The reality defined by science is indifferent to me, as is the determinism of the linear conception of time, divided into eras. Existing in an alternative reality, I experiment with the visual representation of human qualities and sacred, ecstatic states of consciousness, one medium of which is photography. Avoiding the arrogance of captured popular moments and technical feats, I capture — from a metacommunicative and instinct-based position — those “officially unimportant” moments that are the corporeal manifestations of creation, the era itself, which is timeless and spaceless. The physical experiments, bodily experiences, organic movements, and stillness of the performing artist — arising from humility — like a vacuum, “empty, deprived of something, free…” — essentially convey the tragedy of annihilation and fulfillment.