{"id":825435,"date":"2019-11-12T12:40:45","date_gmt":"2019-11-12T11:40:45","guid":{"rendered":"https:\/\/exindex.hu\/?p=825435"},"modified":"2019-11-16T16:25:33","modified_gmt":"2019-11-16T15:25:33","slug":"tukrok","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/tukrok\/","title":{"rendered":"T\u00fckr\u00f6k"},"content":{"rendered":"<p><strong>2019. november 15. (p\u00e9ntek) 17 \u00f3ra<\/strong><br \/>\r\n Capa K\u00f6zpont (Budapest VI. Nagymez\u0151 utca 8.)<br \/>\r\n A t\u00e1rlatvezet\u00e9s angol nyelv\u0171.<br \/>\r\n Az esem\u00e9nyen val\u00f3 r\u00e9szv\u00e9tel ingyenes.<\/p>\r\n\r\n<figure id=\"attachment_5436\" class=\"thumbnail wp-caption aligncenter\" style=\"width: 510px\"><a href=\"\/wp-content\/uploads\/x\/geza-perneczky-yes-no-strategy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5436\" title=\"geza-perneczky-yes-no-strategy\" src=\"\/wp-content\/uploads\/x\/geza-perneczky-yes-no-strategy.jpg\" alt=\"Perneczky G\u00e9za, Yes No Strategy, 1971 | Courtesy of G\u00e9za Perneczky \/ Patrick Urwyler (Chimera-Project)\" width=\"500\" height=\"375\" \/><\/a><figcaption class=\"caption wp-caption-text\">Perneczky G\u00e9za, Yes No Strategy, 1971 | Courtesy of G\u00e9za Perneczky \/ Patrick Urwyler (Chimera-Project)<\/figcaption><\/figure>\r\n\r\n<p>A <em>T\u00fckr\u00f6k \u2013 Perneczky G\u00e9za konceptu\u00e1lis fotogr\u00e1fi\u00e1ja az 1970-es \u00e9vekb\u0151l<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1ssal a Capa K\u00f6zpont az els\u0151 \u00f6n\u00e1ll\u00f3 m\u00fazeumi v\u00e1logat\u00e1ssal  tiszteleg Perneczky G\u00e9za fot\u00f3m\u0171v\u00e9sz el\u0151tt, akinek  korai konceptu\u00e1lis munk\u00e1i \u00e9s  publik\u00e1ci\u00f3i a magyar neoavantg\u00e1rd kataliz\u00e1torak\u00e9nt szolg\u00e1ltak. 1970 \u00f3ta  Perneczky G\u00e9za K\u00f6lnben \u00e9l \u00e9s dolgozik, \u00e9s fontos k\u00f6zvet\u00edt\u0151 a magyar \u00e9s  kelet-eur\u00f3pai, valamint a nemzetk\u00f6zi m\u0171v\u00e9szeti vil\u00e1g k\u00f6z\u00f6tt.<\/p>\r\n\r\n<p>A kur\u00e1tor, Patrick Urwyler \u00fagy \u00e1ll\u00edtotta \u00f6ssze a ki\u00e1ll\u00edt\u00e1st, hogy  \u00e1tfog\u00f3 k\u00e9pet ny\u00fajtson Perneczky konceptu\u00e1lis fotogr\u00e1fiai munk\u00e1ss\u00e1g\u00e1r\u00f3l,  amely a teljes \u00e9letm\u0171 legkiemelked\u0151bb munk\u00e1it foglalja mag\u00e1ban. A  ki\u00e1ll\u00edtott munk\u00e1k Perneczky m\u0171v\u00e9szi karrierj\u00e9nek elej\u00e9n (1970 \u00e9s 1975  k\u00f6z\u00f6tt) sz\u00fclettek \u2013 ekkorra tehet\u0151 K\u00f6lnbe val\u00f3 kiv\u00e1ndorl\u00e1sa is.  