Zsuzsanna Kóródi’s art is fundamentally shaped by the concept of layers, which frequently generate parallel and perpendicular images that move simultaneously through space and time, characterised by rhythmic repetition. In her glassworks, the visual experience transforms with the viewer’s movement, continuously revealing new perspectives. These works actively engage the human perception: the eyes of the spectator are compelled to adjust constantly, while the mind persistently reinterprets the observed. Despite their narrative associations, Kóródi’s works remain arenas for optical phenomena rather than becoming explicitly descriptive.
In contrast, György Gáspár’s works are closely aligned with his own term, “narrative geometry.” The exhibition delves into the artist’s personal inspirations, childhood memories, and experiences of fatherhood, which are symbolically reflected in the harmonious interplay of layered forms. The vibrantly coloured, improvisationally assembled components—joints, gears, and mechanical parts—not only underpin the motifs of his glassworks but also convey a profound sense of playfulness. They remind viewers that the elements of the world can be disassembled and reassembled into countless new forms and variations, with each work presenting a unique world.