The concept behind this exhibition: the interaction of an experimental “visual quartet,” a lyrical, abstract attunement to one another and to the inner self, with self-analytical formal solutions, metacommunicative tools, crossovers between fine art and photography, the dissolution of genre boundaries, even “calligraphic” overwriting gestures, utilizing negative-positive layers: in an archaic, analog manner, employing mixed media (and unique spatial-temporal interplay)…