{"id":822600,"date":"2013-09-06T13:32:29","date_gmt":"2013-09-06T12:32:29","guid":{"rendered":"https:\/\/exindex.hu\/?p=822600"},"modified":"2013-09-06T13:32:29","modified_gmt":"2013-09-06T12:32:29","slug":"rsvp-03-lagy-modszer","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/rsvp-03-lagy-modszer\/","title":{"rendered":"RSVP 03. &#8211; L\u00e1gy m\u00f3dszer"},"content":{"rendered":"<p>A Traf\u00f3 Gal\u00e9ria <em>RSVP<\/em> c\u00edm\u0171 besz\u00e9lget\u00e9ssorozat\u00e1nak k\u00f6vetkez\u0151 esem\u00e9nye a kritikai megk\u00f6zel\u00edt\u00e9s egy l\u00e1thatatlan, ugyanakkor leleplez\u0151 m\u00f3dj\u00e1t k\u00f6r\u00fclj\u00e1r\u00f3 <em>A cs\u00e1sz\u00e1r \u00faj ruh\u00e1ja c\u00edm\u0171<\/em> ki\u00e1ll\u00edt\u00e1shoz kapcsol\u00f3dik. A besz\u00e9lget\u00e9sen a ki\u00e1ll\u00edt\u00e1s k\u00e9t r\u00e9sztvev\u0151je, <strong>Jaroslav Ky\u0161a<\/strong> \u00e9s az <strong>Apparatus 22<\/strong> m\u0171v\u00e9szcsoport tagjai mutatj\u00e1k be munk\u00e1ikat, \u00e9s besz\u00e9lnek az \u00e1ltaluk alkalmazott k\u00fcl\u00f6nb\u00f6z\u0151 kritikai m\u00f3dszerekr\u0151l.<\/p>\r\n\r\n<p>Az<strong> Apparatus 22<\/strong> rom\u00e1n multidiszciplin\u00e1ris m\u0171v\u00e9szcsoport, melyet Erika Olea (1982), Maria Farcas (1977), Dragos Olea  (1979) \u00e9s k\u00e9s\u0151bb Ioana Nemes (1979, Bucharest \u2013 2011, NY) alap\u00edtott 2011  janu\u00e1rj\u00e1ban. A csoport olyan gondolatokkal \u00e9s akci\u00f3kkal foglalkozik,  melyek a ruh\u00e1zkod\u00e1s \u00e9s divat kritikai potenci\u00e1j\u00e1ra h\u00edvj\u00e1k fel a  figyelmet. A m\u0171v\u00e9szcsoport jelenleg a Velencei Bienn\u00e1l\u00e9 Rom\u00e1n  Pavilonj\u00e1nak egyik ki\u00e1ll\u00edt\u00f3ja. Kor\u00e1bban olyan int\u00e9zm\u00e9nyekben \u00e1ll\u00edtottak  ki, mint MUMOK, B\u00e9cs; Museion, Bolzano; Brukenthal Museum Contemporary  Art Gallery, Nagyszeben; MAK, B\u00e9cs; Steirischer Herbst, Graz; Young  Artists Biennial, Bukarest; Akademie Schloss Solitude, Stuttgart;  Salonul de Proiecte, Bukarest; Mackintosh Museum, Glasgow;  MuseumsQuartier, B\u00e9cs.<\/p>\r\n\r\n<p><strong>Jaroslav Ky\u0161a<\/strong> (1981) Szlov\u00e1ki\u00e1ban sz\u00fcletett, jelenleg  Londonban \u00e9l \u00e9s dolgozik. A kassai Technick\u00e1 Univerzita m\u0171v\u00e9szeti \u00e9s  interm\u00e9dia szak\u00e1n v\u00e9gzett. Install\u00e1ci\u00f3i, fot\u00f3 vagy vide\u00f3 alap\u00fa m\u0171vei  gyakran k\u00f6zt\u00e9ri intervenci\u00f3kon alapulnak, melyekben jelent\u00e9ktelen  t\u00e1rgyakat, mindennapi szitu\u00e1ci\u00f3kat \u00e9s ban\u00e1lis helyzeteket emel ki \u00e9s  alak\u00edt \u00e1t. T\u00f6bb munk\u00e1j\u00e1ra jellemz\u0151 az ir\u00f3nia \u00e9s egy folyamatos pulz\u00e1l\u00e1s a  l\u00e1that\u00f3s\u00e1g \u00e9s l\u00e1thatatlans\u00e1g k\u00f6z\u00f6tt. 2004-ben az Oskar Cepan D\u00edj  nomin\u00e1ltja, 2009-ben az efemer munk\u00e1kra f\u00f3kusz\u00e1l\u00f3 berlini Szpilman Award  finalist\u00e1ja, 2011-ben pedig f\u0151d\u00edjasa.<\/p>\r\n\r\n<p><strong>2013. szeptember 6., p\u00e9ntek 18.00<\/strong><br \/>\r\n <strong>Traf\u00f3 K\u00e1v\u00e9z\u00f3<\/strong><\/p>\r\n\r\n<p><br class=\"spacer_\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>A Traf\u00f3 Gal\u00e9ria RSVP c\u00edm\u0171 besz\u00e9lget\u00e9ssorozat\u00e1nak k\u00f6vetkez\u0151 esem\u00e9nye a kritikai megk\u00f6zel\u00edt\u00e9s egy l\u00e1thatatlan, ugyanakkor leleplez\u0151 m\u00f3dj\u00e1t k\u00f6r\u00fclj\u00e1r\u00f3 A cs\u00e1sz\u00e1r \u00faj ruh\u00e1ja c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1shoz kapcsol\u00f3dik. A besz\u00e9lget\u00e9sen a ki\u00e1ll\u00edt\u00e1s k\u00e9t r\u00e9sztvev\u0151je, Jaroslav Ky\u0161a \u00e9s az Apparatus 22 m\u0171v\u00e9szcsoport tagjai mutatj\u00e1k be munk\u00e1ikat, \u00e9s besz\u00e9lnek az \u00e1ltaluk alkalmazott k\u00fcl\u00f6nb\u00f6z\u0151 kritikai m\u00f3dszerekr\u0151l. Az Apparatus 22 rom\u00e1n multidiszciplin\u00e1ris m\u0171v\u00e9szcsoport, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-822600","post","type-post","status-publish","format-standard","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/822600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=822600"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/822600\/revisions"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=822600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=822600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=822600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}