{"id":825558,"date":"2019-12-14T17:09:44","date_gmt":"2019-12-14T16:09:44","guid":{"rendered":"https:\/\/exindex.hu\/?p=825558"},"modified":"2019-12-15T14:39:11","modified_gmt":"2019-12-15T13:39:11","slug":"milyen-multra-tamaszkodik-a-jelen","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/milyen-multra-tamaszkodik-a-jelen\/","title":{"rendered":"Milyen m\u00faltra t\u00e1maszkodik a jelen?"},"content":{"rendered":"<p><strong>Which Past the Present Stands On? <\/strong><br \/>\r\n <em>Shifting Paradigms of Regional Art History Writing<\/em><\/p>\r\n\r\n<p><strong>2019. december 14, 2019, 6 pm to 7.30 pm<\/strong><br \/>\r\n Vasas Szakszervezeti Sz\u00f6vets\u00e9g Sz\u00e9kh\u00e1za, room 19 (Budapest VIII. Magdolna u. 5-7.)<\/p>\r\n\r\n<p>Participants: <br \/>\r\n Edit Andr\u00e1s, art historian and critic; Magela Garc\u00e9s, critic and  curator; Shuruq Harb, artist and writer, Vera Mey, independent curator  and editorial co-founder of the journal Southeast of Now: Directions in  Contemporary and Modern Art in Asia; Jelena Vesi\u0107, curator and editorial  board member of the journal Red Thread, Raluca Voinea, curator,  co-editor of IDEA: art + society magazine <br \/>\r\n Moderated by: D\u00f3ra Hegyi, tranzit. hu, Mezosfera magazine<br \/>\r\n The discussion will be in English<\/p>\r\n\r\n<p>The upcoming Mezosfera issue (Summer 2020) will look at the shifting  paradigms of regional art history writing, globally. For this upcoming  thematic issue, Mezosfera magazine invited for a closed editorial  meeting editors and authors of journals the remit of which, similarly to  Mezosfera, covers regionally committed art and culture. The issues  foregrounded in the closed editorial workshop will be discussed in the  form of a public round table.<\/p>\r\n\r\n<p>One of Mezosfera\u2019s previous issues, <em>Parallel Nonsynchronism: Times and Places in Cold War Eastern Europe<\/em>\u2014which  was published in conjunction with an exhibition\u2014discussed, on the one  hand, the connections and entanglements of two parallel art scenes: the  socialist art scene supported by the state and the underground  Neo-avantgarde art scene, forbidden or tolerated by the state. On the  other hand, the issue brought forward the changing reception of state  socialist art in Hungary and Eastern Europe as well. During the Cold  War, in the Eastern Bloc, art that was funded and commissioned by the  socialist state was popularized and pushed into the forefront; however,  in the 1990s, after the 1989 democratic regime change, state socialist  art was to be forgotten and shoved into storage. The underground,  Neo-avantgarde art, in the 1990s was promulgated as the art to be  researched and canonized: today it is not only part of the artistic  canon, but a newly discovered terrain for the international art market.  Simultaneously, today, state socialist art, 30 years after the 1989  regime change emerges as a worthwhile area to reconstruct, and one that  also needs to be protected from today\u2019s nationalist, anti-communist  agendas aimed at its eradication. Similarly to this case study, the  editorial meeting and the public round table discussion will be anchored  in local cases.<\/p>\r\n\r\n<p>The event is conceived by D\u00f3ra Hegyi and Eszter Szak\u00e1cs, tranzit. hu \/ Mezosfera<\/p>\r\n\r\n<figure id=\"attachment_5559\" class=\"thumbnail wp-caption aligncenter\" style=\"width: 424px\"><a href=\"\/wp-content\/uploads\/x\/mezo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5559\" title=\"mezo\" src=\"\/wp-content\/uploads\/x\/mezo-414x500.jpg\" alt=\"L\u00e1szl\u00f3 Lakner: Prediction-Art, Hommage \u00e1 Copernicus, 1971.\" width=\"414\" height=\"500\" \/><\/a><figcaption class=\"caption wp-caption-text\">L\u00e1szl\u00f3 Lakner: Prediction-Art, Hommage \u00e1 Copernicus, 1971.<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"<p>Which Past the Present Stands On? Shifting Paradigms of Regional Art History Writing 2019. december 14, 2019, 6 pm to 7.30 pm Vasas Szakszervezeti Sz\u00f6vets\u00e9g Sz\u00e9kh\u00e1za, room 19 (Budapest VIII. Magdolna u. 5-7.) Participants: Edit Andr\u00e1s, art historian and critic; Magela Garc\u00e9s, critic and curator; Shuruq Harb, artist and writer, Vera Mey, independent curator and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":825559,"parent":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-825558","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/825558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=825558"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/825558\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media\/825559"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=825558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=825558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=825558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}