In his latest artistic period, Sági visualises our micro-world in the language of organic abstraction. He is most concerned with the question of how invisible phenomena and the micro and macro elements of the world around us can be represented by the basic elements of image-making: line and colour broken down into elements of light (natural and electronic).
In Sági’s paintings, a form is born in an infinite system of lines as cells divide and clump together. The line drawings, created with repetitive gestures, resemble micro- and macroscopic representations of microbes and single-celled organisms, based on the artist’s own observations under a light microscope.
His image-making process is also characterised by a transhuman attitude, as he makes the nature of digital imaging and technological anomalies such as chromatic aberration part of his precise hand-drawings. Some of the works exhibited in the first space can be interpreted as a continuation of the earlier “Analog noise” series, pseudo tectonic models of apparent seismographic measurements.