Dennis Adams, Pierre Bastien, Sergio Belinchón, Császári Gábor, Csörgő Attila, Sebastián Díaz Morales, Olafur Eliasson, Erdély Miklós, Hans-Peter Feldmann, Douglas Gordon, Rodney Graham, Ulrike Grossarth, Margarete Hahner, Haus-Rucker-Co, William Kentridge, Rachel Khedoori, Dieter Kiessling, Kolozsvári Csenge, Mischa Kuball, Lendvai Ádám, Julio Le Parc, Maurer Dóra, Katharina Meldner, Tim Noble, Dore O, Giulio Paolini, Steven Pippin, Hermann Pitz, Sigmar Polke, Markus Raetz, Rist Pipilotti, Miguel Rothschild, Ed Ruscha, Thomas Ruff, Alfons Schilling, Nicolas Schöffer, Regina Silveira, Robert Smithson, Roland Stratmann, Szegedy-Maszák Zoltán, Fernezelyi Márton, Eulália Valldosera, Kara Walker, Sue Webster, Zádor Tamás
Blickmaschinen
Visual Tactics or how pictures emerge - The Werner Nekes Collection from the perspective of contemporary art
20. June 2009. - 23. August
Opening: 19. June 2009 at 19:00
Curators: Nike Bätzner, Eva Schmidt
Remarks by: Kőnig Frigyes
The exhibition starts out from the observation that today’s artists often turn their attention to the charm of historical media, parallel to their use of technologically complex, new media such as video, digital cameras and computers. This does not occur simply because of nostalgic longing; such interest also aims to reflect on the conditions of image production. Comparison between the images provided by apparatuses and diverse technologies and what the human eye is ready to perceive in the way of images always involves a revision of our visual habits as well.

The image is the leading medium of our times - we must continually fathom the depths of its spectrum of influence and the associated, constant changes in our ways of seeing. When tracking the origins of image production with the aid of various technologies and media, it is possible to experience the way that artistic images emerge, to identify their specific characteristics, and to pinpoint the way that fiction and reality, illusion and vision interlock. Bringing traditional concepts and apparatuses up to date signifies more than just a revival: it holds the potential for development and renewal, for surprise and experiment.

The aim of the exhibition is to provide a context for current artistic positions, adopting a media-archaeological perspective. Individual examples from the Werner Nekes Collection are thus to be shown as islands within the exhibition spaces. Over decades, the filmmaker Werner Nekes has built up a unique collection, the objects of which can be seen as the precursors to film, television and the digital age, and which come together to form a cultural history of optical media: anamorphoses, magic lantern apparatus and slides, perspective theatres etc. These objects enable us to read the historical development of image production before the background of available technical possibilities during each era.

The exhibition will enable visitors to sense the spirit of experiment behind all this, which has also stimulated contemporary artists. This spirit is reflected in the exhibition concept: the exhibition is intended as more than a touring exhibition, the content of which is fixed from the outset and for all venues. We are aiming for a dynamic concept, incorporating cross-references to the collections of individual local institutions and to relevant interdisciplinary discourse.