{"id":822875,"date":"2014-02-26T12:49:23","date_gmt":"2014-02-26T11:49:23","guid":{"rendered":"https:\/\/exindex.hu\/?p=822875"},"modified":"2014-02-27T02:33:00","modified_gmt":"2014-02-27T01:33:00","slug":"a-resztvevo-muveszek-nyilt-levele-a-sydney-biennale-kuratoriumahoz","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/a-resztvevo-muveszek-nyilt-levele-a-sydney-biennale-kuratoriumahoz\/","title":{"rendered":"A r\u00e9sztvev\u0151 m\u0171v\u00e9szek ny\u00edlt levele &#8211; Sydney Bienn\u00e1l\u00e9"},"content":{"rendered":"<p>To the Board of Directors of the Biennale of Sydney,<\/p>\r\n\r\n<p>We are a group of artists &#8211; Gabrielle de Vietri, Bianca Hester, Charlie  Sofo, Nathan Gray, Deborah Kelly, Matt Hinkley, Benjamin Armstrong,  Libia Castro, \u00d3lafur \u00d3lafsson, Sasha Huber, Sonia Leber, David  Chesworth, Daniel McKewen, Angelica Mesiti, Ahmet \u00d6\u011f\u00fct, Meri\u00e7 Alg\u00fcn  Ringborg, Joseph Griffiths, Sol Archer, Tamas Kaszas, Krisztina Erdei,  Nathan Coley, Corin Sworn, Ross Manning, Martin Boyce, Callum Morton,  Emily Roysdon, S\u00f8ren Thilo Funder, Mikhail Karikis, Mikala Dwyer, Rosa  Barba, Sara van der Heide, Henna-Riikka Halonen, Shannon Te Ao,  Hadley+Maxwell, Ane Hjort Guttu, Yael Bartana, Emily Wardill, Agnieszka  Polska, Bodil Furu, Egl\u0117 Budvytyt\u0117, Eva Rothschild &#8211; all participants in  the 19th Biennale of Sydney.<\/p>\r\n\r\n<p>We are writing to you about our concerns with the Biennale\u2019s sponsorship arrangement with Transfield. (1)<\/p>\r\n\r\n<p>We would like to begin with an affirmation and recognition of the  Biennale staff, other sponsors and donors, and our fellow artists. We  maintain the utmost respect for Juliana Engberg\u2019s artistic vision and  acknowledge the support and energy that the Biennale staff have put into  the creation of our projects and this exhibition. We acknowledge that  this issue places the Biennale team in a difficult situation.<\/p>\r\n\r\n<p>However, we want to emphasise that this issue has presented us with an  opportunity to become aware of, and to acknowledge, responsibility for  our own participation in a chain of connections that links to human  suffering; in this case, that is caused by Australia\u2019s policy of  mandatory detention.<\/p>\r\n\r\n<p>We trust that you understand the implications of Transfield\u2019s recent  move to secure new contracts to take over garrison and welfare services  in Australia\u2019s offshore immigration detention centres on Manus Island  and in Nauru. We have attached for your information, a document that  outlines our understanding of the links between the Biennale, Transfield  and Australia\u2019s asylum seeker policy.<\/p>\r\n\r\n<p>We appeal to you to work alongside us to send a message to Transfield,  and in turn the Australian Government and the public: that we will not  accept the mandatory detention of asylum seekers, because it is  ethically indefensible and in breach of human rights; and that, as a  network of artists, arts workers and a leading cultural organisation, we  do not want to be associated with these practices.<\/p>\r\n\r\n<p>Our current circumstances are complex: public institutions are  increasingly reliant on private finance, and less on public funding, and  this can create ongoing difficulties. We are aware of these  complexities and do not believe that there is one easy answer to the  larger situation.<\/p>\r\n\r\n<p>However, in this particular case, we regard our role in the Biennale,  under the current sponsorship arrangements, as adding value to the  Transfield brand. Participation is an active endorsement, providing  cultural capital for Transfield.<\/p>\r\n\r\n<p>In light of all this, we ask the Board: what will you do? We urge you to  act in the interests of asylum seekers. As part of this we request the  Biennale withdraw from the current sponsorship arrangements with  Transfield and seek to develop new ones. This will set an important  precedent for Australian and international arts institutions, compelling  them to exercise a greater degree of ethical awareness and transparency  regarding their funding sources. We are asking you, respectfully, to  respond with urgency.