{"id":825662,"date":"2020-02-20T10:06:42","date_gmt":"2020-02-20T09:06:42","guid":{"rendered":"https:\/\/exindex.hu\/?p=825662"},"modified":"2020-02-22T18:54:39","modified_gmt":"2020-02-22T17:54:39","slug":"artpool40-aktiv-archivumok-muveszeti-halozatok","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/artpool40-aktiv-archivumok-muveszeti-halozatok\/","title":{"rendered":"Artpool40 – Akt\u00edv arch\u00edvumok, m\u0171v\u00e9szeti h\u00e1l\u00f3zatok"},"content":{"rendered":"

Budapest, 2020. febru\u00e1r 20-21.
\r\n Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum, Schickedanz Terem<\/p>\r\n\r\n

Koncepci\u00f3:<\/p>\r\n\r\n

Az Artpool alap\u00edt\u00e1s\u00e1nak 40. \u00e9vfordul\u00f3ja \u00e9s az Artpoolt is mag\u00e1ban foglal\u00f3 K\u00f6z\u00e9p-Eur\u00f3pai M\u0171v\u00e9szett\u00f6rt\u00e9neti Kutat\u00f3 Int\u00e9zet (KEMKI) ez\u00e9vre tervezett l\u00e9trej\u00f6tte alkalm\u00e1b\u00f3l nemzetk\u00f6zi konferenci\u00e1t szervezt\u00fcnk. Az esem\u00e9ny c\u00e9lja, hogy felt\u00e9rk\u00e9pezze az Artpool t\u00f6rt\u00e9net\u00e9nek \u00e9s jelen m\u0171v\u00e9szetkutat\u00f3 munk\u00e1j\u00e1nak kontextusait a m\u0171v\u00e9szarch\u00edvumokkal, a progressz\u00edv muzeol\u00f3gi\u00e1val, \u00e9s a hidegh\u00e1bor\u00fa m\u0171v\u00e9szeti sz\u00edntereinek \u00e9s h\u00e1l\u00f3zatainak t\u00f6rt\u00e9net\u00e9vel foglalkoz\u00f3 nemzetk\u00f6zi, transznacion\u00e1lis kutat\u00e1sok k\u00f6r\u00e9ben. A konferencia \u00edgy olyan kutat\u00e1si ter\u00fcletek \u00f6sszef\u00fcgg\u00e9seire k\u00e9rdez r\u00e1, amelyek az Artpool m\u00faltja \u00e9s j\u00f6v\u0151je szempontj\u00e1b\u00f3l is meghat\u00e1roz\u00f3ak, mint a kapcsolatm\u0171v\u00e9szet, a szamizdat, az underground m\u0171v\u00e9szet, a m\u0171v\u00e9szarch\u00edvumok \u00e9s a progressz\u00edv muzeol\u00f3gia.<\/p>\r\n\r\n

