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Maria Marcos

Without a Script

The frame of social events - interview with Szacsva y Pal

interview

accept

[lid]

My Father with Van Gogh

[lid]

Little Hungarian

[lid]

Unbidden Land Art

[lid]

Turai Hedvig

The Kádár Era as Exhibition Concept

Amerigo Tot and the Balázs Béla Studio

reflex

contemporary guard

[lid]

Jacques Rancière

The Emancipated Spectator

out of focus

Subconcious art, Pécs

[lid]

highway

[lid]

Bálint Anna

(The Never Ending) Operetta

critique

Christmas Sale (Flying Squirrel)

[lid]

Hopp

[lid]

hijack

[lid]

Nostalgia

[lid]

Clean courtyard, tidy house

[lid]

Tatai Erzsébet

How to make worlds?

53rd Venice Biennale

critique

This week

[lid]

souvenir

[lid]

Tanks

[lid]

Adventure

[lid]

Life = Capital

[lid]

IZA BELLA

[lid]

Camera Obscura

[lid]

These are the things

[lid]

Eyes are stripy

[lid]

Quiver

[lid]

I Am Glad When Nothing Comes To My Mind

[lid]

Loop

[lid]

The True Artist

[lid]

Benchmark

[lid]

waiting for the Messiah

[lid]

Beöthy Balázs

Not pretended

The position of the speaker

freehand

evica

[lid]

Snaps with Cream

[lid]

bloody serious

[lid]

Plagiarism2000

[lid]

Maja Fowkes – Reuben Fowkes

Degrees of Modernity

Arctic Hysteria (Ludwig Museum, Budapest), Mi Vida (Mucsarnok), Altermodern (Tate Britain)

critique

Layers

[lid]

Dates in Neukölln

[lid]

hey slump

[lid]

Stencil For Sale!

[lid]

Maja Fowkes – Reuben Fowkes

The Exclusive World of Art Power

reflex

Achilles and the tortoise

[lid]

Maja Fowkes – Reuben Fowkes

Three Colours: Red

reflex

Maja Fowkes – Reuben Fowkes

Manifesta Reaches New Heights

Manifesta 7

critique

Leipziger Rundgang LADA 2008

International Art Fair

[lid]

Art must not always speak meekly

Artur Zmijewski in conversation with Miklós Erhardt

interview

Cloaca

Ernst Museum

[lid]

Maria Marcos

Politics of effect

The Remake of Remake

critique