Roskó puts even more emphasis in his paintings on the branchy organ, what becomes an antler, a universal allegory of sensitivity and vulnerability. The quasi-narrative bound together by the olms features also an arcehtype of a tyrrant, a crying nude of King David and the figure of Spinoza fleeing through the mountains in a dreamlike scene.
Roskó sets a dark, gloomy tone for his paintings which are interlaced with fairy tale motifs.