Az eszmecsere az Artpool \u201eakt\u00edv arch\u00edvum\u201d koncepci\u00f3j\u00e1t haszn\u00e1lja kiindul\u00f3pontk\u00e9nt, \u00e9s ennek nemzetk\u00f6zi p\u00e1rhuzamait valamint kort\u00e1rs \u00e9rtelmez\u00e9seit \u00e9s alkalmaz\u00e1sait igyekszik felt\u00e1rni. Ahogy Gal\u00e1ntai Gy\u00f6rgy 1979-ben megfogalmazta, az akt\u00edv arch\u00edvum \u201enem csak gy\u0171jti, ami t\u0151le f\u00fcggetlen\u00fcl keletkezik, hanem tev\u00e9kenys\u00e9g\u00e9vel mintegy \u00bbel\u0151h\u00edvja\u00ab az archiv\u00e1land\u00f3 anyagot (…) projekt-ki\u00edr\u00e1sokkal, kooper\u00e1ci\u00f3val, cser\u00e9vel, a h\u00e1l\u00f3zat b\u0151v\u00edt\u00e9s\u00e9vel \u00e9s az inform\u00e1ci\u00f3k h\u00e1l\u00f3zatban val\u00f3 \u00e1ramoltat\u00e1s\u00e1val.\u201d Az akt\u00edv arch\u00edvum t\u00f6rt\u00e9nelemszeml\u00e9lete j\u00f6v\u0151orient\u00e1lt \u00e9s dinamikus, ez\u00e9rt \u201enyitott m\u0171k\u00e9nt, vagy aktivista m\u0171v\u00e9szeti tev\u00e9kenys\u00e9gk\u00e9nt is \u00e9rtelmezhet\u0151\u201d. Az akt\u00edv arch\u00edvum f\u0151 tev\u00e9kenys\u00e9ge a m\u0171v\u00e9szetkutat\u00e1s, amely nem egy-egy speci\u00e1lis m\u00e9diummal vagy t\u00e9m\u00e1val val\u00f3 foglalkoz\u00e1st jelent, hanem a m\u0171v\u00e9szet mindenkori hely\u00e9t, c\u00e9lj\u00e1t, alapjait kutatja az aktu\u00e1lis t\u00e1rsadalmi kontextussal \u00f6sszef\u00fcgg\u00e9sben \u00e9s azon t\u00fal.<\/p>\r\n\r\n

Ebben a szellemben, egy-egy arch\u00edvumot bemutat\u00f3 le\u00edr\u00f3 el\u0151ad\u00e1sok helyett arra k\u00e9rt\u00fck a kutat\u00f3kat, hogy olyan \u00faj \/ innovat\u00edv muzeol\u00f3giai, kur\u00e1tori, tudom\u00e1nyos \u00e9s m\u0171v\u00e9szeti m\u00f3dszertanokat mutassanak be, amelyekkel az arch\u00edvumi munka a m\u0171v\u00e9szetkutat\u00e1s \u00e9s a j\u00f6v\u0151r\u0151l alkotott v\u00edzi\u00f3k szolg\u00e1lat\u00e1ba \u00e1ll\u00edthat\u00f3.<\/p>\r\n\r\n

A konferencia t\u00e1mogat\u00f3ja: COST Action „New Exploratory Phase in Research on East European Cultures of Dissent” (NEP4DISSENT) generously supported by the Horizon 2020 Framework Programme of the European Union. Szervez\u0151k: Klaniczay J\u00falia, K\u00fcrti Emese, L\u00e1szl\u00f3 Zsuzsa (Artpool M\u0171v\u00e9szetkutat\u00f3 K\u00f6zpont), egy\u00fcttm\u0171k\u00f6d\u00e9sben Bodor Judittal (Glasgow School of Art) \u00e9s Hock Be\u00e1t\u00e1val (Universit\u00e4t Leipzig)<\/p>\r\n\r\n

Program:<\/p>\r\n\r\n

10:10\u201313:30 \/ 1. szekci\u00f3
\r\n Az arch\u00edvum mint int\u00e9zm\u00e9ny \u2013 az int\u00e9zm\u00e9nyes\u00fcl\u00e9s dilemm\u00e1i \u00e9s m\u00f3dszerei<\/em>
\r\n Eln\u00f6k: Sven Spieker<\/p>\r\n\r\n

Emese K\u00fcrti: Artpool in Motion: The Archive\u2019s Path from the Underground to the Museum<\/em><\/p>\r\n\r\n

Zdenka Badovinac: Self-Historicization Artists\u2019 Archives in Eastern Europe<\/em><\/p>\r\n\r\n

Jasna Jak\u0161i\u0107 \u2013 Tihana Puc: Artists\u2019 Networks in the Context of Institutional and Personal Archives \u2013 Museum of Contemporary Art, Zagreb<\/em><\/p>\r\n\r\n

11:30\u201312:00 K\u00e1v\u00e9sz\u00fcnet<\/p>\r\n\r\n

Sarah Haylett: Beyond an Archival Impulse: the artist-as-archivist at Tate<\/em><\/p>\r\n\r\n

