With the rise of AI technology, I saw an opportunity to replace traditional landscape photograph the boundaries of traditional photography. Using an artificial intelligence program, that continuously learns from photographs on the Internet, I am able to generate landscape images that are syntheses of different natural elements. These landscapes are visually based on images of seas, mountains and deserts found on the Internet, and are composed of their uniformed visuals.
Once the AI creates an image, I pull up the digital file and and develop it in the analog photo lab. In the analog lab, I replace the film with a to a digital screen, creating a hybrid of digital and analog technology. The pixels and grains on a surface.
Camera-less processes form the second layer of images. I shape my images by by adding a completely different object, creating a photogram when enlarged. For larger images, the combination of analogue and digital techniques creates the a mesh on paper. In the process of enlarging, I experimented with processes that are not controllable, controllable, and which hide the awkwardness and spontaneity. Another layer of hybrid vision thus goes back to the beginnings of photography the beginnings of photography.
Each image is unique.
“A landscape over which a car or a high-speed train speeds loses its descriptive value. but its synthetic value is increased: the door of a railway carriage or the windscreen of a car of a car window or a windshield of a car window has changed the familiar aspect of things with the speed at which it has been reached.”
The change in our perception of the world modifies and defines the way we look at natural landscapes our everyday experience of the natural world.