In her latest photo series, she uses her relation to objects to define her place in the visual, logical order created by her. The artist herself is the central motif of the pieces constructed by a fixed structural logic. As one of the most obvious forms of self-representation, the nude is augmented by an array of objects from the immediate surroundings of the artist in her series of photographs.
Each piece comprises an image of the artist intertwined with the image of an object assigned to it, this way interpreting the psychological idea of ‘object relations’, referring to multilayered interaction between the individual and the surrounding world.