The globe is one of the most universal symbols, embodying the qualities of roundness, wholeness and sacrality. The curved shapes associated with the circle are an integral part of nature’s organic world of forms. Think of the berry shapes of fruit, the roundness of the eye, the rings of the tree.
Zoltán Kovács’ wood sculptures are entirely organic in their materiality, using fragrant fruit and tulip wood, bamboo or other soft woods. Although he often bends them using a unique process, the angularity of abstract geometry is characteristic of their formal construction. Examining the layered shells of the sphere reveals that it is composed of sharp and pointed shapes in its parts and slices. Expanding the spatial roundness of the sphere reveals a network of shape gaps and angular fractures.
The young sculptor’s insightful, analytical, searching and exploratory approach is truly characteristic of the young sculptor. He reveals the elements of construction which, through geometry and knowledge of form, form an exciting game for him. He also reveals the invisible possibilities within the sphere to those who view his work. Because the sphere is more than a curved shape. Its network of flat surfaces is an infinite playground. It is a field where it is possible to traverse planes and spaces and, by connecting shapes, to reach once again the mystery of wholeness.
The sculptures on display in the NACO exhibition space show that sometimes it’s good to look at the world in a different light, at what we take for granted. For through the shapes of the sculptures, we might even discover that it’s not impossible to play catch with a ball.