We are all pink on the inside

Andrea Csekő’s geometric, rectangular compositions and Fruzsina Kun’s layered, mysterious worlds reveal two different universes at first glance, yet both make the invisible visible. Andrea’s austere forms create a sense of structure and order, while Fruzsina’s blurred boundaries open up hidden, mysterious dimensions. Both artists’ paintings evoke a sense of undulation, turbulence, expansion, flow – typically soft movements. How do these different approaches relate and what common truth do they reveal?