<\/p>\r\n\r\n<p>Our interests as artists don\u2019t merely concern our individual moral  positions. We are concerned too with the ways cultural institutions deal  with urgent social responsibilities. We expect the Biennale to  acknowledge the voice of its audience and the artist community that is  calling on the institution to act powerfully and immediately for justice  by cutting its ties with Transfield.<\/p>\r\n\r\n<p>We believe that artists and art-workers can \u2014 and should \u2014 create an  environment that empowers individuals and groups to act on conscience,  opening up other pathways to develop more sustainable, and in turn  sustaining, forms of cultural production.<\/p>\r\n\r\n<p>We want to extend this discussion to a range of people and  organisations, in order to bring to light the various forces shaping our  current situation, and to work towards imagining other possibilities  into being. In our current political circumstances we believe this to be  one of the most crucial challenges that we are compelled to engage  with, and we invite you into this process of engagement.<\/p>\r\n\r\n<p>We look forward to hearing your response and given the urgency of this  issue, hope that we can receive it by the end of this week. Thank you  for your consideration.<\/p>\r\n\r\n<p>Sincerely,<\/p>\r\n\r\n<p>Gabrielle de Vietri, Bianca Hester, Charlie Sofo, Nathan Gray, Deborah  Kelly, Matt Hinkley, Benjamin Armstrong, Libia Castro, \u00d3lafur \u00d3lafsson,  Sasha Huber, Sonia Leber, David Chesworth, Daniel McKewen, Angelica  Mesiti, Ahmet \u00d6\u011f\u00fct, Meri\u00e7 Alg\u00fcn Ringborg, Joseph Griffiths, Sol Archer,  Tamas Kaszas, Krisztina Erdei, Nathan Coley, Corin Sworn, Ross Manning,  Martin Boyce, Callum Morton, Emily Roysdon, S\u00f8ren Thilo Funder, Mikhail  Karikis, Mikala Dwyer, Rosa Barba, Sara van der Heide, Henna-Riikka  Halonen, Ane Hjort Guttu, Hadley+Maxwell, Shannon Te Ao, Yael Bartana,  Emily Wardill, Agnieszka Polska, Bodil Furu, Egl\u0117 Budvytyt\u0117, Eva  Rothschild<\/p>\r\n\r\n<p>forr\u00e1s: <a href=\"http:\/\/19boswg.blogspot.com.au\/2014\/02\/open-letter-to-board-of-sydney-biennale.html\" target=\"_blank\">http:\/\/19boswg.blogspot.com.au\/2014\/02\/open-letter-to-board-of-sydney-biennale.html<\/a><\/p>\r\n\r\n<p>Notes<br \/>\r\n (1) Please note that in this document we use the name Transfield to refer  to three branches of the Transfield brand: Transfield Holdings,  Services and Foundation. Please refer to our information sheet for our  understanding of how these are linked.<\/p>\r\n\r\n<p>*<\/p>\r\n\r\n<p>A kurat\u00f3rium v\u00e1lasza: <a href=\"http:\/\/19boswg.blogspot.com.au\/2014\/02\/biennale-of-sydney-board-response-to.html\" target=\"_blank\">http:\/\/19boswg.blogspot.com.au\/2014\/02\/biennale-of-sydney-board-response-to.html<\/a><\/p>\r\n\r\n<p>*<\/p>\r\n\r\n<p>\u00d6t m\u0171v\u00e9sz visszal\u00e9p a r\u00e9szv\u00e9telt\u0151l: <a href=\"http:\/\/19boswg.blogspot.com.au\/2014\/02\/statement-of-withdrawal-from-19th.html\" target=\"_blank\">http:\/\/19boswg.blogspot.com.au\/2014\/02\/statement-of-withdrawal-from-19th.html<\/a><\/p>\r\n\r\n<p>*<\/p>\r\n\r\n<p><a href=\"http:\/\/boycottsydneybiennale.com\/\" target=\"_blank\">http:\/\/boycottsydneybiennale.com\/<\/a><\/p>\r\n\r\n<p>*<\/p>\r\n\r\n<p><br class=\"spacer_\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>To the Board of Directors of the Biennale of Sydney, We are a group of artists &#8211; Gabrielle de Vietri, Bianca Hester, Charlie Sofo, Nathan Gray, Deborah Kelly, Matt Hinkley, Benjamin Armstrong, Libia Castro, \u00d3lafur \u00d3lafsson, Sasha Huber, Sonia Leber, David Chesworth, Daniel McKewen, Angelica Mesiti, Ahmet \u00d6\u011f\u00fct, Meri\u00e7 Alg\u00fcn Ringborg, Joseph Griffiths, Sol Archer, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-822875","post","type-post","status-publish","format-standard","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/822875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=822875"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/822875\/revisions"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=822875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=822875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=822875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}