Nagyr\u00e9szt ebben a r\u00f6vid, de meghat\u00e1roz\u00f3 id\u0151szakban k\u00e9sz\u00edtette el a  szakad\u00e1r m\u0171v\u00e9sz a legh\u00edresebb alkot\u00e1sait, amelyek ma nagynev\u0171  gy\u0171jtem\u00e9nyek r\u00e9sz\u00e9t k\u00e9pezik, t\u00f6bbek k\u00f6z\u00f6tt a New York-i Metropolitan \u00e9s  MoMA m\u00fazeumban, valamint a Centre Pompidou-ban.<\/p>\r\n\r\n<p>Patrick Urwyler Perneczky G\u00e9za priv\u00e1t, k\u00f6lni arch\u00edvum\u00e1t felt\u00e9rk\u00e9pez\u0151,  jelenleg is foly\u00f3 kutat\u00e1sa rendk\u00edv\u00fcl gazdag v\u00e1logat\u00e1st eredm\u00e9nyezett,  amely a j\u00f3l ismert fot\u00f3sorozatok (p\u00e9ld\u00e1ul: <em>Concepts like Commentary,<\/em> <em>Art Bubbles<\/em> \u00e9s <em>Snail Action<\/em>)  k\u00fcl\u00f6nleges verzi\u00f3it sz\u00e1mos kiadatlan munk\u00e1val, v\u00e1zlattal \u00e9s  dokument\u00e1ci\u00f3s anyaggal \u00f6tv\u00f6zi. K\u00fcl\u00f6n \u00e9rdekess\u00e9gk\u00e9nt, Magyarorsz\u00e1gon els\u0151  alkalommal l\u00e1that a nagyk\u00f6z\u00f6ns\u00e9g egy 16 mm-es filmre k\u00e9sz\u00fclt k\u00eds\u00e9rleti  alkot\u00e1st is.<\/p>\r\n\r\n<p>A filmben megjelen\u0151 k\u00e9pek mozg\u00e1sa \u00e9s a folyamatos narr\u00e1ci\u00f3  kihangs\u00falyozza a Perneczky sz\u00e1mos konceptu\u00e1lis fot\u00f3sorozat\u00e1ban megjelen\u0151  tev\u00e9kenys\u00e9gk\u00f6zpont\u00fas\u00e1got. A szekvenci\u00e1kban megjelen\u00edtett fot\u00f3k a m\u0171v\u00e9sz  saj\u00e1t kamer\u00e1ja el\u0151tti mozdulatait \u00f6r\u00f6k\u00edtik meg. Az 1970-es \u00e9vek Fluxus  \u00e1ltal domin\u00e1lt k\u00eds\u00e9rleti fotogr\u00e1fi\u00e1j\u00e1nak \u00e1ltal\u00e1nos \u00e1ram\u00e1val szembemenve \u2013  hiszen ez jellemezte a m\u0171v\u00e9sz k\u00f6zvetlen k\u00f6rnyezet\u00e9t \u2013, Perneczky a  helyzetek v\u00e9letlenszer\u0171s\u00e9g\u00e9t \u00e9s esetlegess\u00e9g\u00e9t \u00fcnnepl\u0151, \u00fagynevezett  \u201epillanatk\u00e9p-eszt\u00e9tika\u201d elvet\u00e9se mellett d\u00f6nt\u00f6tt. \u00cdgy sz\u00fclettek meg  Perneczky k\u00f6r\u00fcltekint\u0151en megtervezett \u00e9s megrendezett fotogr\u00e1fi\u00e1i,  amelyeket v\u00e1zlatok, koncepci\u00f3k \u00e9s \u00edrott instrukci\u00f3k is megel\u0151ztek.<\/p>\r\n\r\n<p>\u201eFesd fel az ablakra a m\u0171v\u00e9szet sz\u00f3t. F\u00fajj szappanbubor\u00e9kokat a  szob\u00e1ba. Ekkor a szappanbubor\u00e9kokon l\u00e1that\u00f3v\u00e1 v\u00e1lik a m\u0171v\u00e9szet sz\u00f3  t\u00fckr\u00f6z\u0151d\u00e9se, miel\u0151tt sz\u00e9tpukkann\u00e1nak\u201d \u2013 \u00e1ll Perneczky 1972-es <em>Art Bubble<\/em> sorozat\u00e1nak \u00fatmutat\u00e1s\u00e1ban. Perneczky legkiv\u00e1l\u00f3bb