In addition to painting, photography and installations, Csaba Fürjesi (1969) is intensively engaged in graphic processes, the possibility of extending letterpress techniques and combinations of graphic techniques.
In his work, Fürjesi balances between questions of concrete time and the relative perception of time. He takes familiar objects and patterns out of their original context, time slows down and expands, the world stops for a moment, and reality and fiction merge.
The juxtaposition of sovereign works with the same subject matter in different forms appears as a kind of intellectually harmonizing bricolage in the exhibition space.