Originally the visual artist Németh Ilona was to convert the entire space of Ernst Museum into a massive installation, but as preparations went along, she felt less and less able to identify with the plan.
She eventually decided to radically alter her own concept, and make a work that reflects more on the circumstances of realization, the personal motivations of its creator, and the cultural context, than the content of the original concept.
Fate vs. reality? To exhibit or not to exhibit – or to do something very different? An exhibition on the absence of an exhibition?