The exhibition and the connected publication dealing with the “Hungarian hippie” phenomenon – or the authority of such a term – are the results of a long selection, and they are made up by pairing two different viewpoints.
According to this the exhibition has two overlapping parts: one deals with the effects of the hippie movement on Hungarian fine art, – selected by the art historian Mónika Zombori; the other consist of original (digitalized and printed) private and public photos from the sixties-seventies, chosen by András Mezey “Golyó” who lived in and witnessed that period.