{"id":824146,"date":"2017-04-02T13:12:09","date_gmt":"2017-04-02T12:12:09","guid":{"rendered":"https:\/\/exindex.hu\/?p=824146"},"modified":"2017-04-06T09:55:51","modified_gmt":"2017-04-06T08:55:51","slug":"the-image-of-the-roma-in-art-history","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/the-image-of-the-roma-in-art-history\/","title":{"rendered":"The Image of the Roma in Art History"},"content":{"rendered":"<p><a href=\"\/wp-content\/uploads\/x\/romaimage.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-4147\" title=\"romaimage\" src=\"\/wp-content\/uploads\/x\/romaimage-353x500.jpg\" alt=\"\" width=\"353\" height=\"500\" \/><\/a><\/p>\r\n\r\n<p>Goethe-Institut Budapest (Budapest, R\u00e1day u. 58.)<br \/>\r\n 2017. 04. 03. &#8211; 04.<\/p>\r\n\r\n<p>The conference aims at discussing the image of the Roma in the  history of art, in order to yield an overview from the earliest  identified depiction of the Roma to the twentieth century. The  conference examines the modes of representations developed by European  artists to depict the Roma foreigners in European cities, first by the  Northern German, and later the European Renaissance and Baroque art  traditions; and it discusses the development of the specific  iconographical types, in order to show the processes of differentiation,  othering, demonization and abjectification in European visual history.  The panels of the conference on the 19th and 20th century put a special  emphasis on Central and Eastern Europe.<br \/>\r\n We hope that this event will lead to a paradigmatic change in the research and interpretation of Roma representation in art.<\/p>\r\n\r\n<p>The conference is organised by the Goethe-Institut Budapest, the Visual  Art Section of RomArchive \u2013 Digital Archive of the Roma, the Research  Group of Critical Theories at the Institute of Art History of the  Hungarian Academy of Sciences and the European Roma Cultural Foundation.<\/p>\r\n\r\n<p>The language of the event is English.<br \/>\r\n Presentations in German in Session 1 will be translated into Hungarian.<\/p>\r\n\r\n<p>PROGRAM<\/p>\r\n\r\n<p>APRIL 3, 2017<\/p>\r\n\r\n<p>Session 1 \u2013 Welcome, Introduction. <em>The Socio-Historical Context of Roma Representations<\/em><br \/>\r\n 10.00\u201310.30 Welcome: Michael M\u00fcller-Verweyen (Goethe-Institut Budapest); Isabel Raabe (RomArchive \u2013 Digital Archive  of the Roma); G\u00e1bor Pataki (Institute of Art History of the Hungarian  Academy of Sciences)<br \/>\r\n 10.15\u201310.45 Klaus-Michael Bogdal (Bielefeld University): <em>Sehen, was wir nicht sehen. Eine kleine Sehschule gegen Vorurteile<\/em><br \/>\r\n 10.45\u201311.15 G\u00e9za Galavics (Institute of Art History of the Hungarian Academy of Sciences):<em> Betrachtungswechsel der Roma-Darstellungen in Ungarn und in Siebenb\u00fcrgen im 17., 18. und fr\u00fchen 19. Jahrhundert<\/em><br \/>\r\n 11.15\u201311.45 T\u00edmea Junghaus (Institute of Art History of the Hungarian Academy of Sciences, ERCF):<em> Towards a Horizontal Art History: Three Case Studies for Writing Roma Women Into The History of Art<\/em><br \/>\r\n 11.45\u201312.00 Discussion<br \/>\r\n (Welcome, Lecture 1 and Lecture 2 are in German, with Hungarian Translation)<\/p>\r\n\r\n<p>12.00\u201313.00 Lunch<\/p>\r\n\r\n<p>Session 2 \u2013 <em>From the 15th Century to the Seicento<\/em><br \/>\r\n 13.00\u201313.30 Alena Volr\u00e1bov\u00e1 (National Gallery in Prague): <em>Gypsies \u2013 Pagans \u2013 Turks. The Cultural\u2013Historical Background of a Drawing<\/em><br \/>\r\n 13.30\u201314.00 Erwin Pokorny (Academy of Fine Arts Vienna): <em>Conjurer, Trickster, Gypsy Witch. European \u201cEgyptians\u201d and Magic in Early Modern Art<\/em><br \/>\r\n 14.00\u201314.30 Peter Bell (University of Cologne): <em>Seicento Boh\u00e8me? Alterity of Gypsies and Bamboccianti in Rome<\/em><br \/>\r\n 14.30\u201315.00 Discussion<\/p>\r\n\r\n<p>15.00\u201315.15 Coffee Break<\/p>\r\n\r\n<p>15.15\u201316.00 <em>Art History, Orientalism and the Roma: the Impact