Lina D\u017euverovi\u0107: Collaborative Actions, Continued Omissions \u2013 A Feminist Revisiting of Yugoslav Collectives in the 1970s<\/em><\/p>\r\n\r\n

L\u00edvia P\u00e1ldi: Active Archive \u2013 Slow Institution (2017\u20132020)<\/em>
\r\n <\/em>
\r\n Kerekasztal<\/p>\r\n\r\n

13:30\u201314:30 Eb\u00e9dsz\u00fcnet<\/p>\r\n\r\n

14:30\u201317:30 \/ 2. szekci\u00f3
\r\n Az \u00f6ndokument\u00e1l\u00e1s \u00e9s archiv\u00e1l\u00e1s m\u0171v\u00e9szeti strat\u00e9gi\u00e1i<\/em>
\r\n Eln\u00f6k: Klara Kemp-Welch<\/p>\r\n\r\n

Sven Spieker: Self-Documentation as Artistic Practice in Eastern Europe<\/em><\/p>\r\n\r\n

Tomas Za\u0142uski: The Alternative Official? KwieKulik’s Studio of Activities, Documentation and Propagation as a State Financed Performative Archive under Real Socialism<\/em><\/p>\r\n\r\n

Kaja Kraner: Anti-Archive and Memory Politics in the Work of Walid Raad<\/em><\/p>\r\n\r\n

15:40\u201316:00 K\u00e1v\u00e9sz\u00fcnet<\/p>\r\n\r\n

Daniel Gr\u00fa\u0148: Discrepancy between History and Self-Historicization: Stano Filko in the 1970s<\/em><\/p>\r\n\r\n

Katalin Cseh-Varga: The Art of (Self-)Reflection: An Intellectual Journey across Gy\u00f6rgy Gal\u00e1ntai\u2019s Mind<\/em><\/p>\r\n\r\n

Karolina Majewska-G\u00fcde: Life and After-Life of the Archives: Ewa Partum’s and Valie Exports’s Archives<\/em><\/p>\r\n\r\n

Kerekasztal<\/p>\r\n\r\n

18:15\u201319:30 Artpool l\u00e1togat\u00e1s
\r\n Artpool M\u0171v\u00e9szetkutat\u00f3 K\u00f6zpont
\r\n 1061 Budapest, Liszt Ferenc t\u00e9r 10. bell: 65, I. emelet<\/p>\r\n\r\n

Febru\u00e1r 21., p\u00e9ntek<\/p>\r\n\r\n

09:00\u201309:30 Regisztr\u00e1ci\u00f3
\r\n 09:30\u201311:15 \/ 3. szekci\u00f3
\r\n Hogyan \u00e9p\u00edtj\u00fck fel a m\u00faltb\u00f3l a j\u00f6v\u0151t \u2013 az \u00f6nhistoriz\u00e1l\u00e1s m\u0171v\u00e9szete<\/em>
\r\n Eln\u00f6k: Be\u00e1ta Hock<\/p>\r\n\r\n

Kristine Stiles: Collecting the Future: Kristine Stiles\u2019 Archive at the David M. Rubenstein Rare Book and Manuscript Library, Duke University, Methods, Theories, Self-and-Other Historicization, and a Special Focus on East-European Artists<\/em><\/p>\r\n\r\n

Henar Rivi\u00e8re: Fluxus and the Archive as Agent Provocateur<\/em><\/p>\r\n\r\n

Mela D\u00e1vila Freire: \u201cConstructive Contact between Us\u201d: Other Books and So by Ulises Carri\u00f3n<\/em><\/p>\r\n\r\n

David Crowley: Archiving the Infra-Ordinary in Late Socialism<\/em><\/p>\r\n\r\n

Kerekasztal<\/p>\r\n\r\n

11:15\u201311:45 K\u00e1v\u00e9sz\u00fcnet<\/p>\r\n\r\n

11:45\u201313:30 \/ 4. szekci\u00f3
\r\n Az arch\u00edvum mint m\u0171v\u00e9szeti m\u00e9dium \/ az archiv\u00e1l\u00e1s m\u00e9diumai<\/em>
\r\n Eln\u00f6k: David Crowley<\/p>\r\n\r\n

