For years we have been interested in exploring the possibility of creating a relationship between our works in a joint exhibition.
In spite of or in spite of the supposed and perceived reflexive relationality of the objects, the success of this undertaking is not self-evident.
By success, in this case, we mean whether, within the conditions of the given space, we can find an interplay of the works in the totality of the view that is capable of adding new layers to the reception and interpretation of the objects as art objects.
Our basic premise is that before naming our objects as paintings and sculptures. we consider them first and foremost as part of the culture of objects. A part of material culture, but a specific field of material culture.
What this speciality is, whether the definition of art object is valid, these are the questions that we ask ourselves constantly in our work and in the creation of this exhibition.