of Writing the Roma into the Early Periods of Art History<\/em><br \/>\r\n Panel Discussion with the Presenters<\/p>\r\n\r\n<p>18.00\u201319.30 Programme of the Goethe-Institut:<br \/>\r\n <em>Eur\u00f3pa hi\u00e1nytalanul \/ Europa komplett \/ A Comprehensive Europe<\/em><em><br \/>\r\n <\/em><em>Placing Roma Culture into the European Canon of the Arts<\/em><br \/>\r\n Round-table Discussion with Archive Specialists and Directors of  Collections: T\u00edmea Junghaus, Katalin Sz\u00e9kely, P\u00e9ter Szuhay, Erzs\u00e9bet  Tatai<br \/>\r\n Moderated by D\u00f3ra Hegyi<br \/>\r\n In Hungarian, with German translation<\/p>\r\n\r\n<p>APRIL 4, 2017<\/p>\r\n\r\n<p>Session 3 \u2013 <em>Representations of the Roma \u201cOthers\u201d from the 18th Century to the Early 20th Century<\/em><br \/>\r\n 10.00\u201310.30 J\u00falia Papp (Institute of Art History of the Hungarian Academy of Sciences): <em>The  Instrument Hung upon the Willows in Psalm 137 and in Nicolas Lenau&#8217;s  Allegorical Poem, The Three Gypsies, and Aloys Sch\u00f6nn&#8217;s Painting<\/em><br \/>\r\n 10.30\u201311.00 Teri Sz\u0171cs (E\u00f6tv\u00f6s Lor\u00e1nd University): <em>The Old Gypsy and  the Wandering Jew. Othering and Assimilating Modes of Representation  (The Example of the Journal K\u00e9pes Vil\u00e1g, 1870\u20131872)<\/em><br \/>\r\n 11.00\u201311.30 \u00c9va Kov\u00e1cs (Institute of Sociology of the Hungarian Academy of Sciences): <em>Black Bodies, White Bodies. \u201cGypsy\u201c Images in the Long 19th Century in Central Europe<\/em><br \/>\r\n 11.30\u201312.00 Csilla Martin (University of Massachusetts \u2013 Amherst):<em> Observing the Roma through the Cultural Turn of the Avant-garde<\/em><\/p>\r\n\r\n<p>12.00\u201313.00 Lunch<\/p>\r\n\r\n<p>Session 4 \u2013 <em>New and Old Patterns in the 20th Century<\/em><br \/>\r\n 13.00\u201313.30 Anna Lujza Sz\u00e1sz (Institute of Sociology of the Hungarian Academy of Sciences): <em>Naming<\/em><br \/>\r\n 13.30\u201314.00 Andrea P\u00f3csik (P\u00e1zm\u00e1ny P\u00e9ter Catholic University): <em>Images  of Resistance in Our Historicized Memory. \u201cKunstwollen\u201d: Formal  Experiences of Social Force in L\u00e1szl\u00f3 Moholy-Nagy\u2019s Documentaries<\/em><br \/>\r\n 14.00\u201314.30 Dirk Suckow (Leibniz Institute for the History and Culture of Eastern Europe) ): <em>New Colours, Old Patterns? Depicting Gypsies in Comics<\/em><br \/>\r\n 14.30\u201315.00 Varga Krisztina (Hungarian University of Fine Arts): <em>The Hungarian Roma Museum<\/em><\/p>\r\n\r\n<p>15.00\u201315.15 Coffee Break<\/p>\r\n\r\n<p>15.15\u201316.00 <em>How Do We Continue to Differentiate the Art History Canon?<\/em><br \/>\r\n New Research Areas and Effective Strategies of Knowledge Transfer<br \/>\r\n Closing Panel Discussion with the Presenters<\/p>\r\n\r\n<p>This is a public conference. Pre-registration is not required.<br \/>\r\n For more information contact: Teri Szucs, szucs.teri1@gmail.com, or call +36302490222.<\/p>\r\n\r\n<p><br class=\"spacer_\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Goethe-Institut Budapest (Budapest, R\u00e1day u. 58.) 2017. 04. 03. &#8211; 04. The conference aims at discussing the image of the Roma in the history of art, in order to yield an overview from the earliest identified depiction of the Roma to the twentieth century. The conference examines the modes of representations developed by European artists [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":824147,"parent":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-824146","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/824146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=824146"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/824146\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media\/824147"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=824146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=824146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=824146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}