Unfolded

One of the decisive points of the oeuvre, now looking back at a past of five decades, is the constant, while coherent renewal, which explores deeper and deeper layers of the metaphysics of the artwork. Until now, the utmost significant turning point of this road took place in the beginning of the 2000s, with the “black era”. The leaving of which was not only announcing the triumph of colours, but even more them being saturated with light, that around 2009 led to the effective use of gold and silver.

The hereby exhibited material shows a new phase: after the airy, almost transparent spaces of the past we reach a new, vigorous, seemingly reductive, at the same time lyrical chapter, the tones of grey. Grey is not else, but the in-between status of black and white, which in an ambivalent way absorbs the ancillary parts of forms, thereby sharpening their significant being, bringing the utmost true quality to light. Compared to the black era, a different, less easily manifested transcendence is suggested, all by itself generating a state of expectancy.

The calmness and homogeneous silence of the colour grey pervades the exhibition. The gestures, dens around one and one point or running in spirals, bring the space into movement, while in their concentrated forms the meaning softly lights up. We become viewers of the clotting of energies, the interaction of force fields, the layering of parallel universes where behind the illusory weightlessness and spontaneity of gestures, nearly solved to transparency, stands the utmost conscious preparations and concentrated creation. The self-created pictorial reality evidences here, through the formulizing of eternal ideas.