{"id":826061,"date":"2021-02-11T13:56:01","date_gmt":"2021-02-11T12:56:01","guid":{"rendered":"https:\/\/exindex.hu\/?p=826061"},"modified":"2021-02-13T19:02:42","modified_gmt":"2021-02-13T18:02:42","slug":"trafo-galeria-nyitott-muterem-10","status":"publish","type":"post","link":"https:\/\/exindex.hu\/hu\/hirek\/trafo-galeria-nyitott-muterem-10\/","title":{"rendered":"Traf\u00f3 Gal\u00e9ria Nyitott M\u0171terem #10"},"content":{"rendered":"<p>2021. 02. 11. (cs\u00fct\u00f6rt\u00f6k) 21.00<br \/>\r\n <a href=\"https:\/\/www.facebook.com\/Trafo.Gallery\" target=\"_blank\">https:\/\/www.facebook.com\/Trafo.Gallery<\/a><\/p>\r\n\r\n<p>A Traf\u00f3 Gal\u00e9ria online m\u0171tereml\u00e1togat\u00e1s-sorozat\u00e1ban minden  cs\u00fct\u00f6rt\u00f6k\u00f6n 21 \u00f3r\u00e1t\u00f3l kur\u00e1torok \u00e9s szak\u00edr\u00f3k kalauzol\u00e1s\u00e1val nyerhet\u00fcnk  betekint\u00e9st egy-egy k\u00e9pz\u0151m\u0171v\u00e9sz m\u0171term\u00e9be, \u00e9s ismerhetj\u00fck meg  legfrissebb m\u0171veiket \u00e9s terveiket.<\/p>\r\n\r\n<p>A sorozat tizedik esem\u00e9ny\u00e9n, febru\u00e1r 11-\u00e9n Rita Ackermann New York-i  m\u0171term\u00e9be l\u00e1togatunk el M\u00e9lyi J\u00f3zsef m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz, kur\u00e1tor  vezet\u00e9s\u00e9vel. A besz\u00e9lget\u00e9st a Traf\u00f3 Gal\u00e9ria Facebook-oldal\u00e1n \u00e9l\u0151ben  lehet k\u00f6vetni, az online m\u0171tereml\u00e1togat\u00e1s v\u00e9g\u00e9n pedig ugyanitt v\u00e1rjuk a  k\u00e9rd\u00e9seket.<\/p>\r\n\r\n<p>A magyar sz\u00e1rmaz\u00e1s\u00fa, New York-ban \u00e9l\u0151 Rita Ackermann (1968) alkot\u00f3i  gyakorlat\u00e1t az alkot\u00e1s \u00e9s a rombol\u00e1s dinamik\u00e1ja szervezi. Festm\u00e9nyei a  figurativit\u00e1s \u00e9s az absztrakci\u00f3 hat\u00e1rmezsgy\u00e9j\u00e9n egyens\u00falyoz\u00f3 munk\u00e1k,  melyeken az emberi alak egyszerre t\u0171nik el \u00e9s v\u00e1lik l\u00e1that\u00f3v\u00e1.<\/p>\r\n\r\n<p>Az akci\u00f3fest\u00e9szet \u00e9s az absztrakt expresszionizmus munkam\u00f3dszer\u00e9t \u00e9s  vizu\u00e1lis k\u00f3djait id\u00e9z\u0151 nagym\u00e9ret\u0171 v\u00e1sznai t\u00f6bbek k\u00f6z\u00f6tt az  antropomorfizmus \u00e9s a femininit\u00e1s reprezent\u00e1ci\u00f3s lehet\u0151s\u00e9geinek  vizsg\u00e1lat\u00e1ra is v\u00e1llalkoznak. L\u00e9trehoz\u00e1suk sor\u00e1n a testnek is  kit\u00fcntetett szerepe van: Ackermann munk\u00e1i m\u00e9ret\u00fckn\u00e9l fogva is az alkot\u00f3  eg\u00e9sz test\u00e9t mozg\u00e1sban tartj\u00e1k, egyfajta koreografikus, t\u00e1ncszer\u0171  alkot\u00f3i folyamatot felt\u00e9telezve.<\/p>\r\n\r\n<p>A k\u00e9pek \u00edgy a fest\u00e9k, a kr\u00e9ta \u00e9s a k\u00fcl\u00f6nf\u00e9le pigmentek felhord\u00e1s\u00e1nak  \u00e9s r\u00e9szben sz\u00e1nd\u00e9kos, de a v\u00e9letlennel, az esetlegess\u00e9ggel szemben is  megenged\u0151 visszat\u00f6rl\u00e9s\u00e9nek, visszamos\u00e1s\u00e1nak saj\u00e1tos ritmik\u00e1ja \u00e9s  dinamik\u00e1ja sor\u00e1n ak\u00e1r ezeknek a mozg\u00e1sf\u00e1zisoknak a sz\u00ednd\u00fas, fluid  dokument\u00e1ci\u00f3j\u00e1nak, lenyomat\u00e1nak is tekinthet\u0151ek.