Almost Nothing

The exhibition Almost Nothing explores fundamental and timeless artistic questions through two distinct media: how a surface becomes an image, material becomes form, and gesture becomes presence. The drawings of Botond András Kiss and the sculptures of Dániel Nagy are connected not merely through formal parallels; in their lines of inquiry, they render the boundaries between painterly and sculptural thinking permeable. Within their works, diverse formal languages, material qualities, and visual traditions converge on a shared horizon where the very operation of the medium itself becomes the subject of investigation.