3, Ungarn 1972-75, 28 Min.
\r\n A harmadik<\/em> (The Third<\/em>), s\/w, 35mm, Bal\u00e1zs B\u00e9la St\u00fadi\u00f3, Ungarn 1971, 50 Min.
\r\n Mozg\u00e1stanulm\u00e1nyok<\/em> (Motion Studies<\/em>) 1880-1980, (Hommage to Eadweard Muybridge), Farbe, 35mm,\u00a0 H\u00edrad\u00f3 \u00e9s Dokumentumfilm St\u00fadi\u00f3, Ungarn 1980 , 18 Min.
\r\n 17.00<\/strong> Psyche<\/em> (N\u00e1rcisz \u00e9s Psych\u00e9<\/em> \/ Narzi\u00df und Psyche<\/em>), Farbe, 35 mm, Hunnia St\u00fadi\u00f3, MTV, 1980, 261 Min. H\u00e1rom r\u00e9szes, \u00fajonnan restaur\u00e1lt, digit\u00e1lis v\u00e1ltozat<\/p>\r\n\r\n

November 20.<\/strong> Hanseatenweg, Studio: Filmprogramm G\u00e1bor B\u00f3dy (II)
\r\n Bevezeti: H\u00e1mos Guszt\u00e1v
\r\n 13.00<\/strong> Der D\u00e4mon in Berlin<\/em>, 1982, 28 Min
\r\n Either\/or in Chinatown<\/em>, 1985, 37 Min
\r\n E.M.A.N. Anthology<\/em>, 1985, 60 Min
\r\n 15.30<\/strong> Hogyan verekedett meg Jappe \u00e9s Do Escobar ut\u00e1n a vil\u00e1g<\/em> (After Jappe and Do Escobar fought how did the world come to fight<\/em>), 1974, 40 Min
\r\n Vidovszky L\u00e1szl\u00f3: Aldrin<\/em>, 1976, 14\u2019 (Kamera: G\u00e1bor B\u00f3dy)
\r\n B\u00f3dy G\u00e1bor \u2013 T\u00edm\u00e1r P\u00e9ter: Priv\u00e1t t\u00f6rt\u00e9nelem<\/em> (Private History<\/em>), 1978, 25 Min
\r\n 17.00 <\/strong> Amerikai Anzix<\/em> (American Torso<\/em>), 1975, 104 Min
\r\n 19.00 <\/strong> Kutya \u00e9ji dala<\/em> (Dog’s Night Song<\/em>), 1983, 147 Min<\/p>\r\n\r\n

December, 6. kedd, 18-22.00<\/strong>, Ausstellungshalle, Hanseatenweg, Berlin
\r\n Besz\u00e9lget\u00e9s a Der Stand der Bilder. Die Medienpioniere Zbigniew Rybczy\u0144ski und G\u00e1bor B\u00f3dy<\/em> ki\u00e1ll\u00edt\u00e1s kapcs\u00e1n. R\u00e9sztvev\u0151k: Oksana Bulgakova (filmt\u00f6rt\u00e9n\u00e9sz), Egon Bunne (m\u00e9diam\u0171v\u00e9sz), Christoph Dreher (\u00edr\u00f3, filmk\u00e9sz\u00edt\u0151, zen\u00e9sz, Stuttgart), Forg\u00e1ch Andr\u00e1s (\u00edr\u00f3, ford\u00edt\u00f3, Budapest), Ulrich Gregor (filmt\u00f6rt\u00e9n\u00e9sz), H\u00e1mos Guszt\u00e1v (m\u00e9diam\u0171v\u00e9sz), Ulrike Ottinger (filmk\u00e9sz\u00edt\u0151), Siegfried Zielinski (m\u00e9diumarcheol\u00f3gus).<\/p>\r\n\r\n

\"\"<\/p>\r\n\r\n

Megnyit\u00f3:
\r\n 2011. okt\u00f3ber 27. cs\u00fct\u00f6rt\u00f6k, 19.30<\/strong>
\r\n Studio, Akademie der K\u00fcnste, Hanseatenweg<\/p>\r\n\r\n

K\u00f6sz\u00f6nt\u0151: Klaus Staeck
\r\n Az Akademie der K\u00fcnste eln\u00f6ke<\/p>\r\n\r\n

Bevezet\u0151: Tomasz D\u0105browski
\r\n A berlini Lengyel Int\u00e9zet igazgat\u00f3ja<\/p>\r\n\r\n

Az European Workshop for Contemporary Music (EWCM) koncertje:
\r\n Jagoda Szmytka Just before after point-line-seven<\/em> 2010
\r\n Dariusz Przybylski Inexprimable<\/em> 2007
\r\n Agata Zubel Ulicami ludzkiego miasti<\/em> 2011
\r\n Vez\u00e9nyel: R\u00fcdiger Bohn<\/p>\r\n\r\n

Ki\u00e1ll\u00edt\u00e1smegnyit\u00f3:<\/p>\r\n\r\n

Johannes Odenthal
\r\n Az Akademie der K\u00fcnste programvezet\u0151je<\/p>\r\n\r\n

Can Togay J\u00e1nos
\r\n A Collegium Hungaricum Berlin igazgat\u00f3ja<\/p>\r\n\r\n

Siegfried Zielinski
\r\n M\u00e9diumarcheol\u00f3gus, a ki\u00e1ll\u00edt\u00e1s kezdem\u00e9nyez\u0151je, az Akademie der K\u00fcnste tagja<\/p>\r\n\r\n

http:\/\/www.adk.de\/blickwechsel\/<\/a>
\r\n http:\/\/www.adk.de\/de\/projekte\/2011\/blickwechsel\/medienkunst.htm<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Zbigniew Rybczy\u0144ski \u00e9s B\u00f3dy G\u00e1bor Akademie der K\u00fcnste, Berlin, Hanseatenweg, Halle 2 2011. 10. 28 – 2012. 1.1. Kur\u00e1torok: Piotr Krajewski (WRO, Wroc\u0142aw) \u00e9s Petern\u00e1k Mikl\u00f3s (C\u00b3, Budapest) Koncepci\u00f3: Siegfried Zielinski (Universit\u00e4t der K\u00fcnste Berlin), egy\u00fcttm\u0171k\u00f6d\u00e9sben a WRO-val \u00e9s a C\u00b3-mal B\u00f3dy G\u00e1bor (1946-1985) \u00e9s Zbigniew Rybczy\u0144ski (*1949, Wroclaw) soha nem tal\u00e1lkoztak egym\u00e1ssal. A berlini […]<\/p>\n","protected":false},"author":1,"featured_media":821575,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-821564","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/821564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=821564"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/821564\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media\/821575"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=821564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=821564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=821564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}