<\/p>\r\n\r\n<p>Rita Ackermann a Magyar K\u00e9pz\u0151m\u0171v\u00e9szeti Egyetem fest\u0151 szak\u00e1n elt\u00f6lt\u00f6tt  k\u00e9t \u00e9v ut\u00e1n k\u00f6lt\u00f6z\u00f6tt az Egyes\u00fclt \u00c1llamokba, ahol el\u0151sz\u00f6r a New York  Studio School of Painting, Drawing and Sculpture iskol\u00e1ban tanult, majd a  kilencvenes \u00e9vek \u00faj ir\u00e1nyzatokat hoz\u00f3 New York-i kultur\u00e1lis k\u00f6zeg\u00e9ben  m\u0171v\u00e9szete gy\u00f6keret vert. Munk\u00e1ss\u00e1g\u00e1ra a kezdetekt\u0151l jellemz\u0151 a m\u0171faji  keretek \u00e1tl\u00e9p\u00e9se; a divat, a zene, a film, az irodalom \u00e9s a  legk\u00fcl\u00f6nf\u00e9l\u00e9bb k\u00e9pz\u0151m\u0171v\u00e9szeti m\u0171fajok kifejez\u00e9sm\u00f3dj\u00e1nak, nyelv\u00e9nek \u00e9s  eszk\u00f6zrendszer\u00e9nek egym\u00e1sba olt\u00e1sa.<\/p>\r\n\r\n<p>Munk\u00e1ib\u00f3l sz\u00e1mos egy\u00e9ni \u00e9s csoportos ki\u00e1ll\u00edt\u00e1st rendeztek, az  Egyes\u00fclt \u00c1llamokban \u00e9s Eur\u00f3p\u00e1ban egyar\u00e1nt. Egy\u00e9ni ki\u00e1ll\u00edt\u00e1sai t\u00f6bbek  k\u00f6z\u00f6tt a Hauser &amp; Wirth New York-i, z\u00fcrichi, londoni \u00e9s somerseti  gal\u00e9ri\u00e1iban, a mil\u00e1n\u00f3i Triennaleban, a New York-i Marlborough  Contemporary-ben, a Journal Gallery-ben, a Karma Gallery-ben, a Swiss  Institute-ban, az Andrea Rosen Gallery-ben, a Malm\u00f6 Konsthall-ban, a  chicag\u00f3i Soccer Club Clubban, a Farago Gallery-ben, a burgenlandi  Sammlung Friedrichshofban, a Miami Museum of Contemporary Art-ban, a  budapesti Ludwig M\u00fazeumban \u00e9s a B32 Gal\u00e9ri\u00e1ban, az ath\u00e9ni Rebecca Camhi  Gallery-ben, a Poitiers-i Le Confort Moderne-ben, a z\u00fcrichi Galerie  Peter Kilchmann-ban, a Bonner Kunstvereinban, az amszterdami Annet  Gelink Gallery-ben, a toki\u00f3i Parco Gallery-ben voltak l\u00e1that\u00f3ak.<\/p>\r\n\r\n<p>Munk\u00e1i a p\u00e1rizsi Le Fab., a Centre Georges Pompidou, a San Antonioi  McNay Art Museum, a New York-i Pace Gallery, a New Museum, az Arsenal  Contemporary, a Journal Gallery, a Fortnight Institute, a Romeo Gallery,  a Museum of Modern Art, a Whitney Museum of American Art, a New Jersey  Museum of Contemporary Art, a Gagosian Gallery, a PS1 Contemporary Art  Center, a Murray Guy Gallery, az International Print Center, a MANA  Contemporary, a Barbara Gladstone Gallery, az Acquavella Galleries, a  White Columns, a Franklin Parrasch Gallery, a Anton Kern Gallery, a  Venus Over Manhattan, a Marianne Boesky Gallery, a londoni National  Portrait Gallery, a Victoria Miro, a Greenwich-i Brant Foundation, a Los  Angeles-i Mier Gallery, a Hannah Hoffman Gallery, a Beaux-arts de  Paris, a barcelonai Fundaci\u00f3 Gaspar Group, a ridgefieldi Aldrich Museum  of Contemporary Art, a Heimatmuseum Grimmen, az ath\u00e9ni ReMAP 4, a  Grenoble-i Le