Ludwig Goes Pop + The East Side Story

The art collection brought together by Peter and Irene Ludwig is the foundation of all Ludwig Museums. Perhaps the most well-known and famous part of this collection is the body of artworks that represents the period of Pop Art. It is unique in the sense that in addition to the iconic works of the most well-known Pop artists (Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Tom Wesselmann, etc.), it comprises pieces by less famous ones (Allan D’Arcangelo, Richard Lindner, etc.), along with artworks by the European representatives of this tendency (Peter Blake, Richard Hamilton, David Hockney, Mimmo Rotella). The collection of the Ludwig Museums alone is abundant for creating a survey exhibition of international Pop Art.

The allure of Pop Art lies in the fact – made evident by this exhibition – that succeeding the abstract tendencies, which had kept a considerable distance from the audience, it reintroduced a kind of figurative representation into the contemporary art of the time, which, owing to its everyday references, was familiar and seemingly easy to interpret for the public. At the same time, paradoxically, these works provide a critique of consumer society by translating the mechanism of daily consumption into art, offering the artworks (i.e. consumer products) to the spectators. This is also true of representations that already criticize a specific subject, such as the (Vietam) war, the representational modes in mass media.

The exhibition is partly realized as a collaboration of the Ludwig Museums; prior to the Budapest show, it was on display at the Ludwig Museums of Cologne and then Vienna. In the Budapest version, the exhibition is complemented with works by Hungarian and East-European artists (Ilona Keserü, Gyula Konkoly, László Lakner, Siskov Ludmil, Zsuzsa Szenes, Boris Bućan, Vera Fischer, Tomislav Gotovac, Dušan Otašević, Sanja Iveković, Běla Kolářová, Jana Želibská, Natalia LL, Stano Filko, Julius Koller, Marko Pogačnik, etc.). On the one hand, these pieces are based on the use of everyday objects in the period, and on the other hand, they provide a line-up of local cultural references. Indirectly, the exhibition also explores how the notions of “Western” art history can be interpreted in a context where the social and cultural conditions for the emergence of this tendency were fundamentally different from the original scenes where Pop Art had been created.

Exhibiting artists: Sándor Altorjai (HU), Gábor Altorjay (HU), Imre Bak (HU), Juraj Bartusz (CS-SK), Ákos Birkás (HU), Peter Blake (GB), Boris Bućan (YU-HR), Sándor Csutoros (HU), Radomir Damnjan Damnjanović (YU-BIH), Allan D’Arcangelo (USA), Jim Dine (USA), Stano Filko (SK), Vera Fischer (YU-HR), György Galántai (HU), Tomislav Gotovac (YU-HR), Gyula Gulyás (HU), László Gyémánt (HU), Raymond Hains (F), Richard Hamilton (GB), Al Hansen (USA), David Hockney (GB), Károly Hopp-Halász (HU), Robert Indiana (USA), Sanja Iveković (YU-HR), Zmago Jeraj (YU-SLO), Boris Jesih (YU-SLO), Jasper Johns (USA), Dragoš Kalajić (YU-SRB), Ilona Keserü (HU), Károly Kismányoki (HU), Bela Kolářova (CS-CZ), Julius Koller (CS-SK), Gyula Konkoly (HU), Dezső Korniss (HU), Nikola Koydl (YU-HR), Tamás Körösényi (HU), Natalia LL (PL), László Lakner (HU-D), Jean-Jacques Lebel (F), Roy Lichtenstein (USA), Richard Lindner (D-USA), Janez Logar (YU-SLO), Juraj Meliš (CS-SK), Alex Mlynárčik (CS-SK), Claes Oldenburg (USA), Dušan Otašević (YU-SRB), László Paizs (HU), Neša Paripović (YU-SRB), Miša Pengov (YU-SLO), Sándor Pinczehelyi (HU), Marko Pogačnik (YU-SLO), Robert Rauschenberg (USA), Mimmo Rotella (I), Rudolf Sikora (CS-SK), Ludmil Siskov (HU), Leonid Šejka (YU-SRB), Zsuzsa Szenes (HU), Tamás Szentjóby (HU), Joe Tilson (GB), Endre Tót (HU-D), Milena Usenik (YU-SLO), Tibor Vilt (HU), Wolf Vostell (D), Andy Warhol (USA), Tom Wesselmann (USA), Jurry Zieliński (PL), Jana Želibská (CS-SK)