alkot\u00e1sa a  f\u00e9nyvisszaver\u0151d\u00e9sre \u00e9s a t\u00fck\u00f6rhat\u00e1sra \u00e9p\u00fcl. Perneczky fotogr\u00e1fiai  munk\u00e1ss\u00e1g\u00e1ban a t\u00fckr\u00f6k vez\u00e9rmot\u00edvumk\u00e9nt szolg\u00e1lnak, \u00e9s v\u00f6r\u00f6s fon\u00e1lk\u00e9nt  vezetik v\u00e9gig a l\u00e1togat\u00f3t a ki\u00e1ll\u00edt\u00e1son. A k\u00fcl\u00f6nf\u00e9le munk\u00e1kban k\u00fcl\u00f6nf\u00e9le  szerepet ad a t\u00fck\u00f6rnek: n\u00e9ha \u0151 a f\u0151h\u0151s (<em>Concepts Like Commentary<\/em>, 1971 \u00e9s <em>Yes-No Concept<\/em> 1971), n\u00e9ha csak kell\u00e9k (<em>Mirror<\/em>, 1972) vagy technikai effekt (<em>Reflex<\/em>, 1974 \u00e9s <em>Cyclops<\/em>,  1975). Perneczky t\u00fckrei szerves r\u00e9sz\u00e9t k\u00e9pezik fotogr\u00e1fiai  munk\u00e1ss\u00e1g\u00e1nak, amely ugyanakkor az adott kor m\u0171v\u00e9szet\u00e9nek t\u00fck\u00f6rk\u00e9p\u00e9t is  ny\u00fajtja. A ki\u00e1ll\u00edt\u00e1son Perneczky G\u00e9za ikonikus fotogr\u00e1fiai munk\u00e1kat  alkot\u00f3, disszidens m\u0171v\u00e9szk\u00e9nt jelenik meg, akinek munk\u00e1i el\u0151re tekint\u0151  \u00e9s vel\u0151s komment\u00e1rt fogalmaznak meg a m\u0171v\u00e9szettel, valamint a kelet \u00e9s  nyugat k\u00f6z\u00f6tt kifesz\u00fcl\u0151 \u00e9lettel (saj\u00e1t \u00e9let\u00e9vel) kapcsolatban.<\/p>","protected":false},"excerpt":{"rendered":"<p>2019. november 15. (p\u00e9ntek) 17 \u00f3ra Capa K\u00f6zpont (Budapest VI. Nagymez\u0151 utca 8.) A t\u00e1rlatvezet\u00e9s angol nyelv\u0171. Az esem\u00e9nyen val\u00f3 r\u00e9szv\u00e9tel ingyenes. A T\u00fckr\u00f6k \u2013 Perneczky G\u00e9za konceptu\u00e1lis fotogr\u00e1fi\u00e1ja az 1970-es \u00e9vekb\u0151l c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1ssal a Capa K\u00f6zpont az els\u0151 \u00f6n\u00e1ll\u00f3 m\u00fazeumi v\u00e1logat\u00e1ssal tiszteleg Perneczky G\u00e9za fot\u00f3m\u0171v\u00e9sz el\u0151tt, akinek korai konceptu\u00e1lis munk\u00e1i \u00e9s publik\u00e1ci\u00f3i a magyar [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":825436,"parent":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-825435","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/825435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=825435"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/825435\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media\/825436"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=825435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=825435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=825435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}