Superposition

Superposition, namely the in-between state among the possibilities which state is given by not choosing, directs the attention of the beholder to the observation of the observation itself. It examines what happens to things when we behold them, and what happens to us when we see ourselves in this act of beholding.

The exhibition is the spatial visualisation of this speculative frame of thought. Scientific thinking and visualisation are, sometimes, reassuringly order-making, other times its uncomfortably restrictive character simultaneously manifests in the collection of works (this is superposition itself), hence we may choose: we stick with the road appointed to us or we let us be distracted by our doubts.

In the exhibition – on the verge of visible and invisible – different approaches, doubts, and failures are organised in a kaleidoscopic pattern which is, however, – and here do we come, we, the visitors – constantly re-formed by our presence and our thoughts.