Géza Nagy has recently broken away from metal sculptures depicting animals, and now focuses on the vibrations and intimacy of the human body. The fragmentation of figures larger than average height simultaneously enhances the physical sensation of material craftsmanship and the philosophical interpretation of the sensuality of the sculpture.
He breaks with their previous compactness, which allowed viewers to see into the sculpture. The question arises as to whether the sculpture now wants to represent the importance of its own exterior, or whether it wants to bring to life the “spirit locked in armor” as the soul of the sculpture.
The negative forms left in the sculpture are just as important components of the final work as the surface marks left by welding. Creating a sense of incompleteness, the work becomes whole through its imperfections.