Subsist.Ence Level St.Andard Project 1984 W (or This is what has become of the unicell)

The International Parallel Union of Telecommunications (IPUT) was founded in 1968 under the cover-name Parallel Course / Study-Track by Tamás St.Turba, trust.ee in bankruptcy of IPUT, (in 1966, under the name Szenytyóby, he was the initiator of the Happening & Environment in Hungary, and in 2001, under the name St.Auby, he established the NETRAF /Neo-Socialist Realist IPUT’s Global Counter Art History Falsifiers Front/ of which he has since been an agent).

“[…] The aim of IPUT is to catalyze Myth-correction.

[…] Only the application of the Saint Heterarchy: the constitutionally disbursed Subsistence Allocation redistributed at the expense of the military budget for those participating in the Mythical St.Rike can ensure the functioning and fulfillment of the myth: the development of Free Will: the termination of the subordination of women, of the painful labor of giving birth, of the enticement of progeny to overconsumption, and of work: of physical immortality (see: Gen. 3:1-24). Down with Original Punishment! We demand Amnesty!

[…] According to the Pop-Solipsistic Paragraph 2 of the 24. Canton Constitution – “I am the cause of everything!” – in the course of the materialization of the given myth’s inherent extra mythical platform, we can only extricate ourselves from the Mythical Blockade through the practical application of mutual heterarchical transcendence of the degenerated creationist and the aberrant evolutionist circles of myth actualized as the outcome of the dichotomy of good and bad.

[…] St.Rike – by definition – was announced between Gen. 3:1-24. This obscure zone is the theo/logical connection between the sweaty cause and the deadly effect. St.Rike as such is an aesthetic-ethical operation performed on the deformed body of the ruling Myth. […]” (IPUT Manifesto).

”[…] In the 1960s, with the help of the groundwork done by the Incoherents, the Dadaists, the Futurists, the Surrealists, the Situationists, etc. the Marxist aesthetic revolution understood in the Beuysian sense broke out: the iconoclastic public, which had achieved self-consciousness, seized the tools of artistic production, which had been the private property of iconolatric artists and their institutional promoters, and, restructuring them according to its own, direct needs, also the process, goals, and distribution of collective artistic production: the work of art as a piece of merchandise ceased to exist, and in its place came the demand for Universal Subsistence Allocation. Although the iconolatric counterrevolution has since inevitably won back, in the falseness of consciousness and the reality of the market, its positions, which were not wholly demolished, the message of the intermedial new testament cannot yet be entirely forgotten. […]” (Anna Stomosis: Intermedia and Interaction, 2000).

Additional non-art-art material:

catholic M. Duchamp + protestant G. Brecht = St.Rike as Shabbat, Wei Wu Wei, that is, Fallow.

DOWN WITH ELECTIONS!

LONG LIVE VOTING!

DOWN WITH REPRESENTATIVE DEMOCRACY!

LONG LIVE SOLIPSISTIC DIRECT THEOCRACY!

“Do you agree that a Universal Subsistence Allocation is better than nothing?”

A VOTING BOOTH IN EVERY HOUSEHOLD!