The digital revolution, one of the most significant developments of the late twentieth century, has fundamentally transformed humanity’s experience of time. In attention economy, algorithmic systems and artificial intelligence generate data at a pace that far exceeds human cognitive capacity. Although we increasingly adapt to the speed of machines—believing this adaptation enables us to keep pace with the world—digital systems and generative technologies only appear to facilitate understanding. In reality, the human nervous system cannot absorb information at such velocity. As a result, digital time has become detached from the rhythm of embodied human experience and perception.
Social theorist, Hartmut Rosa identified this rupture in 2010, arguing that acceleration makes it increasingly difficult for individuals to sustain meaningful relations with the world, leading to a growing sense of alienation. While access to information has never been easier, processes of comprehension and reflection have become more challenging. Objects, ideas, and experiences now become obsolete at unprecedented speed, while attention fragments and disperses. Consequently, the present moment loses its capacity to function as a point of reference. Meaning-making and knowledge production are thus forced into an unstable condition in which meaning disintegrates, fragments, and ultimately risks becoming an operation without reference. This condition echoes what sociologist and philosopher Jean Baudrillard described as the “end of history.”
Narrative time— understood as continuous and linear— ceases and gives way to a disordered flow of information. Philosopher, Byung-Chul Han describes this shift as a paradigm change in which history dissolves into a disseminated stream of data. Within this framework, a new understanding of time becomes necessary. Contemporary time, like information itself, is atomized and fragmented, appearing as scattered points rather than as a coherent sequence. Where continuity once implied direction and structure, the present moment manifests as an unstable interval. The fabric of time seems to consist of dispersed points that cannot be organized into coherent sets, and no clear consequence emerges—one event can no longer be inferred from another.
The attention economy, exploiting fragmentation and immediacy, turns the moment into its most important instrument and strives to make the loop of consumption inescapable. For Byung-Chul Han, breaking the logic of acceleration lies in deceleration. In his view, the points that constitute the fabric of time remain disconnected, as the references that might link them are absent, leaving an open space between them. Within this unoccupied space lies the possibility of slowing down: cognitive processes can regain experiential depth, and meaning can once again take form. Slowing down thus functions as an epistemological act—an intentional practice that reclaims the interval between points as a field of potential, where perception, meaning, and experience may be reassembled.
Exhibiting artists:
Alicja Bielawska, Jakub Hubálek, Kristóf Lázár, Áron Lődi, Marcell Mostoha, Hanna Rédling, Ádám Széll