Hovering on the Border

András Bernát’s exhibition takes visitors into his experimental studio, established in the early 1980s. The centerpiece of the exhibition is a series of photographs in which the artist created his unique “world of line grids” while exploring the boundaries of the body and space. The concept is based on a holistic approach: the chaotic web of lines painted with black pigment extends across both the wrapping paper serving as the background and the nude model, visually merging the figure with its surroundings. This gesture eliminates the classical perception of space and creates an uncertain, floating visual experience in which the body is not a separate entity but an integral part of the texture. In addition to the surviving black-and-white photographs, the exhibition also presents pencil drawings and early experiments in homogenizing space as part of the creative process.