Meghan Forbes: The Art Magazine as Archive: Underground Print Culture in 1980s East Germany<\/em><\/p>\r\n\r\n

Elisabeth Zimmermann: \u00d61 Kunstradio and Its Never Finished Online Archive<\/em><\/p>\r\n\r\n

Roddy Hunter \u2013 Judit Bodor: artpool.hu: a user\u2019s guide<\/em><\/p>\r\n\r\n

Agustina Andreoletti: Shadow Libraries: Distributed Models for the Creation and Circulation of Digital Archives<\/em><\/p>\r\n\r\n

Kerekasztal<\/p>\r\n\r\n

13:30\u201314:30 Eb\u00e9dsz\u00fcnet<\/p>\r\n\r\n

14:30\u201316:15 \/ 5. szekci\u00f3
\r\n Kapcsolatm\u0171v\u00e9szet \u00e9s h\u00e1l\u00f3zat-te\u00f3ri\u00e1k<\/em>
\r\n Eln\u00f6k: Roddy Hunter<\/p>\r\n\r\n

John Held: Harboring Hidden Histories: Mail Art\u2019s Reception in United States Institutional Archives<\/em>
\r\n <\/em>
\r\n Katalin Tim\u00e1r: Theorizing Mail Art: Frameworks and Approaches<\/em><\/p>\r\n\r\n

Klara Kemp-Welch: Networking the Bloc: Critical Reflections on Art Historical Method<\/em><\/p>\r\n\r\n

Kerekasztal<\/p>\r\n\r\n

16:15\u201316:45 K\u00e1v\u00e9sz\u00fcnet<\/p>\r\n\r\n

16:45\u201317:45 Z\u00e1r\u00f3 kerekasztal<\/p>\r\n\r\n

18:00 \u00c9rdekl\u0151d\u00e9s eset\u00e9n: csoportos l\u00e1togat\u00e1s az Artpool j\u00f6v\u0151beli helysz\u00edn\u00e9re (KEMKI \u2013 K\u00f6z\u00e9p-Eur\u00f3pai M\u0171v\u00e9szett\u00f6rt\u00e9neti Kutat\u00f3 Int\u00e9zet)<\/p>\r\n\r\n

R\u00e9szletes program:
\r\n https:\/\/www.artpool.hu\/institute\/artpool_40-conference_hu.html<\/a><\/p>\r\n\r\n

\"\"<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Budapest, 2020. febru\u00e1r 20-21. Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum, Schickedanz Terem Koncepci\u00f3: Az Artpool alap\u00edt\u00e1s\u00e1nak 40. \u00e9vfordul\u00f3ja \u00e9s az Artpoolt is mag\u00e1ban foglal\u00f3 K\u00f6z\u00e9p-Eur\u00f3pai M\u0171v\u00e9szett\u00f6rt\u00e9neti Kutat\u00f3 Int\u00e9zet (KEMKI) ez\u00e9vre tervezett l\u00e9trej\u00f6tte alkalm\u00e1b\u00f3l nemzetk\u00f6zi konferenci\u00e1t szervezt\u00fcnk. Az esem\u00e9ny c\u00e9lja, hogy felt\u00e9rk\u00e9pezze az Artpool t\u00f6rt\u00e9net\u00e9nek \u00e9s jelen m\u0171v\u00e9szetkutat\u00f3 munk\u00e1j\u00e1nak kontextusait a m\u0171v\u00e9szarch\u00edvumokkal, a progressz\u00edv muzeol\u00f3gi\u00e1val, \u00e9s a hidegh\u00e1bor\u00fa m\u0171v\u00e9szeti sz\u00edntereinek […]<\/p>\n","protected":false},"author":1,"featured_media":825663,"parent":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-825662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/825662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=825662"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/825662\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media\/825663"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=825662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=825662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=825662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}