call for documentation-public art projects

Zacheta National Gallery of Art in Warsaw calls for video/photo documentation of artistic projects referring to post-communist public spaces. Selection of the documentation will be presented in Zacheta gallery space in relation to the public art project organized between March and December 2008 in Warsaw Please send inquiries or submissions to: Joanna Sokolowska Zacheta National Gallery of Art Pl. Malachowskiego 3 00-916 Warsaw www.zacheta.art.pl Description of the project: The dominant mode of production in cities is undergoing a fundamental change. From places of manufacturing and commerce, cities are becoming places whose focus is services and leisure, and creativity thus becomes a major element in the production of wealth. This transformation goes hand in hand with a destabilisation of hierarchies (those through which we make categorise and make sense of knowledge, society, art, etc.) and a loosening up of social spaces, but at the same time makes them vulnerable to new types of appropriation and control. In the post-communist cities, this transformation is particularly striking. For these cities have rapidly moved away from a socialist modernity, which is often cast as a mistaken or unfulfilled modernity, towards new social formations for which adequate models, whether political or academic, have yet to be found. We seem to be stuck between a past we can neither be rid of nor understand (much though some would want to cleanse it) and a West we can never be (much though some would want to embrace it). The multifaceted post-communist urban structure is characterised by simultaneous mutual interaction of many processes of apparently contradictory logic: of shutting and opening. The politics of symbolic memory, the representation of power, a narrow definition of national and religious values function at the same time as the opening of the city to the flows of capital and economy based on knowledge and culture. The processes of opening and liberalization are accompanied by the emergence of new regimes of surveillance, borders, exclusions (e.g. particular types of migration, trade and leisure are actively encouraged, while others are made illegal). What everyday strategies do the inhabitants of a city like Warsaw develop to deal with the new configuration of possibilities and prohibitions, of liberation and control? What are their expectations or memories; and what are they unwilling or unable to see? The challenge of this project is to ask ’ÄúWhat, under such circumstances, can artists tell us about Warsaw or how can they impact in the public space of this city?’Äù For artists are not innocent in the processes underway. Even as they attempt to critique and explore, their successes make them spokespeople for the new economy: creation is capital. But perhaps it is only art that is supple enough to uncover the paradoxes and undiscovereds of the way in which the everyday life of Warsaw is now changing. It would be nice to think that art is not fatally compromised, but that it is possible for art to exploit the uncertainty of its position in the processes of production, to turn attention away from a production of status towards an intervention and experimentation with space, perhaps an epistemology of space, that could enable the production of the specificity of spaces themselves, exploring and extending perhaps the theoretical challenge set out by Henri Lefˆ®vbre in his book The Production of Space. The above text is a proposition or challenge to which we will invite a range of artists from Poland and other Eastern European countries, to make interventions in the space of Warsaw. These interventions will then be documented in the Maly Salon space of Zacheta gallery, less in the form of an exhibition than in the form of a multi-lateral documentation of a work in progress: what can art tell us about contemporary Warsaw? How much of what it is undergoing is a unique local story, and how much simply a particular example of wider global or regional processes? The documentation of artworks will be accompanied by archival information about interventions in the public space of different post-communist cities and academic texts dealing with this topic published in a blog. Curators Joanna Sokolowska and Benjamin Cope