Animation of Emese Éva Kiss (detail)
Broken figurine • oil on canvas / oil and acrylic on latex • one of the two paintings is auto-destructing • 41 x 30.5 cm each • 2008
Kriszta Nagy: Virgin Mary one word – acryl, canvas
TNPU: 9. direkt demokratikus népszavazás / csak tizennyolc éven felülieknek
International Parallel Union of Telecommunikations/ – commando
IPUT: 9th direct democratic referendum / only for persons of 18 years and over
TNPU: 9. direkt demokratikus népszavazás / csak tizennyolc éven felülieknek
International Parallel Union of Telecommunikations/ – commando
IPUT: 9th direct democratic referendum / only for persons of 18 years and over
TNPU: 9. direkt demokratikus népszavazás / csak tizennyolc éven felülieknek
International Parallel Union of Telecommunikations/ – commando
IPUT: 9th direct democratic referendum / only for persons of 18 years and over
the irish potato famine of 1845-49 led to the building of several follies. the society of the day held that laissez faire, not a welfare state, was the appropriate form of civil management. the concept of a welfare state was a century away, and at that time reward without labour, even to those in need, was seen as misguided. however, to hire the needy for work on useful projects would deprive existing workers of their jobs. thus, construction projects termed “famine follies” came to be built. these include: roads in the middle of nowhere, between two seemingly random points; screen and estate walls; piers in the middle of bogs; etc. /howley, james. 1993. the follies and garden buildings of ireland. new haven: yale university press./
http://en.wikipedia.org/wiki/Folly