{"id":822206,"date":"2012-12-16T10:59:44","date_gmt":"2012-12-16T09:59:44","guid":{"rendered":"https:\/\/exindex.hu\/?p=822206"},"modified":"2012-12-16T11:08:19","modified_gmt":"2012-12-16T10:08:19","slug":"okwui-enwezor-olvasokor","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/okwui-enwezor-olvasokor\/","title":{"rendered":"Okwui Enwezor Olvas\u00f3k\u00f6r"},"content":{"rendered":"<p>2012. december 18. 14:00<br \/>\r\n Ludwig M\u00fazeum &#8211; Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum<\/p>\r\n\r\n<p>Az Okwui Enwezor Olvas\u00f3k\u00f6r (Er\u0151ss Nikolett, Hornyik S\u00e1ndor, K\u00e9kesi Zolt\u00e1n, Tim\u00e1r Katalin, Turai Hedvig) 2012. december 18-\u00e1n, 14 \u00f3rakor nyilv\u00e1nos bemutat\u00f3t tart a Ludwig  M\u00fazeum 2. emeleti st\u00fadi\u00f3j\u00e1ban, melyre szeretettel v\u00e1rja az \u00e9rdekl\u0151d\u0151ket.<\/p>\r\n\r\n<p>Okwui Enwezor 2013 febru\u00e1rj\u00e1ban a Ludwig M\u00fazeumban <em>A marginalit\u00e1s elm\u00e9leti \u00e9s kritikai probl\u00e9m\u00e1i napjaink m\u0171v\u00e9szet\u00e9ben<\/em> c\u00edm\u0171 sorozat\u00e1nak keret\u00e9ben tart nyilv\u00e1nos el\u0151ad\u00e1st. Az olvas\u00f3k\u00f6r ezt az esem\u00e9nyt vezeti be.<\/p>\r\n\r\n<p>Okwui Enwezor teoretikus, m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz, kritikus, kur\u00e1tor, a  m\u00fcncheni Haus der Kunst igazgat\u00f3ja. 2002-ben a kasseli Documenta 11  m\u0171v\u00e9szeti igazgat\u00f3ja volt, sz\u00e1mos nemzetk\u00f6zi ki\u00e1ll\u00edt\u00e1st kur\u00e1lt, k\u00f6zt\u00fck a  2. Johannesburgi Biennal\u00e9t (1997), a d\u00e9l-koreai 7. Gwangju Biennal\u00e9t, \u0151  rendezte a New York-i International Center of Photography <em>Archive Fever. Uses of the Document in Contemporary Art<\/em> (Archivum l\u00e1z. Dokumentumhaszn\u00e1lat a kort\u00e1rs k\u00e9pz\u0151m\u0171v\u00e9szetben) c\u00edm\u0171  ki\u00e1ll\u00edt\u00e1st, valamint ki\u00e1ll\u00edt\u00e1sokat rendezett egyebek mellett a New York-i P.S.1-ban, a  Guggenheim Museumban, az Art Institute of Chicag\u00f3ban. Tan\u00edtott t\u00f6bbek k\u00f6z\u00f6tt a San Francisco Art  Institute-ban, a University of Pittsburgh-on, a Columbia Universityn.  Tev\u00e9kenys\u00e9g\u00e9ben kiemelt figyelmet ford\u00edt az afrikai m\u0171v\u00e9szetre, a  marginalit\u00e1s k\u00e9rd\u00e9seire.<\/p>\r\n\r\n<p>Publik\u00e1ci\u00f3i a legjelent\u0151sebb kort\u00e1rs elm\u00e9leti foly\u00f3iratokban jelennek meg (<em>Third  Text, Documents, Texte zur Kunst, Grand Street, Parkett, Artforum,  Frieze, Art Journal, Research in African Literatures, Index on  Censorship, Engage, Glendora, Atlantica<\/em>), 1994-ben \u0151 alap\u00edtotta a <em>NKA: Journal of Contemporary African Art<\/em> c\u00edm\u0171 foly\u00f3iratot. T\u00f6bb k\u00f6nyvet \u00edrt, n\u00e9h\u00e1ny k\u00f6z\u00fcl\u00fck a <em>Contemporary African Art Since 1980<\/em> (Bologna: Damiani, 2009, Chika Okeke-Aguluval), <em>Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity<\/em> (Durham, NC: Duke University Press, 2008), <em>Reading the Contemporary: African Art, from Theory to the Marketplace<\/em> (MIT Press, Cambridge and INIVA, London), <em>Mega Exhibitions: Antinomies of a Transnational Global Form (Wilhelm Fink Verlag, Munich)<\/em>, <em>Archive Fever: Uses of the Document in Contemporary Art<\/em> \u00e9s <em>The Unhomely: Phantom Scenes in Global Society<\/em>.<\/p>\r\n\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-2207\" title=\"Okwui Enwezor\" src=\"\/wp-content\/uploads\/x\/okwui_enwezor-kassel.jpg\" alt=\"\" width=\"500\" height=\"623\" \/><\/p>\r\n\r\n<p><br class=\"spacer_\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>2012. december 18. 14:00 Ludwig M\u00fazeum &#8211; Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum Az Okwui Enwezor Olvas\u00f3k\u00f6r (Er\u0151ss Nikolett, Hornyik S\u00e1ndor, K\u00e9kesi Zolt\u00e1n, Tim\u00e1r Katalin, Turai Hedvig) 2012. december 18-\u00e1n, 14 \u00f3rakor nyilv\u00e1nos bemutat\u00f3t tart a Ludwig M\u00fazeum 2. emeleti st\u00fadi\u00f3j\u00e1ban, melyre szeretettel v\u00e1rja az \u00e9rdekl\u0151d\u0151ket. Okwui Enwezor 2013 febru\u00e1rj\u00e1ban a Ludwig M\u00fazeumban A marginalit\u00e1s elm\u00e9leti \u00e9s kritikai [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":822207,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-822206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/822206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=822206"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/822206\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media\/822207"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=822206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=822206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=822206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}