When examining and viewing György Kungl’s ceramics, perspective plays a very important role: we must pay attention to the artist’s perspective, and at the same time, we must also consider our own perspective when viewing the artist’s perspective.
Tibor Wehner
Such plasticized visions, in their banality, are universal objects, situations, sculptural landscapes, and humanoid animals that arise as countless little bonsai thoughts in György Kungl’s soul, which he patiently and lovingly nurtures, cares for, and develops so that he can present them to us as sculptural images and so that we can recognize and love ourselves in them as objects.
József Készman