Magasin, a Kunsthalle Wien, a Galerie Meyer Kainer, a  londoni Zabludowicz Art Projects, a rotterdami Museum Boijmans Van  Beuningen, a chicag\u00f3i Museum of Contemporary Art, a karlsruhei Zentrum  fur Kunst und Medientechnologie, a Haifa Museum of Art, a z\u00fcrichi Migros  Museum f\u00fcr Gegenwartskunst, a Mus\u00e9e d\u2019art Contemporain de Bordeaux, az  eindhoveni MU Art Foundation, a Melbourne-i Center for Contemporary  Photography \u00e9s a budapesti Ernst M\u00fazeum csoportos ki\u00e1ll\u00edt\u00e1sain  szerepeltek.<\/p>\r\n\r\n<p><a href=\"http:\/\/www.hauserwirth.com\/artists\/2832-rita-ackermann\" target=\"_blank\">www.hauserwirth.com\/artists\/2832-rita-ackermann<\/a><\/p>\r\n\r\n<p><a href=\"\/wp-content\/uploads\/x\/ra.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6062\" title=\"ra\" src=\"\/wp-content\/uploads\/x\/ra.jpg\" alt=\"\" width=\"500\" height=\"281\" \/><\/a><\/p>\r\n\r\n<p>A sorozat k\u00f6vetkez\u0151 esem\u00e9nyei:<br \/>\r\n 2021.02.18 21:00 Gerhes G\u00e1bor | besz\u00e9lget\u0151t\u00e1rs: Nagy Gergely<br \/>\r\n 2021.02.25. 21:00 Borsos L\u0151rinc | besz\u00e9lget\u0151t\u00e1rs: Nemes Z. M\u00e1ri\u00f3<br \/>\r\n 2021.03.04. 21:00 Ember S\u00e1ri | besz\u00e9lget\u0151t\u00e1rs: Gad\u00f3 Fl\u00f3ra<br \/>\r\n 2021.03.11. 21:00 N\u00e9meth Ilona | besz\u00e9lget\u0151t\u00e1rs: Hunya Krisztina<\/p>","protected":false},"excerpt":{"rendered":"<p>2021. 02. 11. (cs\u00fct\u00f6rt\u00f6k) 21.00 https:\/\/www.facebook.com\/Trafo.Gallery A Traf\u00f3 Gal\u00e9ria online m\u0171tereml\u00e1togat\u00e1s-sorozat\u00e1ban minden cs\u00fct\u00f6rt\u00f6k\u00f6n 21 \u00f3r\u00e1t\u00f3l kur\u00e1torok \u00e9s szak\u00edr\u00f3k kalauzol\u00e1s\u00e1val nyerhet\u00fcnk betekint\u00e9st egy-egy k\u00e9pz\u0151m\u0171v\u00e9sz m\u0171term\u00e9be, \u00e9s ismerhetj\u00fck meg legfrissebb m\u0171veiket \u00e9s terveiket. A sorozat tizedik esem\u00e9ny\u00e9n, febru\u00e1r 11-\u00e9n Rita Ackermann New York-i m\u0171term\u00e9be l\u00e1togatunk el M\u00e9lyi J\u00f3zsef m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz, kur\u00e1tor vezet\u00e9s\u00e9vel. A besz\u00e9lget\u00e9st a Traf\u00f3 Gal\u00e9ria Facebook-oldal\u00e1n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":826062,"parent":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-826061","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/826061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/comments?post=826061"}],"version-history":[{"count":0,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/posts\/826061\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media\/826062"}],"wp:attachment":[{"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/media?parent=826061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/categories?post=826061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exindex.hu\/hu\/wp-json\/wp\/v2\/tags?post=826061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}